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<?xml version="1.0" encoding="UTF-8"?>
<guttext xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
xsi:noNamespaceSchemaLocation="./randj.xsd" >
<markupmeta>
<title>The Complete Works of William Shakespeare The Tragedy of Romeo and Juliet</title>
<gutdate>November, 1997</gutdate>
<textnum>1112</textnum>
<para>The Library of the Future Complete Works of William Shakespeare Library of the
Future is a TradeMark (TM) of World Library Inc.</para>
<gutfilename> ******This file should be named 1ws1610.txt or 1ws1610.zip***** Corrected
EDITIONS of our etexts get a new NUMBER, 1ws1611.txt VERSIONS based on separate
sources get new NUMBER, 2ws1610.txt</gutfilename>
</markupmeta>
<play>
<frontmatter>
<titlepage>
<pubinfo>1595</pubinfo>
<title>THE TRAGEDY OF ROMEO AND JULIET</title>
<author>by William Shakespeare</author>
</titlepage>
<personae>
<title>Dramatis Personae</title>
<pgroup>
<title>Chorus</title>
<persona>Escalus, Prince of Verona.</persona>
<persona>Paris, a young Count, kinsman to the Prince.</persona>
<persona>Montague, heads of two houses at variance with each other.</persona>
<persona>Capulet, heads of two houses at variance with each other.</persona>
<persona>An old Man, of the Capulet family.</persona>
<persona>Romeo, son to Montague.</persona>
<persona>Tybalt, nephew to Lady Capulet.</persona>
<persona>Mercutio, kinsman to the Prince and friend to Romeo.</persona>
<persona>Benvolio, nephew to Montague, and friend to Romeo</persona>
<persona>Tybalt, nephew to Lady Capulet.</persona>
<persona>Friar Laurence, Franciscan.</persona>
<persona>Friar John, Franciscan.</persona>
<persona>Balthasar, servant to Romeo.</persona>
<persona>Abram, servant to Montague.</persona>
<persona>Sampson, servant to Capulet.</persona>
<persona>Gregory, servant to Capulet.</persona>
<persona>Peter, servant to Juliet&apos;s nurse.</persona>
<persona>An Apothecary. </persona>
<persona>Three Musicians.</persona>
<persona>An Officer.</persona>
<persona>Lady Montague, wife to Montague.</persona>
<persona>Lady Capulet, wife to Capulet.</persona>
<persona>Juliet, daughter to Capulet.</persona>
<persona>Nurse to Juliet.</persona>
</pgroup>
<pgroup>Citizens of Verona; Gentlemen and Gentlewomen of both houses; Maskers,
Torchbearers, Pages, Guards, Watchmen, Servants, and Attendants. </pgroup>
</personae>
</frontmatter>
<playbody>
<scene>
<scndesc>SCENE.--Verona; Mantua.</scndesc>
<title>THE PROLOGUE</title>
<stagedir>Enter Chorus.</stagedir>
<speech>
<speaker>Chor.</speaker>
<line>Two households, both alike in dignity,</line>
<line>In fair Verona, where we lay our scene,</line>
<line>From ancient grudge break to new mutiny,</line>
<line>Where civil blood makes civil hands unclean.</line>
<line>From forth the fatal loins of these two foes</line>
<line>A pair of star-cross&apos;d lovers take their life;</line>
<line>Whose misadventur&apos;d piteous overthrows</line>
<line>Doth with their death bury their parents&apos; strife.</line>
<line>The fearful passage of their death-mark&apos;d love,</line>
<line>And the continuance of their parents&apos; rage,</line>
<line>Which, but their children&apos;s end, naught could remove,</line>
<line>Is now the two hours&apos; traffic of our stage;</line>
<line>The which if you with patient ears attend,</line>
<line>What here shall miss, our toil shall strive to mend.</line>
<stagedir>[Exit.]</stagedir>
</speech>
<!-- <<THIS ELECTRONIC VERSION OF THE COMPLETE WORKS OF WILLIAM
SHAKESPEARE IS COPYRIGHT 1990-1993 BY WORLD LIBRARY, INC., AND IS
PROVIDED BY PROJECT GUTENBERG ETEXT OF CARNEGIE MELLON UNIVERSITY
WITH PERMISSION. ELECTRONIC AND MACHINE READABLE COPIES MAY BE
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COMMERCIALLY. PROHIBITED COMMERCIAL DISTRIBUTION INCLUDES BY ANY
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-->
</scene>
<act id="1">
<scene id="1">
<scndesc>Scene I. Verona. A public place.</scndesc>
<stagedir>Enter Sampson and Gregory (with swords and bucklers) of the house
of Capulet.</stagedir>
<speech>
<speaker>Samp.</speaker>
<line> Gregory, on my word, we&apos;ll not carry coals.</line>
</speech>
<speech>
<speaker>Greg.</speaker>
<line> No, for then we should be colliers.</line>
</speech>
<speech>
<speaker>Samp.</speaker>
<line> I mean, an we be in choler, we&apos;ll draw.</line>
</speech>
<speech>
<speaker>Greg.</speaker>
<line> Ay, while you live, draw your neck out of collar.</line>
</speech>
<speech>
<speaker>Samp.</speaker>
<line> I strike quickly, being moved.</line>
</speech>
<speech>
<speaker>Greg.</speaker>
<line> But thou art not quickly moved to strike.</line>
</speech>
<speech>
<speaker>Samp.</speaker>
<line> A dog of the house of Montague moves me.</line>
</speech>
<speech>
<speaker>Greg.</speaker>
<line> To move is to stir, and to be valiant is to stand.</line>
<line>Therefore, if thou art moved, thou runn&apos;st away.</line>
</speech>
<speech>
<speaker>Samp.</speaker>
<line> A dog of that house shall move me to stand. I will take the
wall of any man or maid of Montague&apos;s.</line>
</speech>
<speech>
<speaker>Greg.</speaker>
<line> That shows thee a weak slave; for the weakest goes to the
wall.</line>
</speech>
<speech>
<speaker>Samp.</speaker>
<line> &apos;Tis true; and therefore women, being the weaker vessels,
are</line>
<line>ever thrust to the wall. Therefore I will push Montague&apos;s
men</line>
<line>from the wall and thrust his maids to the wall.</line>
</speech>
<speech>
<speaker>Greg.</speaker>
<line> The quarrel is between our masters and us their men.</line>
</speech>
<speech>
<speaker>Samp.</speaker>
<line> &apos;Tis all one. I will show myself a tyrant. When I have
fought</line>
<line>with the men, I will be cruel with the maids- I will cut off</line>
<line>their heads.</line>
</speech>
<speech>
<speaker>Greg.</speaker>
<line> The heads of the maids?</line>
</speech>
<speech>
<speaker>Samp.</speaker>
<line> Ay, the heads of the maids, or their maidenheads.</line>
<line>Take it in what sense thou wilt.</line>
</speech>
<speech>
<speaker>Greg.</speaker>
<line> They must take it in sense that feel it.</line>
</speech>
<speech>
<speaker>Samp.</speaker>
<line> Me they shall feel while I am able to stand; and &apos;tis
known I</line>
<line>am a pretty piece of flesh.</line>
</speech>
<speech>
<speaker>Greg.</speaker>
<line> &apos;Tis well thou art not fish; if thou hadst, thou hadst
been</line>
<line>poor-John. Draw thy tool! Here comes two of the house of</line>
<line>Montagues.</line>
</speech>
<stagedir>Enter two other Servingmen [Abram and Balthasar].</stagedir>
<speech>
<speaker>Samp.</speaker>
<line> My naked weapon is out. Quarrel! I will back thee.</line>
</speech>
<speech>
<speaker>Greg.</speaker>
<line> How? turn thy back and run?</line>
</speech>
<speech>
<speaker>Samp.</speaker>
<line> Fear me not.</line>
</speech>
<speech>
<speaker>Greg.</speaker>
<line> No, marry. I fear thee!</line>
</speech>
<speech>
<speaker>Samp.</speaker>
<line> Let us take the law of our sides; let them begin.</line>
</speech>
<speech>
<speaker>Greg.</speaker>
<line> I will frown as I pass by, and let them take it as they
list.</line>
</speech>
<speech>
<speaker>Samp.</speaker>
<line> Nay, as they dare. I will bite my thumb at them; which is</line>
<line>disgrace to them, if they bear it.</line>
</speech>
<speech>
<speaker>Abr.</speaker>
<line> Do you bite your thumb at us, sir?</line>
</speech>
<speech>
<speaker>Samp.</speaker>
<line> I do bite my thumb, sir.</line>
</speech>
<speech>
<speaker>Abr.</speaker>
<line> Do you bite your thumb at us, sir?</line>
</speech>
<speech>
<speaker>Samp.</speaker>
<line>
<stagedir>[aside to Gregory]</stagedir> Is the law of our side if
I say ay?</line>
</speech>
<speech>
<speaker>Greg.</speaker>
<line>
<stagedir>[aside to Sampson]</stagedir> No.</line>
</speech>
<speech>
<speaker>Samp.</speaker>
<line> No, sir, I do not bite my thumb at you, sir; but I bite my
thumb, sir.</line>
</speech>
<speech>
<speaker>Greg.</speaker>
<line> Do you quarrel, sir?</line>
</speech>
<speech>
<speaker>Abr.</speaker>
<line> Quarrel, sir? No, sir.</line>
</speech>
<speech>
<speaker>Samp.</speaker>
<line> But if you do, sir, am for you. I serve as good a man as
you.</line>
</speech>
<speech>
<speaker>Abr.</speaker>
<line> No better.</line>
</speech>
<speech>
<speaker>Samp.</speaker>
<line> Well, sir.</line>
</speech>
<stagedir>Enter Benvolio.</stagedir>
<speech>
<speaker>Greg.</speaker>
<line>
<stagedir>[aside to Sampson]</stagedir> Say &apos;better.&apos;
Here comes one of my</line>
<line>master&apos;s kinsmen.</line>
</speech>
<speech>
<speaker>Samp.</speaker>
<line> Yes, better, sir.</line>
</speech>
<speech>
<speaker>Abr.</speaker>
<line> You lie.</line>
</speech>
<speech>
<speaker>Samp.</speaker>
<line> Draw, if you be men. Gregory, remember thy swashing blow.</line>
<stagedir>They fight.</stagedir>
</speech>
<speech>
<speaker>Ben.</speaker>
<line> Part, fools!</line>
<stagedir>[Beats down their swords.]</stagedir>
<line>Put up your swords. You know not what you do.</line>
</speech>
<stagedir>Enter Tybalt.</stagedir>
<speech>
<speaker>Tyb.</speaker>
<line> What, art thou drawn among these heartless hinds?</line>
<line>Turn thee Benvolio! look upon thy death.</line>
</speech>
<speech>
<speaker>Ben.</speaker>
<line> I do but keep the peace. Put up thy sword,</line>
<line>Or manage it to part these men with me.</line>
</speech>
<speech>
<speaker>Tyb.</speaker>
<line> What, drawn, and talk of peace? I hate the word</line>
<line>As I hate hell, all Montagues, and thee.</line>
<line>Have at thee, coward!</line>
</speech>
<stagedir>They fight.</stagedir>
<stagedir>Enter an officer, and three or four Citizens with clubs or
partisans.</stagedir>
<speech>
<speaker>Officer.</speaker>
<line> Clubs, bills, and partisans! Strike! beat them down!</line>
</speech>
<speech>
<speaker>Citizens.</speaker>
<line> Down with the Capulets! Down with the Montagues!</line>
</speech>
<stagedir>Enter Old Capulet in his gown, and his Wife.</stagedir>
<speech>
<speaker>Cap.</speaker>
<line> What noise is this? Give me my long sword, ho!</line>
</speech>
<speech>
<speaker>Wife.</speaker>
<line> A crutch, a crutch! Why call you for a sword?</line>
</speech>
<speech>
<speaker>Cap.</speaker>
<line> My sword, I say! Old Montague is come</line>
<line>And flourishes his blade in spite of me.</line>
</speech>
<stagedir>Enter Old Montague and his Wife.</stagedir>
<speech>
<speaker>Mon.</speaker>
<line> Thou villain Capulet!- Hold me not, let me go.</line>
</speech>
<speech>
<speaker>M. Wife.</speaker>
<line> Thou shalt not stir one foot to seek a foe.</line>
</speech>
<stagedir>Enter Prince Escalus, with his Train.</stagedir>
<speech>
<speaker>Prince.</speaker>
<line>Rebellious subjects, enemies to peace,</line>
<line>Profaners of this neighbour-stained steel-</line>
<line>Will they not hear? What, ho! you men, you beasts, </line>
<line>That quench the fire of your pernicious rage</line>
<line>With purple fountains issuing from your veins!</line>
<line>On pain of torture, from those bloody hands</line>
<line>Throw your mistempered weapons to the ground</line>
<line>And hear the sentence of your moved prince.</line>
<line>Three civil brawls, bred of an airy word</line>
<line>By thee, old Capulet, and Montague,</line>
<line>Have thrice disturb&apos;d the quiet of our streets</line>
<line>And made Verona&apos;s ancient citizens</line>
<line>Cast by their grave beseeming ornaments</line>
<line>To wield old partisans, in hands as old,</line>
<line>Cank&apos;red with peace, to part your cank&apos;red hate.</line>
<line>If ever you disturb our streets again,</line>
<line>Your lives shall pay the forfeit of the peace.</line>
<line>For this time all the rest depart away.</line>
<line>You, Capulet, shall go along with me;</line>
<line>And, Montague, come you this afternoon,</line>
<line>To know our farther pleasure in this case,</line>
<line>To old Freetown, our common judgment place.</line>
<line>Once more, on pain of death, all men depart.</line>
</speech>
<stagedir>Exeunt all but Montague, his Wife, and Benvolio].</stagedir>
<speech>
<speaker>Mon.</speaker>
<line> Who set this ancient quarrel new abroach?</line>
<line>Speak, nephew, were you by when it began?</line>
</speech>
<speech>
<speaker>Ben.</speaker>
<line>Here were the servants of your adversary</line>
<line>And yours, close fighting ere I did approach.</line>
<line>I drew to part them. In the instant came</line>
<line>The fiery Tybalt, with his sword prepar&apos;d;</line>
<line>Which, as he breath&apos;d defiance to my ears,</line>
<line>He swung about his head and cut the winds,</line>
<line>Who, nothing hurt withal, hiss&apos;d him in scorn.</line>
<line>While we were interchanging thrusts and blows,</line>
<line>Came more and more, and fought on part and part,</line>
<line>Till the Prince came, who parted either part.</line>
</speech>
<speech>
<speaker>M. Wife.</speaker>
<line> O, where is Romeo? Saw you him to-day?</line>
<line>Right glad I am he was not at this fray.</line>
</speech>
<speech>
<speaker>Ben.</speaker>
<line>Madam, an hour before the worshipp&apos;d sun</line>
<line>Peer&apos;d forth the golden window of the East,</line>
<line>A troubled mind drave me to walk abroad;</line>
<line>Where, underneath the grove of sycamore</line>
<line>That westward rooteth from the city&apos;s side, </line>
<line>So early walking did I see your son.</line>
<line>Towards him I made; but he was ware of me</line>
<line>And stole into the covert of the wood.</line>
<line>I- measuring his affections by my own,</line>
<line>Which then most sought where most might not be found,</line>
<line>Being one too many by my weary self-</line>
<line>Pursu&apos;d my humour, not Pursuing his,</line>
<line>And gladly shunn&apos;d who gladly fled from me.</line>
</speech>
<speech>
<speaker>Mon.</speaker>
<line>Many a morning hath he there been seen,</line>
<line>With tears augmenting the fresh morning&apos;s dew,</line>
<line>Adding to clouds more clouds with his deep sighs;</line>
<line>But all so soon as the all-cheering sun</line>
<line>Should in the farthest East bean to draw</line>
<line>The shady curtains from Aurora&apos;s bed,</line>
<line>Away from light steals home my heavy son</line>
<line>And private in his chamber pens himself,</line>
<line>Shuts up his windows, locks fair daylight</line>
<line>And makes himself an artificial night.</line>
<line>Black and portentous must this humour prove</line>
<line>Unless good counsel may the cause remove.</line>
</speech>
<speech>
<speaker>Ben.</speaker>
<line> My noble uncle, do you know the cause?</line>
</speech>
<speech>
<speaker>Mon.</speaker>
<line> I neither know it nor can learn of him</line>
</speech>
<speech>
<speaker>Ben.</speaker>
<line> Have you importun&apos;d him by any means?</line>
</speech>
<speech>
<speaker>Mon.</speaker>
<line>Both by myself and many other friend;</line>
<line>But he, his own affections&apos; counsellor,</line>
<line>Is to himself- I will not say how true-</line>
<line>But to himself so secret and so close,</line>
<line>So far from sounding and discovery,</line>
<line>As is the bud bit with an envious worm</line>
<line>Ere he can spread his sweet leaves to the air</line>
<line>Or dedicate his beauty to the sun.</line>
<line>Could we but learn from whence his sorrows grow,</line>
<line>We would as willingly give cure as know.</line>
</speech>
<stagedir>Enter Romeo.</stagedir>
<speech>
<speaker>Ben.</speaker>
<line> See, where he comes. So please you step aside,</line>
<line>I&apos;ll know his grievance, or be much denied.</line>
</speech>
<speech>
<speaker>Mon.</speaker>
<line> I would thou wert so happy by thy stay</line>
<line>To hear true shrift. Come, madam, let&apos;s away, </line>
</speech>
<stagedir>Exeunt [Montague and Wife].</stagedir>
<speech>
<speaker>Ben.</speaker>
<line> Good morrow, cousin.</line>
</speech>
<speech>
<speaker>Rom.</speaker>
<line> Is the day so young?</line>
</speech>
<speech>
<speaker>Ben.</speaker>
<line> But new struck nine.</line>
</speech>
<speech>
<speaker>Rom.</speaker>
<line> Ay me! sad hours seem long.</line>
<line>Was that my father that went hence so fast?</line>
</speech>
<speech>
<speaker>Ben.</speaker>
<line> It was. What sadness lengthens Romeo&apos;s hours?</line>
</speech>
<speech>
<speaker>Rom.</speaker>
<line> Not having that which having makes them short.</line>
</speech>
<speech>
<speaker>Ben.</speaker>
<line> In love?</line>
</speech>
<speech>
<speaker>Rom.</speaker>
<line> Out-</line>
</speech>
<speech>
<speaker>Ben.</speaker>
<line> Of love?</line>
</speech>
<speech>
<speaker>Rom.</speaker>
<line> Out of her favour where I am in love.</line>
</speech>
<speech>
<speaker>Ben.</speaker>
<line> Alas that love, so gentle in his view,</line>
<line>Should be so tyrannous and rough in proof!</line>
</speech>
<speech>
<speaker>Rom.</speaker>
<line>Alas that love, whose view is muffled still,</line>
<line>Should without eyes see pathways to his will!</line>
<line>Where shall we dine? O me! What fray was here?</line>
<line>Yet tell me not, for I have heard it all.</line>
<line>Here&apos;s much to do with hate, but more with love.</line>
<line>Why then, O brawling love! O loving hate! </line>
<line>O anything, of nothing first create!</line>
<line>O heavy lightness! serious vanity!</line>
<line>Misshapen chaos of well-seeming forms!</line>
<line>Feather of lead, bright smoke, cold fire, sick health!</line>
<line>Still-waking sleep, that is not what it is</line>
<line>This love feel I, that feel no love in this.</line>
<line>Dost thou not laugh?</line>
</speech>
<speech>
<speaker>Ben.</speaker>
<line> No, coz, I rather weep.</line>
</speech>
<speech>
<speaker>Rom.</speaker>
<line> Good heart, at what?</line>
</speech>
<speech>
<speaker>Ben.</speaker>
<line> At thy good heart&apos;s oppression.</line>
</speech>
<speech>
<speaker>Rom.</speaker>
<line>Why, such is love&apos;s transgression.</line>
<line>Griefs of mine own lie heavy in my breast,</line>
<line>Which thou wilt propagate, to have it prest</line>
<line>With more of thine. This love that thou hast shown</line>
<line>Doth add more grief to too much of mine own.</line>
<line>Love is a smoke rais&apos;d with the fume of sighs;</line>
<line>Being purg&apos;d, a fire sparkling in lovers&apos; eyes;</line>
<line>Being vex&apos;d, a sea nourish&apos;d with lovers&apos; tears.</line>
<line>What is it else? A madness most discreet,</line>
<line>A choking gall, and a preserving sweet. </line>
<line>Farewell, my coz.</line>
</speech>
<speech>
<speaker>Ben.</speaker>
<line> Soft! I will go along.</line>
<line>An if you leave me so, you do me wrong.</line>
</speech>
<speech>
<speaker>Rom.</speaker>
<line> Tut! I have lost myself; I am not here:</line>
<line>This is not Romeo, he&apos;s some other where.</line>
</speech>
<speech>
<speaker>Ben.</speaker>
<line> Tell me in sadness, who is that you love?</line>
</speech>
<speech>
<speaker>Rom.</speaker>
<line> What, shall I groan and tell thee?</line>
</speech>
<speech>
<speaker>Ben.</speaker>
<line> Groan? Why, no;</line>
<line>But sadly tell me who.</line>
</speech>
<speech>
<speaker>Rom.</speaker>
<line> Bid a sick man in sadness make his will.</line>
<line>Ah, word ill urg&apos;d to one that is so ill!</line>
<line>In sadness, cousin, I do love a woman.</line>
</speech>
<speech>
<speaker>Ben.</speaker>
<line> I aim&apos;d so near when I suppos&apos;d you
lov&apos;d.</line>
</speech>
<speech>
<speaker>Rom.</speaker>
<line> A right good markman! And she&apos;s fair I love.</line>
</speech>
<speech>
<speaker>Ben.</speaker>
<line> A right fair mark, fair coz, is soonest hit.</line>
</speech>
<speech>
<speaker>Rom.</speaker>
<line>Well, in that hit you miss. She&apos;ll not be hit</line>
<line>With Cupid&apos;s arrow. She hath Dian&apos;s wit,</line>
<line>And, in strong proof of chastity well arm&apos;d,</line>
<line>From Love&apos;s weak childish bow she lives unharm&apos;d.</line>
<line>She will not stay the siege of loving terms, </line>
<line>Nor bide th&apos; encounter of assailing eyes,</line>
<line>Nor ope her lap to saint-seducing gold.</line>
<line>O, she&apos;s rich in beauty; only poor</line>
<line>That, when she dies, with beauty dies her store.</line>
</speech>
<speech>
<speaker>Ben.</speaker>
<line> Then she hath sworn that she will still live chaste?</line>
</speech>
<speech>
<speaker>Rom.</speaker>
<line>She hath, and in that sparing makes huge waste;</line>
<line>For beauty, starv&apos;d with her severity,</line>
<line>Cuts beauty off from all posterity.</line>
<line>She is too fair, too wise, wisely too fair,</line>
<line>To merit bliss by making me despair.</line>
<line>She hath forsworn to love, and in that vow</line>
<line>Do I live dead that live to tell it now.</line>
</speech>
<speech>
<speaker>Ben.</speaker>
<line> Be rul&apos;d by me: forget to think of her.</line>
</speech>
<speech>
<speaker>Rom.</speaker>
<line> O, teach me how I should forget to think!</line>
</speech>
<speech>
<speaker>Ben.</speaker>
<line> By giving liberty unto thine eyes.</line>
<line>Examine other beauties.</line>
</speech>
<speech>
<speaker>Rom.</speaker>
<line>&apos;Tis the way</line>
<line>To call hers (exquisite) in question more.</line>
<line>These happy masks that kiss fair ladies&apos; brows,</line>
<line>Being black puts us in mind they hide the fair. </line>
<line>He that is strucken blind cannot forget</line>
<line>The precious treasure of his eyesight lost.</line>
<line>Show me a mistress that is passing fair,</line>
<line>What doth her beauty serve but as a note</line>
<line>Where I may read who pass&apos;d that passing fair?</line>
<line>Farewell. Thou canst not teach me to forget.</line>
</speech>
<speech>
<speaker>Ben.</speaker>
<line> I&apos;ll pay that doctrine, or else die in debt.</line>
</speech>
<stagedir>Exeunt.</stagedir>
</scene>
<scene id="2">
<scndesc>Scene II. A Street.</scndesc>
<stagedir>Enter Capulet, County Paris, and [Servant] -the Clown.</stagedir>
<speech>
<speaker>Cap.</speaker>
<line> But Montague is bound as well as I,</line>
<line>In penalty alike; and &apos;tis not hard, I think,</line>
<line>For men so old as we to keep the peace.</line>
</speech>
<speech>
<speaker>Par.</speaker>
<line> Of honourable reckoning are you both,</line>
<line>And pity &apos;tis you liv&apos;d at odds so long.</line>
<line>But now, my lord, what say you to my suit?</line>
</speech>
<speech>
<speaker>Cap.</speaker>
<line>But saying o&apos;er what I have said before:</line>
<line>My child is yet a stranger in the world,</line>
<line>She hath not seen the change of fourteen years;</line>
<line>Let two more summers wither in their pride</line>
<line>Ere we may think her ripe to be a bride.</line>
</speech>
<speech>
<speaker>Par.</speaker>
<line> Younger than she are happy mothers made.</line>
</speech>
<speech>
<speaker>Cap.</speaker>
<line>And too soon marr&apos;d are those so early made.</line>
<line>The earth hath swallowed all my hopes but she;</line>
<line>She is the hopeful lady of my earth.</line>
<line>But woo her, gentle Paris, get her heart;</line>
<line>My will to her consent is but a part. </line>
<line>An she agree, within her scope of choice</line>
<line>Lies my consent and fair according voice.</line>
<line>This night I hold an old accustom&apos;d feast,</line>
<line>Whereto I have invited many a guest,</line>
<line>Such as I love; and you among the store,</line>
<line>One more, most welcome, makes my number more.</line>
<line>At my poor house look to behold this night</line>
<line>Earth-treading stars that make dark heaven light.</line>
<line>Such comfort as do lusty young men feel</line>
<line>When well apparell&apos;d April on the heel</line>
<line>Of limping Winter treads, even such delight</line>
<line>Among fresh female buds shall you this night</line>
<line>Inherit at my house. Hear all, all see,</line>
<line>And like her most whose merit most shall be;</line>
<line>Which, on more view of many, mine, being one,</line>
<line>May stand in number, though in reck&apos;ning none.</line>
<line>Come, go with me. <stagedir>[To Servant, giving him a
paper]</stagedir>
</line>
<line>Go, sirrah, trudge about</line>
<line>Through fair Verona; find those persons out</line>
<line>Whose names are written there, and to them say, </line>
<line>My house and welcome on their pleasure stay-</line>
</speech>
<stagedir>Exeunt [Capulet and Paris].</stagedir>
<speech>
<speaker>Serv.</speaker>
<line>Find them out whose names are written here? It is written</line>
<line>that the shoemaker should meddle with his yard and the tailor</line>
<line>with his last, the fisher with his pencil and the painter with</line>
<line>his nets; but I am sent to find those persons whose names are</line>
<line>here writ, and can never find what names the writing person hath</line>
<line>here writ. I must to the learned. In good time! </line>
</speech>
<stagedir>Enter Benvolio and Romeo.</stagedir>
<speech>
<speaker>Ben.</speaker>
<line>Tut, man, one fire burns out another&apos;s burning;</line>
<line>One pain is lessoned by another&apos;s anguish;</line>
<line>Turn giddy, and be holp by backward turning;</line>
<line>One desperate grief cures with another&apos;s languish.</line>
<line>Take thou some new infection to thy eye,</line>
<line>And the rank poison of the old will die.</line>
</speech>
<speech>
<speaker>Rom.</speaker>
<line> Your plantain leaf is excellent for that.</line>
</speech>
<speech>
<speaker>Ben.</speaker>
<line> For what, I pray thee?</line>
</speech>
<speech>
<speaker>Rom.</speaker>
<line> For your broken shin.</line>
</speech>
<speech>
<speaker>Ben.</speaker>
<line> Why, Romeo, art thou mad?</line>
</speech>
<speech>
<speaker>Rom.</speaker>
<line> Not mad, but bound more than a madman is;</line>
<line>Shut up in Prison, kept without my food,</line>
<line>Whipp&apos;d and tormented and- God-den, good fellow.</line>
</speech>
<speech>
<speaker>Serv.</speaker>
<line> God gi&apos; go-den. I pray, sir, can you read?</line>
</speech>
<speech>
<speaker>Rom.</speaker>
<line> Ay, mine own fortune in my misery.</line>
</speech>
<speech>
<speaker>Serv.</speaker>
<line> Perhaps you have learned it without book. But I pray, can you</line>
<line>read anything you see?</line>
</speech>
<speech>
<speaker>Rom.</speaker>
<line> Ay, If I know the letters and the language.</line>
</speech>
<speech>
<speaker>Serv.</speaker>
<line> Ye say honestly. Rest you merry!</line>
</speech>
<speech>
<speaker>Rom.</speaker>
<line>Stay, fellow; I can read.</line>
<stagedir>He reads.</stagedir>
<line>&apos;Signior Martino and his wife and daughters;</line>
<line>County Anselmo and his beauteous sisters;</line>
<line>The lady widow of Vitruvio;</line>
<line>Signior Placentio and His lovely nieces;</line>
<line>Mercutio and his brother Valentine;</line>
<line>Mine uncle Capulet, his wife, and daughters;</line>
<line>My fair niece Rosaline and Livia;</line>
<line>Signior Valentio and His cousin Tybalt; </line>
<line>Lucio and the lively Helena.&apos;</line>
<stagedir>[Gives back the paper.]</stagedir>
<line>A fair assembly. Whither should they come?</line>
</speech>
<speech>
<speaker>Serv.</speaker>
<line> Up.</line>
</speech>
<speech>
<speaker>Rom.</speaker>
<line> Whither?</line>
</speech>
<speech>
<speaker>Serv.</speaker>
<line> To supper, to our house.</line>
</speech>
<speech>
<speaker>Rom.</speaker>
<line> Whose house?</line>
</speech>
<speech>
<speaker>Serv.</speaker>
<line> My master&apos;s.</line>
</speech>
<speech>
<speaker>Rom.</speaker>
<line> Indeed I should have ask&apos;d you that before.</line>
</speech>
<speech>
<speaker>Serv.</speaker>
<line> Now I&apos;ll tell you without asking. My master is the great
rich</line>
<line>Capulet; and if you be not of the house of Montagues, I pray
come</line>
<line>and crush a cup of wine. Rest you merry!</line>
</speech>
<stagedir>Exit.</stagedir>
<speech>
<speaker>Ben.</speaker>
<line>At this same ancient feast of Capulet&apos;s</line>
<line>Sups the fair Rosaline whom thou so lov&apos;st;</line>
<line>With all the admired beauties of Verona.</line>
<line>Go thither, and with unattainted eye</line>
<line>Compare her face with some that I shall show,</line>
<line>And I will make thee think thy swan a crow.</line>
</speech>
<speech>
<speaker>Rom.</speaker>
<line>When the devout religion of mine eye</line>
<line>Maintains such falsehood, then turn tears to fires; </line>
<line>And these, who, often drown&apos;d, could never die,</line>
<line>Transparent heretics, be burnt for liars!</line>
<line>One fairer than my love? The all-seeing sun</line>
<line>Ne&apos;er saw her match since first the world begun.</line>
</speech>
<speech>
<speaker>Ben.</speaker>
<line>Tut! you saw her fair, none else being by,</line>
<line>Herself pois&apos;d with herself in either eye;</line>
<line>But in that crystal scales let there be weigh&apos;d</line>
<line>Your lady&apos;s love against some other maid</line>
<line>That I will show you shining at this feast,</line>
<line>And she shall scant show well that now seems best.</line>
</speech>
<speech>
<speaker>Rom.</speaker>
<line> I&apos;ll go along, no such sight to be shown,</line>
<line>But to rejoice in splendour of my own.</line>
</speech>
<stagedir>[Exeunt.]</stagedir>
</scene>
<scene id="3">
<scndesc>Scene III. Capulet&apos;s house.</scndesc>
<stagedir>Enter Capulet&apos;s Wife, and Nurse.</stagedir>
<speech>
<speaker>Wife.</speaker>
<line> Nurse, where&apos;s my daughter? Call her forth to me.</line>
</speech>
<speech>
<speaker>Nurse.</speaker>
<line> Now, by my maidenhead at twelve year old,</line>
<line>I bade her come. What, lamb! what ladybird!</line>
<line>God forbid! Where&apos;s this girl? What, Juliet!</line>
</speech>
<stagedir>Enter Juliet.</stagedir>
<speech>
<speaker>Jul.</speaker>
<line> How now? Who calls?</line>
</speech>
<speech>
<speaker>Nurse.</speaker>
<line> Your mother.</line>
</speech>
<speech>
<speaker>Jul.</speaker>
<line> Madam, I am here.</line>
<line>What is your will?</line>
</speech>
<speech>
<speaker>Wife.</speaker>
<line>This is the matter- Nurse, give leave awhile,</line>
<line>We must talk in secret. Nurse, come back again;</line>
<line>I have rememb&apos;red me, thou&apos;s hear our counsel.</line>
<line>Thou knowest my daughter&apos;s of a pretty age.</line>
</speech>
<speech>
<speaker>Nurse.</speaker>
<line> Faith, I can tell her age unto an hour.</line>
</speech>
<speech>
<speaker>Wife.</speaker>
<line> She&apos;s not fourteen.</line>
</speech>
<speech>
<speaker>Nurse.</speaker>
<line>I&apos;ll lay fourteen of my teeth-</line>
<line>And yet, to my teen be it spoken, I have but four-</line>
<line>She is not fourteen. How long is it now</line>
<line>To Lammastide?</line>
</speech>
<speech>
<speaker>Wife.</speaker>
<line> A fortnight and odd days.</line>
</speech>
<speech>
<speaker>Nurse.</speaker>
<line>Even or odd, of all days in the year,</line>
<line>Come Lammas Eve at night shall she be fourteen.</line>
<line>Susan and she (God rest all Christian souls!)</line>
<line>Were of an age. Well, Susan is with God;</line>
<line>She was too good for me. But, as I said,</line>
<line>On Lammas Eve at night shall she be fourteen;</line>
<line>That shall she, marry; I remember it well.</line>
<line>&apos;Tis since the earthquake now eleven years;</line>
<line>And she was wean&apos;d (I never shall forget it),</line>
<line>Of all the days of the year, upon that day;</line>
<line>For I had then laid wormwood to my dug,</line>
<line>Sitting in the sun under the dovehouse wall.</line>
<line>My lord and you were then at Mantua.</line>
<line>Nay, I do bear a brain. But, as I said,</line>
<line>When it did taste the wormwood on the nipple </line>
<line>Of my dug and felt it bitter, pretty fool,</line>
<line>To see it tetchy and fall out with the dug!</line>
<line>Shake, quoth the dovehouse! &apos;Twas no need, I trow,</line>
<line>To bid me trudge.</line>
<line>And since that time it is eleven years,</line>
<line>For then she could stand high-lone; nay, by th&apos; rood,</line>
<line>She could have run and waddled all about;</line>
<line>For even the day before, she broke her brow;</line>
<line>And then my husband (God be with his soul!</line>
<line>&apos;A was a merry man) took up the child.</line>
<line>&apos;Yea,&apos; quoth he, &apos;dost thou fall upon thy face?</line>
<line>Thou wilt fall backward when thou hast more wit;</line>
<line>Wilt thou not, Jule?&apos; and, by my holidam,</line>
<line>The pretty wretch left crying, and said &apos;Ay.&apos;</line>
<line>To see now how a jest shall come about!</line>
<line>I warrant, an I should live a thousand yeas,</line>
<line>I never should forget it. &apos;Wilt thou not, Jule?&apos; quoth
he,</line>
<line>And, pretty fool, it stinted, and said &apos;Ay.&apos;</line>
</speech>
<speech>
<speaker>Wife.</speaker>
<line> Enough of this. I pray thee hold thy peace.</line>
</speech>
<speech>
<speaker>Nurse.</speaker>
<line>Yes, madam. Yet I cannot choose but laugh </line>
<line>To think it should leave crying and say &apos;Ay.&apos;</line>
<line>And yet, I warrant, it bad upon it brow</line>
<line>A bump as big as a young cock&apos;rel&apos;s stone;</line>
<line>A perilous knock; and it cried bitterly.</line>
<line>&apos;Yea,&apos; quoth my husband, &apos;fall&apos;st upon thy
face?</line>
<line>Thou wilt fall backward when thou comest to age;</line>
<line>Wilt thou not, Jule?&apos; It stinted, and said
&apos;Ay.&apos;</line>
</speech>
<speech>
<speaker>Jul.</speaker>
<line> And stint thou too, I pray thee, nurse, say I.</line>
</speech>
<speech>
<speaker>Nurse.</speaker>
<line>Peace, I have done. God mark thee to his grace!</line>
<line>Thou wast the prettiest babe that e&apos;er I nurs&apos;d.</line>
<line>An I might live to see thee married once, I have my wish.</line>
</speech>
<speech>
<speaker>Wife.</speaker>
<line>Marry, that &apos;marry&apos; is the very theme</line>
<line>I came to talk of. Tell me, daughter Juliet,</line>
<line>How stands your disposition to be married?</line>
</speech>
<speech>
<speaker>Jul.</speaker>
<line> It is an honour that I dream not of.</line>
</speech>
<speech>
<speaker>Nurse.</speaker>
<line> An honour? Were not I thine only nurse,</line>
<line>I would say thou hadst suck&apos;d wisdom from thy teat.</line>
</speech>
<speech>
<speaker>Wife.</speaker>
<line>Well, think of marriage now. Younger than you,</line>
<line>Here in Verona, ladies of esteem,</line>
<line>Are made already mothers. By my count, </line>
<line>I was your mother much upon these years</line>
<line>That you are now a maid. Thus then in brief:</line>
<line>The valiant Paris seeks you for his love.</line>
</speech>
<speech>
<speaker>Nurse.</speaker>
<line> A man, young lady! lady, such a man</line>
<line>As all the world- why he&apos;s a man of wax.</line>
</speech>
<speech>
<speaker>Wife.</speaker>
<line> Verona&apos;s summer hath not such a flower.</line>
</speech>
<speech>
<speaker>Nurse.</speaker>
<line> Nay, he&apos;s a flower, in faith- a very flower.</line>
</speech>
<speech>
<speaker>Wife.</speaker>
<line>What say you? Can you love the gentleman?</line>
<line>This night you shall behold him at our feast.</line>
<line>Read o&apos;er the volume of young Paris&apos; face,</line>
<line>And find delight writ there with beauty&apos;s pen;</line>
<line>Examine every married lineament,</line>
<line>And see how one another lends content;</line>
<line>And what obscur&apos;d in this fair volume lies</line>
<line>Find written in the margent of his eyes,</line>
<line>This precious book of love, this unbound lover,</line>
<line>To beautify him only lacks a cover.</line>
<line>The fish lives in the sea, and &apos;tis much pride</line>
<line>For fair without the fair within to hide.</line>
<line>That book in many&apos;s eyes doth share the glory, </line>
<line>That in gold clasps locks in the golden story;</line>
<line>So shall you share all that he doth possess,</line>
<line>By having him making yourself no less.</line>
</speech>
<speech>
<speaker>Nurse.</speaker>
<line> No less? Nay, bigger! Women grow by men</line>
</speech>
<speech>
<speaker>Wife.</speaker>
<line> Speak briefly, can you like of Paris&apos; love?</line>
</speech>
<speech>
<speaker>Jul.</speaker>
<line> I&apos;ll look to like, if looking liking move;</line>
<line>But no more deep will I endart mine eye</line>
<line>Than your consent gives strength to make it fly.</line>
</speech>
<stagedir>Enter Servingman.</stagedir>
<speech>
<speaker>Serv.</speaker>
<line> Madam, the guests are come, supper serv&apos;d up, you
call&apos;d, my</line>
<line>young lady ask&apos;d for, the nurse curs&apos;d in the pantry,
and</line>
<line>everything in extremity. I must hence to wait. I beseech you</line>
<line>follow straight.</line>
</speech>
<speech>
<speaker>Wife.</speaker>
<line> We follow thee. <stagedir>Exit [Servingman].</stagedir></line>
<line>Juliet, the County stays.</line>
</speech>
<speech>
<speaker>Nurse.</speaker>
<line> Go, girl, seek happy nights to happy days.</line>
</speech>
<stagedir>Exeunt.</stagedir>
</scene>
<scene id="4">
<scndesc>Scene IV. A street.</scndesc>
<stagedir>Enter Romeo, Mercutio, Benvolio, with five or six other Maskers;
Torchbearers.</stagedir>
<speech>
<speaker>Rom.</speaker>
<line> What, shall this speech be spoke for our excuse?</line>
<line>Or shall we on without apology?</line>
</speech>
<speech>
<speaker>Ben.</speaker>
<line> The date is out of such prolixity.</line>
<line>We&apos;ll have no Cupid hoodwink&apos;d with a scarf,</line>
<line>Bearing a Tartar&apos;s painted bow of lath,</line>
<line>Scaring the ladies like a crowkeeper;</line>
<line>Nor no without-book prologue, faintly spoke</line>
<line>After the prompter, for our entrance;</line>
<line>But, let them measure us by what they will,</line>
<line>We&apos;ll measure them a measure, and be gone.</line>
</speech>
<speech>
<speaker>Rom.</speaker>
<line> Give me a torch. I am not for this ambling.</line>
<line>Being but heavy, I will bear the light.</line>
</speech>
<speech>
<speaker>Mer.</speaker>
<line> Nay, gentle Romeo, we must have you dance.</line>
</speech>
<speech>
<speaker>Rom.</speaker>
<line> Not I, believe me. You have dancing shoes</line>
<line>With nimble soles; I have a soul of lead</line>
<line>So stakes me to the ground I cannot move.</line>
</speech>
<speech>
<speaker>Mer.</speaker>
<line> You are a lover. Borrow Cupid&apos;s wings</line>
<line>And soar with them above a common bound.</line>
</speech>
<speech>
<speaker>Rom.</speaker>
<line> I am too sore enpierced with his shaft</line>
<line>To soar with his light feathers; and so bound</line>
<line>I cannot bound a pitch above dull woe.</line>
<line>Under love&apos;s heavy burthen do I sink.</line>
</speech>
<speech>
<speaker>Mer.</speaker>
<line> And, to sink in it, should you burthen love-</line>
<line>Too great oppression for a tender thing.</line>
</speech>
<speech>
<speaker>Rom.</speaker>
<line> Is love a tender thing? It is too rough,</line>
<line>Too rude, too boist&apos;rous, and it pricks like thorn.</line>
</speech>
<speech>
<speaker>Mer.</speaker>
<line> If love be rough with you, be rough with love.</line>
<line>Prick love for pricking, and you beat love down.</line>
<line>Give me a case to put my visage in.</line>
<line>A visor for a visor! What care I</line>
<line>What curious eye doth quote deformities?</line>
<line>Here are the beetle brows shall blush for me.</line>
</speech>
<speech>
<speaker>Ben.</speaker>
<line> Come, knock and Enter; and no sooner in</line>
<line>But every man betake him to his legs.</line>
</speech>
<speech>
<speaker>Rom.</speaker>
<line> A torch for me! Let wantons light of heart</line>
<line>Tickle the senseless rushes with their heels; </line>
<line>For I am proverb&apos;d with a grandsire phrase,</line>
<line>I&apos;ll be a candle-holder and look on;</line>
<line>The game was ne&apos;er so fair, and I am done.</line>
</speech>
<speech>
<speaker>Mer.</speaker>
<line> Tut! dun&apos;s the mouse, the constable&apos;s own word!</line>
<line>If thou art Dun, we&apos;ll draw thee from the mire</line>
<line>Of this sir-reverence love, wherein thou stick&apos;st</line>
<line>Up to the ears. Come, we burn daylight, ho!</line>
</speech>
<speech>
<speaker>Rom.</speaker>
<line> Nay, that&apos;s not so.</line>
</speech>
<speech>
<speaker>Mer.</speaker>
<line> I mean, sir, in delay</line>
<line>We waste our lights in vain, like lamps by day.</line>
<line>Take our good meaning, for our judgment sits</line>
<line>Five times in that ere once in our five wits.</line>
</speech>
<speech>
<speaker>Rom.</speaker>
<line> And we mean well, in going to this masque;</line>
<line>But &apos;tis no wit to go.</line>
</speech>
<speech>
<speaker>Mer.</speaker>
<line> Why, may one ask?</line>
</speech>
<speech>
<speaker>Rom.</speaker>
<line> I dreamt a dream to-night.</line>
</speech>
<speech>
<speaker>Mer.</speaker>
<line> And so did I.</line>
</speech>
<speech>
<speaker>Rom.</speaker>
<line> Well, what was yours?</line>
</speech>
<speech>
<speaker>Mer.</speaker>
<line> That dreamers often lie.</line>
</speech>
<speech>
<speaker>Rom.</speaker>
<line> In bed asleep, while they do dream things true.</line>
</speech>
<speech>
<speaker>Mer.</speaker>
<line> O, then I see Queen Mab hath been with you.</line>
<line>She is the fairies&apos; midwife, and she comes</line>
<line>In shape no bigger than an agate stone</line>
<line>On the forefinger of an alderman,</line>
<line>Drawn with a team of little atomies</line>
<line>Athwart men&apos;s noses as they lie asleep;</line>
<line>Her wagon spokes made of long spinners&apos; legs,</line>
<line>The cover, of the wings of grasshoppers;</line>
<line>Her traces, of the smallest spider&apos;s web;</line>
<line>Her collars, of the moonshine&apos;s wat&apos;ry beams;</line>
<line>Her whip, of cricket&apos;s bone; the lash, of film;</line>
<line>Her wagoner, a small grey-coated gnat,</line>
<line>Not half so big as a round little worm</line>
<line>Prick&apos;d from the lazy finger of a maid;</line>
<line>Her chariot is an empty hazelnut,</line>
<line>Made by the joiner squirrel or old grub,</line>
<line>Time out o&apos; mind the fairies&apos; coachmakers.</line>
<line>And in this state she &apos;gallops night by night</line>
<line>Through lovers&apos; brains, and then they dream of love;</line>
<line>O&apos;er courtiers&apos; knees, that dream on cursies straight; </line>
<line>O&apos;er lawyers&apos; fingers, who straight dream on fees;</line>
<line>O&apos;er ladies&apos; lips, who straight on kisses dream,</line>
<line>Which oft the angry Mab with blisters plagues,</line>
<line>Because their breaths with sweetmeats tainted are.</line>
<line>Sometime she gallops o&apos;er a courtier&apos;s nose,</line>
<line>And then dreams he of smelling out a suit;</line>
<line>And sometime comes she with a tithe-pig&apos;s tail</line>
<line>Tickling a parson&apos;s nose as &apos;a lies asleep,</line>
<line>Then dreams he of another benefice.</line>
<line>Sometimes she driveth o&apos;er a soldier&apos;s neck,</line>
<line>And then dreams he of cutting foreign throats,</line>
<line>Of breaches, ambuscadoes, Spanish blades,</line>
<line>Of healths five fadom deep; and then anon</line>
<line>Drums in his ear, at which he starts and wakes,</line>
<line>And being thus frighted, swears a prayer or two</line>
<line>And sleeps again. This is that very Mab</line>
<line>That plats the manes of horses in the night</line>
<line>And bakes the elflocks in foul sluttish, hairs,</line>
<line>Which once untangled much misfortune bodes</line>
<line>This is the hag, when maids lie on their backs, </line>
<line>That presses them and learns them first to bear,</line>
<line>Making them women of good carriage.</line>
<line>This is she-</line>
</speech>
<speech>
<speaker>Rom.</speaker>
<line> Peace, peace, Mercutio, peace!</line>
<line>Thou talk&apos;st of nothing.</line>
</speech>
<speech>
<speaker>Mer.</speaker>
<line> True, I talk of dreams;</line>
<line>Which are the children of an idle brain,</line>
<line>Begot of nothing but vain fantasy;</line>
<line>Which is as thin of substance as the air,</line>
<line>And more inconstant than the wind, who wooes</line>
<line>Even now the frozen bosom of the North</line>
<line>And, being anger&apos;d, puffs away from thence,</line>
<line>Turning his face to the dew-dropping South.</line>
</speech>
<speech>
<speaker>Ben.</speaker>
<line> This wind you talk of blows us from ourselves.</line>
<line>Supper is done, and we shall come too late.</line>
</speech>
<speech>
<speaker>Rom.</speaker>
<line> I fear, too early; for my mind misgives</line>
<line>Some consequence, yet hanging in the stars,</line>
<line>Shall bitterly begin his fearful date</line>
<line>With this night&apos;s revels and expire the term</line>
<line>Of a despised life, clos&apos;d in my breast, </line>
<line>By some vile forfeit of untimely death.</line>
<line>But he that hath the steerage of my course</line>
<line>Direct my sail! On, lusty gentlemen!</line>
</speech>
<speech>
<speaker>Ben.</speaker>
<line> Strike, drum.</line>
</speech>
<stagedir>They march about the stage. [Exeunt.]</stagedir>
</scene>
<scene id="5">
<scndesc>Scene V. Capulet&apos;s house.</scndesc>
<stagedir>Servingmen come forth with napkins.</stagedir>
<speech>
<speaker>1. Serv.</speaker>
<line> Where&apos;s Potpan, that he helps not to take away?</line>
<line>He shift a trencher! he scrape a trencher!</line>
</speech>
<speech>
<speaker>2. Serv.</speaker>
<line> When good manners shall lie all in one or two men&apos;s hands,</line>
<line>and they unwash&apos;d too, &apos;tis a foul thing.</line>
</speech>
<speech>
<speaker>1. Serv.</speaker>
<line> Away with the join-stools, remove the court-cubbert, look</line>
<line>to the plate. Good thou, save me a piece of marchpane and, as</line>
<line>thou loves me, let the porter let in Susan Grindstone and Nell.</line>
<line>Anthony, and Potpan!</line>
</speech>
<speech>
<speaker>2. Serv.</speaker>
<line> Ay, boy, ready.</line>
</speech>
<speech>
<speaker>1. Serv.</speaker>
<line> You are look&apos;d for and call&apos;d for, ask&apos;d for and
sought</line>
<line>for, in the great chamber.</line>
</speech>
<speech>
<speaker>3. Serv.</speaker>
<line> We cannot be here and there too. Cheerly, boys!</line>
<line>Be brisk awhile, and the longer liver take all.</line>
<stagedir>Exeunt.</stagedir>
</speech>
<stagedir>Enter the Maskers, Enter, [with Servants,] Capulet, his Wife,
Juliet, Tybalt, and all the Guests and Gentlewomen to the Maskers. </stagedir>
<speech>
<speaker>Cap.</speaker>
<line> Welcome, gentlemen! Ladies that have their toes</line>
<line>Unplagu&apos;d with corns will have a bout with you.</line>
<line>Ah ha, my mistresses! which of you all</line>
<line>Will now deny to dance? She that makes dainty,</line>
<line>She I&apos;ll swear hath corns. Am I come near ye now?</line>
<line>Welcome, gentlemen! I have seen the day</line>
<line>That I have worn a visor and could tell</line>
<line>A whispering tale in a fair lady&apos;s ear,</line>
<line>Such as would please. &apos;Tis gone, &apos;tis gone, &apos;tis
gone!</line>
<line>You are welcome, gentlemen! Come, musicians, play.</line>
<line>A hall, a hall! give room! and foot it, girls.</line>
<stagedir>Music plays, and they dance.</stagedir>
<line>More light, you knaves! and turn the tables up,</line>
<line>And quench the fire, the room is grown too hot.</line>
<line>Ah, sirrah, this unlook&apos;d-for sport comes well.</line>
<line>Nay, sit, nay, sit, good cousin Capulet,</line>
<line>For you and I are past our dancing days.</line>
<line>How long is&apos;t now since last yourself and I</line>
<line>Were in a mask?</line>
</speech>
<speech>
<speaker>2. Cap.</speaker>
<line> By&apos;r Lady, thirty years.</line>
</speech>
<speech>
<speaker>Cap.</speaker>
<line> What, man? &apos;Tis not so much, &apos;tis not so much!</line>
<line>&apos;Tis since the nuptial of Lucentio,</line>
<line>Come Pentecost as quickly as it will,</line>
<line>Some five-and-twenty years, and then we mask&apos;d.</line>
</speech>
<speech>
<speaker>2. Cap.</speaker>
<line> &apos;Tis more, &apos;tis more! His son is elder, sir;</line>
<line>His son is thirty.</line>
</speech>
<speech>
<speaker>Cap.</speaker>
<line> Will you tell me that?</line>
<line>His son was but a ward two years ago.</line>
</speech>
<speech>
<speaker>Rom.</speaker>
<line>
<stagedir>[to a Servingman]</stagedir> What lady&apos;s that,
which doth enrich the hand</line>
<line>Of yonder knight?</line>
</speech>
<speech>
<speaker>Serv.</speaker>
<line> I know not, sir.</line>
</speech>
<speech>
<speaker>Rom.</speaker>
<line> O, she doth teach the torches to burn bright!</line>
<line>It seems she hangs upon the cheek of night</line>
<line>Like a rich jewel in an Ethiop&apos;s ear-</line>
<line>Beauty too rich for use, for earth too dear!</line>
<line>So shows a snowy dove trooping with crows</line>
<line>As yonder lady o&apos;er her fellows shows.</line>
<line>The measure done, I&apos;ll watch her place of stand</line>
<line>And, touching hers, make blessed my rude hand. </line>
<line>Did my heart love till now? Forswear it, sight!</line>
<line>For I ne&apos;er saw true beauty till this night.</line>
</speech>
<speech>
<speaker>Tyb.</speaker>
<line> This, by his voice, should be a Montague.</line>
<line>Fetch me my rapier, boy. What, dares the slave</line>
<line>Come hither, cover&apos;d with an antic face,</line>
<line>To fleer and scorn at our solemnity?</line>
<line>Now, by the stock and honour of my kin,</line>
<line>To strike him dead I hold it not a sin.</line>
</speech>
<speech>
<speaker>Cap.</speaker>
<line> Why, how now, kinsman? Wherefore storm you so?</line>
</speech>
<speech>
<speaker>Tyb.</speaker>
<line> Uncle, this is a Montague, our foe;</line>
<line>A villain, that is hither come in spite</line>
<line>To scorn at our solemnity this night.</line>
</speech>
<speech>
<speaker>Cap.</speaker>
<line> Young Romeo is it?</line>
</speech>
<speech>
<speaker>Tyb.</speaker>
<line> &apos;Tis he, that villain Romeo.</line>
</speech>
<speech>
<speaker>Cap.</speaker>
<line> Content thee, gentle coz, let him alone.</line>
<line>&apos;A bears him like a portly gentleman,</line>
<line>And, to say truth, Verona brags of him</line>
<line>To be a virtuous and well-govern&apos;d youth.</line>
<line>I would not for the wealth of all this town</line>
<line>Here in my house do him disparagement. </line>
<line>Therefore be patient, take no note of him.</line>
<line>It is my will; the which if thou respect,</line>
<line>Show a fair presence and put off these frowns,</line>
<line>An ill-beseeming semblance for a feast.</line>
</speech>
<speech>
<speaker>Tyb.</speaker>
<line> It fits when such a villain is a guest.</line>
<line>I&apos;ll not endure him.</line>
</speech>
<speech>
<speaker>Cap.</speaker>
<line> He shall be endur&apos;d.</line>
<line>What, goodman boy? I say he shall. Go to!</line>
<line>Am I the master here, or you? Go to!</line>
<line>You&apos;ll not endure him? God shall mend my soul!</line>
<line>You&apos;ll make a mutiny among my guests!</line>
<line>You will set cock-a-hoop! you&apos;ll be the man!</line>
</speech>
<speech>
<speaker>Tyb.</speaker>
<line> Why, uncle, &apos;tis a shame.</line>
</speech>
<speech>
<speaker>Cap.</speaker>
<line> Go to, go to!</line>
<line>You are a saucy boy. Is&apos;t so, indeed?</line>
<line>This trick may chance to scathe you. I know what.</line>
<line>You must contrary me! Marry, &apos;tis time.-</line>
<line>Well said, my hearts!- You are a princox- go!</line>
<line>Be quiet, or- More light, more light!- For shame!</line>
<line>I&apos;ll make you quiet; what!- Cheerly, my hearts!</line>
</speech>
<speech>
<speaker>Tyb.</speaker>
<line> Patience perforce with wilful choler meeting</line>
<line>Makes my flesh tremble in their different greeting.</line>
<line>I will withdraw; but this intrusion shall,</line>
<line>Now seeming sweet, convert to bitt&apos;rest gall.</line>
</speech>
<stagedir>Exit.</stagedir>
<speech>
<speaker>Rom.</speaker>
<line> If I profane with my unworthiest hand</line>
<line>This holy shrine, the gentle fine is this:</line>
<line>My lips, two blushing pilgrims, ready stand</line>
<line>To smooth that rough touch with a tender kiss.</line>
</speech>
<speech>
<speaker>Jul.</speaker>
<line> Good pilgrim, you do wrong your hand too much,</line>
<line>Which mannerly devotion shows in this;</line>
<line>For saints have hands that pilgrims&apos; hands do touch,</line>
<line>And palm to palm is holy palmers&apos; kiss.</line>
</speech>
<speech>
<speaker>Rom.</speaker>
<line> Have not saints lips, and holy palmers too?</line>
</speech>
<speech>
<speaker>Jul.</speaker>
<line> Ay, pilgrim, lips that they must use in pray&apos;r.</line>
</speech>
<speech>
<speaker>Rom.</speaker>
<line> O, then, dear saint, let lips do what hands do!</line>
<line>They pray; grant thou, lest faith turn to despair.</line>
</speech>
<speech>
<speaker>Jul.</speaker>
<line> Saints do not move, though grant for prayers&apos; sake.</line>
</speech>
<speech>
<speaker>Rom.</speaker>
<line> Then move not while my prayer&apos;s effect I take.</line>
<line>Thus from my lips, by thine my sin is purg&apos;d.</line>
<stagedir>[Kisses her.]</stagedir>
</speech>
<speech>
<speaker>Jul.</speaker>
<line> Then have my lips the sin that they have took.</line>
</speech>
<speech>
<speaker>Rom.</speaker>
<line> Sin from my lips? O trespass sweetly urg&apos;d!</line>
<line>Give me my sin again.</line>
</speech>
<stagedir>[Kisses her.]</stagedir>
<speech>
<speaker>Jul.</speaker>
<line> You kiss by th&apos; book.</line>
</speech>
<speech>
<speaker>Nurse.</speaker>
<line> Madam, your mother craves a word with you.</line>
</speech>
<speech>
<speaker>Rom.</speaker>
<line> What is her mother?</line>
</speech>
<speech>
<speaker>Nurse.</speaker>
<line> Marry, bachelor,</line>
<line>Her mother is the lady of the house.</line>
<line>And a good lady, and a wise and virtuous.</line>
<line>I nurs&apos;d her daughter that you talk&apos;d withal.</line>
<line>I tell you, he that can lay hold of her</line>
<line>Shall have the chinks.</line>
</speech>
<speech>
<speaker>Rom.</speaker>
<line> Is she a Capulet?</line>
<line>O dear account! my life is my foe&apos;s debt.</line>
</speech>
<speech>
<speaker>Ben.</speaker>
<line> Away, be gone; the sport is at the best.</line>
</speech>
<speech>
<speaker>Rom.</speaker>
<line> Ay, so I fear; the more is my unrest.</line>
</speech>
<speech>
<speaker>Cap.</speaker>
<line> Nay, gentlemen, prepare not to be gone;</line>
<line>We have a trifling foolish banquet towards.</line>
<line>Is it e&apos;en so? Why then, I thank you all.</line>
<line>I thank you, honest gentlemen. Good night.</line>
<line>More torches here! <stagedir>[Exeunt Maskers.]</stagedir> Come
on then, let&apos;s to bed. </line>
<line>Ah, sirrah, by my fay, it waxes late;</line>
<line>I&apos;ll to my rest.</line>
</speech>
<stagedir>Exeunt [all but Juliet and Nurse].</stagedir>
<speech>
<speaker>Jul.</speaker>
<line> Come hither, nurse. What is yond gentleman?</line>
</speech>
<speech>
<speaker>Nurse.</speaker>
<line> The son and heir of old Tiberio.</line>
</speech>
<speech>
<speaker>Jul.</speaker>
<line> What&apos;s he that now is going out of door?</line>
</speech>
<speech>
<speaker>Nurse.</speaker>
<line> Marry, that, I think, be young Petruchio.</line>
</speech>
<speech>
<speaker>Jul.</speaker>
<line> What&apos;s he that follows there, that would not dance?</line>
</speech>
<speech>
<speaker>Nurse.</speaker>
<line> I know not.</line>
</speech>
<speech>
<speaker>Jul.</speaker>
<line> Go ask his name.- If he be married,</line>
<line>My grave is like to be my wedding bed.</line>
</speech>
<speech>
<speaker>Nurse.</speaker>
<line> His name is Romeo, and a Montague,</line>
<line>The only son of your great enemy.</line>
</speech>
<speech>
<speaker>Jul.</speaker>
<line> My only love, sprung from my only hate!</line>
<line>Too early seen unknown, and known too late!</line>
<line>Prodigious birth of love it is to me</line>
<line>That I must love a loathed enemy.</line>
</speech>
<speech>
<speaker>Nurse.</speaker>
<line> What&apos;s this? what&apos;s this?</line>
</speech>
<speech>
<speaker>Jul.</speaker>
<line> A rhyme I learnt even now</line>
<line>Of one I danc&apos;d withal.</line>
</speech>
<stagedir>One calls within, &apos;Juliet.&apos;</stagedir>
<speech>
<speaker>Nurse.</speaker>
<line> Anon, anon!</line>
<line>Come, let&apos;s away; the strangers all are gone.</line>
<stagedir>Exeunt.</stagedir>
</speech>
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<title>PROLOGUE</title>
<stagedir>Enter Chorus.</stagedir>
<speech>
<speaker>Chor.</speaker>
<line>Now old desire doth in his deathbed lie,</line>
<line>And young affection gapes to be his heir;</line>
<line>That fair for which love groan&apos;d for and would die,</line>
<line>With tender Juliet match&apos;d, is now not fair.</line>
<line>Now Romeo is belov&apos;d, and loves again,</line>
<line>Alike bewitched by the charm of looks;</line>
<line>But to his foe suppos&apos;d he must complain,</line>
<line>And she steal love&apos;s sweet bait from fearful hooks.</line>
<line>Being held a foe, he may not have access</line>
<line>To breathe such vows as lovers use to swear,</line>
<line>And she as much in love, her means much less</line>
<line>To meet her new beloved anywhere;</line>
<line>But passion lends them power, time means, to meet,</line>
<line>Temp&apos;ring extremities with extreme sweet.</line>
</speech>
<stagedir>Exit.</stagedir>
</scene>
</act>
<act id="2">
<title>ACT II.</title>
<scene id="1">
<scndesc>Scene I. A lane by the wall of Capulet&apos;s orchard.</scndesc>
<stagedir>Enter Romeo alone.</stagedir>
<speech>
<speaker>Rom.</speaker>
<line> Can I go forward when my heart is here?</line>
<line>Turn back, dull earth, and find thy centre out.</line>
</speech>
<stagedir>[Climbs the wall and leaps down within it.]</stagedir>
<stagedir>Enter Benvolio with Mercutio. </stagedir>
<speech>
<speaker>Ben.</speaker>
<line> Romeo! my cousin Romeo! Romeo!</line>
</speech>
<speech>
<speaker>Mer.</speaker>
<line> He is wise,</line>
<line>And, on my life, hath stol&apos;n him home to bed.</line>
</speech>
<speech>
<speaker>Ben.</speaker>
<line> He ran this way, and leapt this orchard wall.</line>
<line>Call, good Mercutio.</line>
</speech>
<speech>
<speaker>Mer.</speaker>
<line> Nay, I&apos;ll conjure too.</line>
<line>Romeo! humours! madman! passion! lover!</line>
<line>Appear thou in the likeness of a sigh;</line>
<line>Speak but one rhyme, and I am satisfied!</line>
<line>Cry but &apos;Ay me!&apos; pronounce but &apos;love&apos; and
&apos;dove&apos;;</line>
<line>Speak to my gossip Venus one fair word, </line>
<line>One nickname for her purblind son and heir,</line>
<line>Young Adam Cupid, he that shot so trim</line>
<line>When King Cophetua lov&apos;d the beggar maid!</line>
<line>He heareth not, he stirreth not, be moveth not;</line>
<line>The ape is dead, and I must conjure him.</line>
<line>I conjure thee by Rosaline&apos;s bright eyes.</line>
<line>By her high forehead and her scarlet lip,</line>
<line>By her fine foot, straight leg, and quivering thigh,</line>
<line>And the demesnes that there adjacent lie,</line>
<line>That in thy likeness thou appear to us!</line>
</speech>
<speech>
<speaker>Ben.</speaker>
<line> An if he hear thee, thou wilt anger him.</line>
</speech>
<speech>
<speaker>Mer.</speaker>
<line> This cannot anger him. &apos;Twould anger him</line>
<line>To raise a spirit in his mistress&apos; circle</line>
<line>Of some strange nature, letting it there stand</line>
<line>Till she had laid it and conjur&apos;d it down.</line>
<line>That were some spite; my invocation</line>
<line>Is fair and honest: in his mistress&apos; name,</line>
<line>I conjure only but to raise up him.</line>
</speech>
<speech>
<speaker>Ben.</speaker>
<line> Come, he hath hid himself among these trees</line>
<line>To be consorted with the humorous night. </line>
<line>Blind is his love and best befits the dark.</line>
</speech>
<speech>
<speaker>Mer.</speaker>
<line> If love be blind, love cannot hit the mark.</line>
<line>Now will he sit under a medlar tree</line>
<line>And wish his mistress were that kind of fruit</line>
<line>As maids call medlars when they laugh alone.</line>
<line>O, Romeo, that she were, O that she were</line>
<line>An open et cetera, thou a pop&apos;rin pear!</line>
<line>Romeo, good night. I&apos;ll to my truckle-bed;</line>
<line>This field-bed is too cold for me to sleep.</line>
<line>Come, shall we go?</line>
</speech>
<speech>
<speaker>Ben.</speaker>
<line> Go then, for &apos;tis in vain</line>
<line>&apos;To seek him here that means not to be found.</line>
</speech>
<stagedir>Exeunt.</stagedir>
</scene>
<scene id="2">
<scndesc>Scene II. Capulet&apos;s orchard.</scndesc>
<stagedir>Enter Romeo.</stagedir>
<speech>
<speaker>Rom.</speaker>
<line> He jests at scars that never felt a wound.</line>
<stagedir>Enter Juliet above at a window. </stagedir>
<line>But soft! What light through yonder window breaks?</line>
<line>It is the East, and Juliet is the sun!</line>
<line>Arise, fair sun, and kill the envious moon,</line>
<line>Who is already sick and pale with grief</line>
<line>That thou her maid art far more fair than she.</line>
<line>Be not her maid, since she is envious.</line>
<line>Her vestal livery is but sick and green,</line>
<line>And none but fools do wear it. Cast it off.</line>
<line>It is my lady; O, it is my love!</line>
<line>O that she knew she were!</line>
<line>She speaks, yet she says nothing. What of that?</line>
<line>Her eye discourses; I will answer it.</line>
<line>I am too bold; &apos;tis not to me she speaks. </line>
<line>Two of the fairest stars in all the heaven,</line>
<line>Having some business, do entreat her eyes</line>
<line>To twinkle in their spheres till they return.</line>
<line>What if her eyes were there, they in her head?</line>
<line>The brightness of her cheek would shame those stars</line>
<line>As daylight doth a lamp; her eyes in heaven</line>
<line>Would through the airy region stream so bright</line>
<line>That birds would sing and think it were not night.</line>
<line>See how she leans her cheek upon her hand!</line>
<line>O that I were a glove upon that hand,</line>
<line>That I might touch that cheek!</line>
</speech>
<speech>
<speaker>Jul.</speaker>
<line> Ay me!</line>
</speech>
<speech>
<speaker>Rom.</speaker>
<line> She speaks.</line>
<line>O, speak again, bright angel! for thou art</line>
<line>As glorious to this night, being o&apos;er my head,</line>
<line>As is a winged messenger of heaven</line>
<line>Unto the white-upturned wond&apos;ring eyes</line>
<line>Of mortals that fall back to gaze on him</line>
<line>When he bestrides the lazy-pacing clouds</line>
<line>And sails upon the bosom of the air.</line>
</speech>
<speech>
<speaker>Jul.</speaker>
<line> O Romeo, Romeo! wherefore art thou Romeo?</line>
<line>Deny thy father and refuse thy name!</line>
<line>Or, if thou wilt not, be but sworn my love,</line>
<line>And I&apos;ll no longer be a Capulet.</line>
</speech>
<speech>
<speaker>Rom.</speaker>
<line>
<stagedir>[aside]</stagedir> Shall I hear more, or shall I speak
at this?</line>
</speech>
<speech>
<speaker>Jul.</speaker>
<line> &apos;Tis but thy name that is my enemy.</line>
<line>Thou art thyself, though not a Montague.</line>
<line>What&apos;s Montague? it is nor hand, nor foot,</line>
<line>Nor arm, nor face, nor any other part</line>
<line>Belonging to a man. O, be some other name!</line>
<line>What&apos;s in a name? That which we call a rose</line>
<line>By any other name would smell as sweet.</line>
<line>So Romeo would, were he not Romeo call&apos;d,</line>
<line>Retain that dear perfection which he owes</line>
<line>Without that title. Romeo, doff thy name;</line>
<line>And for that name, which is no part of thee,</line>
<line>Take all myself.</line>
</speech>
<speech>
<speaker>Rom.</speaker>
<line> I take thee at thy word.</line>
<line>Call me but love, and I&apos;ll be new baptiz&apos;d;</line>
<line>Henceforth I never will be Romeo.</line>
</speech>
<speech>
<speaker>Jul.</speaker>
<line> What man art thou that, thus bescreen&apos;d in night,</line>
<line>So stumblest on my counsel?</line>
</speech>
<speech>
<speaker>Rom.</speaker>
<line> By a name</line>
<line>I know not how to tell thee who I am.</line>
<line>My name, dear saint, is hateful to myself,</line>
<line>Because it is an enemy to thee.</line>
<line>Had I it written, I would tear the word.</line>
</speech>
<speech>
<speaker>Jul.</speaker>
<line> My ears have yet not drunk a hundred words</line>
<line>Of that tongue&apos;s utterance, yet I know the sound.</line>
<line>Art thou not Romeo, and a Montague?</line>
</speech>
<speech>
<speaker>Rom.</speaker>
<line> Neither, fair saint, if either thee dislike.</line>
</speech>
<speech>
<speaker>Jul.</speaker>
<line> How cam&apos;st thou hither, tell me, and wherefore?</line>
<line>The orchard walls are high and hard to climb,</line>
<line>And the place death, considering who thou art,</line>
<line>If any of my kinsmen find thee here.</line>
</speech>
<speech>
<speaker>Rom.</speaker>
<line> With love&apos;s light wings did I o&apos;erperch these walls;</line>
<line>For stony limits cannot hold love out,</line>
<line>And what love can do, that dares love attempt.</line>
<line>Therefore thy kinsmen are no let to me.</line>
</speech>
<speech>
<speaker>Jul.</speaker>
<line> If they do see thee, they will murther thee.</line>
</speech>
<speech>
<speaker>Rom.</speaker>
<line> Alack, there lies more peril in thine eye</line>
<line>Than twenty of their swords! Look thou but sweet,</line>
<line>And I am proof against their enmity.</line>
</speech>
<speech>
<speaker>Jul.</speaker>
<line> I would not for the world they saw thee here.</line>
</speech>
<speech>
<speaker>Rom.</speaker>
<line> I have night&apos;s cloak to hide me from their sight;</line>
<line>And but thou love me, let them find me here.</line>
<line>My life were better ended by their hate</line>
<line>Than death prorogued, wanting of thy love.</line>
</speech>
<speech>
<speaker>Jul.</speaker>
<line> By whose direction found&apos;st thou out this place?</line>
</speech>
<speech>
<speaker>Rom.</speaker>
<line> By love, that first did prompt me to enquire.</line>
<line>He lent me counsel, and I lent him eyes.</line>
<line>I am no pilot; yet, wert thou as far</line>
<line>As that vast shore wash&apos;d with the farthest sea,</line>
<line>I would adventure for such merchandise.</line>
</speech>
<speech>
<speaker>Jul.</speaker>
<line> Thou knowest the mask of night is on my face;</line>
<line>Else would a maiden blush bepaint my cheek</line>
<line>For that which thou hast heard me speak to-night.</line>
<line>Fain would I dwell on form- fain, fain deny</line>
<line>What I have spoke; but farewell compliment!</line>
<line>Dost thou love me, I know thou wilt say &apos;Ay&apos;; </line>
<line>And I will take thy word. Yet, if thou swear&apos;st,</line>
<line>Thou mayst prove false. At lovers&apos; perjuries,</line>
<line>They say Jove laughs. O gentle Romeo,</line>
<line>If thou dost love, pronounce it faithfully.</line>
<line>Or if thou thinkest I am too quickly won,</line>
<line>I&apos;ll frown, and be perverse, and say thee nay,</line>
<line>So thou wilt woo; but else, not for the world.</line>
<line>In truth, fair Montague, I am too fond,</line>
<line>And therefore thou mayst think my haviour light;</line>
<line>But trust me, gentleman, I&apos;ll prove more true</line>
<line>Than those that have more cunning to be strange.</line>
<line>I should have been more strange, I must confess,</line>
<line>But that thou overheard&apos;st, ere I was ware,</line>
<line>My true-love passion. Therefore pardon me,</line>
<line>And not impute this yielding to light love,</line>
<line>Which the dark night hath so discovered.</line>
</speech>
<speech>
<speaker>Rom.</speaker>
<line> Lady, by yonder blessed moon I swear,</line>
<line>That tips with silver all these fruit-tree tops-</line>
</speech>
<speech>
<speaker>Jul.</speaker>
<line> O, swear not by the moon, th&apos; inconstant moon,</line>
<line>That monthly changes in her circled orb, </line>
<line>Lest that thy love prove likewise variable.</line>
</speech>
<speech>
<speaker>Rom.</speaker>
<line> What shall I swear by?</line>
</speech>
<speech>
<speaker>Jul.</speaker>
<line> Do not swear at all;</line>
<line>Or if thou wilt, swear by thy gracious self,</line>
<line>Which is the god of my idolatry,</line>
<line>And I&apos;ll believe thee.</line>
</speech>
<speech>
<speaker>Rom.</speaker>
<line> If my heart&apos;s dear love-</line>
</speech>
<speech>
<speaker>Jul.</speaker>
<line> Well, do not swear. Although I joy in thee,</line>
<line>I have no joy of this contract to-night.</line>
<line>It is too rash, too unadvis&apos;d, too sudden;</line>
<line>Too like the lightning, which doth cease to be</line>
<line>Ere one can say &apos;It lightens.&apos; Sweet, good night!</line>
<line>This bud of love, by summer&apos;s ripening breath,</line>
<line>May prove a beauteous flow&apos;r when next we meet.</line>
<line>Good night, good night! As sweet repose and rest</line>
<line>Come to thy heart as that within my breast!</line>
</speech>
<speech>
<speaker>Rom.</speaker>
<line> O, wilt thou leave me so unsatisfied?</line>
</speech>
<speech>
<speaker>Jul.</speaker>
<line> What satisfaction canst thou have to-night?</line>
</speech>
<speech>
<speaker>Rom.</speaker>
<line> Th&apos; exchange of thy love&apos;s faithful vow for
mine.</line>
</speech>
<speech>
<speaker>Jul.</speaker>
<line> I gave thee mine before thou didst request it; </line>
<line>And yet I would it were to give again.</line>
</speech>
<speech>
<speaker>Rom.</speaker>
<line> Would&apos;st thou withdraw it? For what purpose, love?</line>
</speech>
<speech>
<speaker>Jul.</speaker>
<line> But to be frank and give it thee again.</line>
<line>And yet I wish but for the thing I have.</line>
<line>My bounty is as boundless as the sea,</line>
<line>My love as deep; the more I give to thee,</line>
<line>The more I have, for both are infinite.</line>
<line>I hear some noise within. Dear love, adieu!</line>
<line>
<stagedir>[Nurse] calls within.</stagedir>
</line>
<line>Anon, good nurse! Sweet Montague, be true.</line>
<line>Stay but a little, I will come again.</line>
</speech>
<stagedir>[Exit.]</stagedir>
<speech>
<speaker>Rom.</speaker>
<line> O blessed, blessed night! I am afeard,</line>
<line>Being in night, all this is but a dream,</line>
<line>Too flattering-sweet to be substantial.</line>
</speech>
<stagedir>Enter Juliet above.</stagedir>
<speech>
<speaker>Jul.</speaker>
<line> Three words, dear Romeo, and good night indeed.</line>
<line>If that thy bent of love be honourable,</line>
<line>Thy purpose marriage, send me word to-morrow, </line>
<line>By one that I&apos;ll procure to come to thee,</line>
<line>Where and what time thou wilt perform the rite;</line>
<line>And all my fortunes at thy foot I&apos;ll lay</line>
<line>And follow thee my lord throughout the world.</line>
</speech>
<speech>
<speaker>Nurse.</speaker>
<line>
<stagedir>(within)</stagedir> Madam!</line>
</speech>
<speech>
<speaker>Jul.</speaker>
<line> I come, anon.- But if thou meanest not well,</line>
<line>I do beseech thee-</line>
</speech>
<speech>
<speaker>Nurse.</speaker>
<line>
<stagedir>(within)</stagedir> Madam!</line>
</speech>
<speech>
<speaker>Jul.</speaker>
<line> By-and-by I come.-</line>
<line>To cease thy suit and leave me to my grief.</line>
<line>To-morrow will I send.</line>
</speech>
<speech>
<speaker>Rom.</speaker>
<line> So thrive my soul-</line>
</speech>
<speech>
<speaker>Jul.</speaker>
<line> A thousand times good night!</line>
</speech>
<stagedir>Exit.</stagedir>
<speech>
<speaker>Rom.</speaker>
<line> A thousand times the worse, to want thy light!</line>
<line>Love goes toward love as schoolboys from their books;</line>
<line>But love from love, towards school with heavy looks.</line>
</speech>
<stagedir>Enter Juliet again, [above].</stagedir>
<speech>
<speaker>Jul.</speaker>
<line> Hist! Romeo, hist! O for a falconer&apos;s voice </line>
<line>To lure this tassel-gentle back again!</line>
<line>Bondage is hoarse and may not speak aloud;</line>
<line>Else would I tear the cave where Echo lies,</line>
<line>And make her airy tongue more hoarse than mine</line>
<line>With repetition of my Romeo&apos;s name.</line>
<line>Romeo!</line>
</speech>
<speech>
<speaker>Rom.</speaker>
<line> It is my soul that calls upon my name.</line>
<line>How silver-sweet sound lovers&apos; tongues by night,</line>
<line>Like softest music to attending ears!</line>
</speech>
<speech>
<speaker>Jul.</speaker>
<line> Romeo!</line>
</speech>
<speech>
<speaker>Rom.</speaker>
<line> My dear?</line>
</speech>
<speech>
<speaker>Jul.</speaker>
<line> At what o&apos;clock to-morrow</line>
<line>Shall I send to thee?</line>
</speech>
<speech>
<speaker>Rom.</speaker>
<line> By the hour of nine.</line>
</speech>
<speech>
<speaker>Jul.</speaker>
<line> I will not fail. &apos;Tis twenty years till then.</line>
<line>I have forgot why I did call thee back.</line>
</speech>
<speech>
<speaker>Rom.</speaker>
<line> Let me stand here till thou remember it.</line>
</speech>
<speech>
<speaker>Jul.</speaker>
<line> I shall forget, to have thee still stand there,</line>
<line>Rememb&apos;ring how I love thy company.</line>
</speech>
<speech>
<speaker>Rom.</speaker>
<line> And I&apos;ll still stay, to have thee still forget, </line>
<line>Forgetting any other home but this.</line>
</speech>
<speech>
<speaker>Jul.</speaker>
<line> &apos;Tis almost morning. I would have thee gone-</line>
<line>And yet no farther than a wanton&apos;s bird,</line>
<line>That lets it hop a little from her hand,</line>
<line>Like a poor prisoner in his twisted gyves,</line>
<line>And with a silk thread plucks it back again,</line>
<line>So loving-jealous of his liberty.</line>
</speech>
<speech>
<speaker>Rom.</speaker>
<line> I would I were thy bird.</line>
</speech>
<speech>
<speaker>Jul.</speaker>
<line> Sweet, so would I.</line>
<line>Yet I should kill thee with much cherishing.</line>
<line>Good night, good night! Parting is such sweet sorrow,</line>
<line>That I shall say good night till it be morrow.</line>
</speech>
<stagedir>[Exit.]</stagedir>
<speech>
<speaker>Rom.</speaker>
<line> Sleep dwell upon thine eyes, peace in thy breast!</line>
<line>Would I were sleep and peace, so sweet to rest!</line>
<line>Hence will I to my ghostly father&apos;s cell,</line>
<line>His help to crave and my dear hap to tell.</line>
</speech>
<stagedir>Exit</stagedir>
</scene>
<scene id="3">
<scndesc>Scene III. Friar Laurence&apos;s cell.</scndesc>
<stagedir>Enter Friar, [Laurence] alone, with a basket.</stagedir>
<speech>
<speaker>Friar.</speaker>
<line> The grey-ey&apos;d morn smiles on the frowning night,</line>
<line>Check&apos;ring the Eastern clouds with streaks of light;</line>
<line>And flecked darkness like a drunkard reels</line>
<line>From forth day&apos;s path and Titan&apos;s fiery wheels.</line>
<line>Non, ere the sun advance his burning eye</line>
<line>The day to cheer and night&apos;s dank dew to dry,</line>
<line>I must up-fill this osier cage of ours</line>
<line>With baleful weeds and precious-juiced flowers.</line>
<line>The earth that&apos;s nature&apos;s mother is her tomb.</line>
<line>What is her burying gave, that is her womb;</line>
<line>And from her womb children of divers kind</line>
<line>We sucking on her natural bosom find;</line>
<line>Many for many virtues excellent,</line>
<line>None but for some, and yet all different.</line>
<line>O, mickle is the powerful grace that lies</line>
<line>In plants, herbs, stones, and their true qualities;</line>
<line>For naught so vile that on the earth doth live </line>
<line>But to the earth some special good doth give;</line>
<line>Nor aught so good but, strain&apos;d from that fair use,</line>
<line>Revolts from true birth, stumbling on abuse.</line>
<line>Virtue itself turns vice, being misapplied,</line>
<line>And vice sometime&apos;s by action dignified.</line>
<line>Within the infant rind of this small flower</line>
<line>Poison hath residence, and medicine power;</line>
<line>For this, being smelt, with that part cheers each part;</line>
<line>Being tasted, slays all senses with the heart.</line>
<line>Two such opposed kings encamp them still</line>
<line>In man as well as herbs- grace and rude will;</line>
<line>And where the worser is predominant,</line>
<line>Full soon the canker death eats up that plant.</line>
</speech>
<stagedir>Enter Romeo.</stagedir>
<speech>
<speaker>Rom.</speaker>
<line> Good morrow, father.</line>
</speech>
<speech>
<speaker>Friar.</speaker>
<line> Benedicite!</line>
<line>What early tongue so sweet saluteth me?</line>
<line>Young son, it argues a distempered head </line>
<line>So soon to bid good morrow to thy bed.</line>
<line>Care keeps his watch in every old man&apos;s eye,</line>
<line>And where care lodges sleep will never lie;</line>
<line>But where unbruised youth with unstuff&apos;d brain</line>
<line>Doth couch his limbs, there golden sleep doth reign.</line>
<line>Therefore thy earliness doth me assure</line>
<line>Thou art uprous&apos;d with some distemp&apos;rature;</line>
<line>Or if not so, then here I hit it right-</line>
<line>Our Romeo hath not been in bed to-night.</line>
</speech>
<speech>
<speaker>Rom.</speaker>
<line> That last is true-the sweeter rest was mine.</line>
</speech>
<speech>
<speaker>Friar.</speaker>
<line> God pardon sin! Wast thou with Rosaline?</line>
</speech>
<speech>
<speaker>Rom.</speaker>
<line> With Rosaline, my ghostly father? No.</line>
<line>I have forgot that name, and that name&apos;s woe.</line>
</speech>
<speech>
<speaker>Friar.</speaker>
<line> That&apos;s my good son! But where hast thou been then?</line>
</speech>
<speech>
<speaker>Rom.</speaker>
<line> I&apos;ll tell thee ere thou ask it me again.</line>
<line>I have been feasting with mine enemy,</line>
<line>Where on a sudden one hath wounded me</line>
<line>That&apos;s by me wounded. Both our remedies</line>
<line>Within thy help and holy physic lies.</line>
<line>I bear no hatred, blessed man, for, lo, </line>
<line>My intercession likewise steads my foe.</line>
</speech>
<speech>
<speaker>Friar.</speaker>
<line> Be plain, good son, and homely in thy drift</line>
<line>Riddling confession finds but riddling shrift.</line>
</speech>
<speech>
<speaker>Rom.</speaker>
<line> Then plainly know my heart&apos;s dear love is set</line>
<line>On the fair daughter of rich Capulet;</line>
<line>As mine on hers, so hers is set on mine,</line>
<line>And all combin&apos;d, save what thou must combine</line>
<line>By holy marriage. When, and where, and how</line>
<line>We met, we woo&apos;d, and made exchange of vow,</line>
<line>I&apos;ll tell thee as we pass; but this I pray,</line>
<line>That thou consent to marry us to-day.</line>
</speech>
<speech>
<speaker>Friar.</speaker>
<line> Holy Saint Francis! What a change is here!</line>
<line>Is Rosaline, that thou didst love so dear,</line>
<line>So soon forsaken? Young men&apos;s love then lies</line>
<line>Not truly in their hearts, but in their eyes.</line>
<line>Jesu Maria! What a deal of brine</line>
<line>Hath wash&apos;d thy sallow cheeks for Rosaline!</line>
<line>How much salt water thrown away in waste,</line>
<line>To season love, that of it doth not taste!</line>
<line>The sun not yet thy sighs from heaven clears, </line>
<line>Thy old groans ring yet in mine ancient ears.</line>
<line>Lo, here upon thy cheek the stain doth sit</line>
<line>Of an old tear that is not wash&apos;d off yet.</line>
<line>If e&apos;er thou wast thyself, and these woes thine,</line>
<line>Thou and these woes were all for Rosaline.</line>
<line>And art thou chang&apos;d? Pronounce this sentence then:</line>
<line>Women may fall when there&apos;s no strength in men.</line>
</speech>
<speech>
<speaker>Rom.</speaker>
<line> Thou chid&apos;st me oft for loving Rosaline.</line>
</speech>
<speech>
<speaker>Friar.</speaker>
<line> For doting, not for loving, pupil mine.</line>
</speech>
<speech>
<speaker>Rom.</speaker>
<line> And bad&apos;st me bury love.</line>
</speech>
<speech>
<speaker>Friar.</speaker>
<line> Not in a grave</line>
<line>To lay one in, another out to have.</line>
</speech>
<speech>
<speaker>Rom.</speaker>
<line> I pray thee chide not. She whom I love now</line>
<line>Doth grace for grace and love for love allow.</line>
<line>The other did not so.</line>
</speech>
<speech>
<speaker>Friar.</speaker>
<line> O, she knew well</line>
<line>Thy love did read by rote, that could not spell.</line>
<line>But come, young waverer, come go with me.</line>
<line>In one respect I&apos;ll thy assistant be;</line>
<line>For this alliance may so happy prove </line>
<line>To turn your households&apos; rancour to pure love.</line>
</speech>
<speech>
<speaker>Rom.</speaker>
<line> O, let us hence! I stand on sudden haste.</line>
</speech>
<speech>
<speaker>Friar.</speaker>
<line> Wisely, and slow. They stumble that run fast.</line>
</speech>
<stagedir>Exeunt.</stagedir>
</scene>
<scene id="4">
<scndesc>Scene IV. A street.</scndesc>
<stagedir>Enter Benvolio and Mercutio.</stagedir>
<speech>
<speaker>Mer.</speaker>
<line> Where the devil should this Romeo be?</line>
<line>Came he not home to-night?</line>
</speech>
<speech>
<speaker>Ben.</speaker>
<line> Not to his father&apos;s. I spoke with his man.</line>
</speech>
<speech>
<speaker>Mer.</speaker>
<line> Why, that same pale hard-hearted wench, that Rosaline,</line>
<line>Torments him so that he will sure run mad.</line>
</speech>
<speech>
<speaker>Ben.</speaker>
<line> Tybalt, the kinsman to old Capulet,</line>
<line>Hath sent a letter to his father&apos;s house.</line>
</speech>
<speech>
<speaker>Mer.</speaker>
<line> A challenge, on my life.</line>
</speech>
<speech>
<speaker>Ben.</speaker>
<line> Romeo will answer it.</line>
</speech>
<speech>
<speaker>Mer.</speaker>
<line> Any man that can write may answer a letter.</line>
</speech>
<speech>
<speaker>Ben.</speaker>
<line> Nay, he will answer the letter&apos;s master, how he dares,
being</line>
<line>dared.</line>
</speech>
<speech>
<speaker>Mer.</speaker>
<line> Alas, poor Romeo, he is already dead! stabb&apos;d with a white</line>
<line>wench&apos;s black eye; shot through the ear with a love song;
the</line>
<line>very pin of his heart cleft with the blind bow-boy&apos;s
butt-shaft;</line>
<line>and is he a man to encounter Tybalt?</line>
</speech>
<speech>
<speaker>Ben.</speaker>
<line> Why, what is Tybalt?</line>
</speech>
<speech>
<speaker>Mer.</speaker>
<line> More than Prince of Cats, I can tell you. O, he&apos;s the</line>
<line>courageous captain of compliments. He fights as you sing</line>
<line>pricksong-keeps time, distance, and proportion; rests me his</line>
<line>minim rest, one, two, and the third in your bosom! the very</line>
<line>butcher of a silk button, a duellist, a duellist! a gentleman of</line>
<line>the very first house, of the first and second cause. Ah, the</line>
<line>immortal passado! the punto reverse! the hay.</line>
</speech>
<speech>
<speaker>Ben.</speaker>
<line> The what?</line>
</speech>
<speech>
<speaker>Mer.</speaker>
<line> The pox of such antic, lisping, affecting fantasticoes-these</line>
<line>new tuners of accent! &apos;By Jesu, a very good blade! a very
tall</line>
<line>man! a very good whore!&apos; Why, is not this a lamentable
thing,</line>
<line>grandsir, that we should be thus afflicted with these strange</line>
<line>flies, these fashion-mongers, these pardona-mi&apos;s, who stand
so</line>
<line>much on the new form that they cannot sit at ease on the old</line>
<line>bench? O, their bones, their bones!</line>
</speech>
<stagedir>Enter Romeo.</stagedir>
<speech>
<speaker>Ben.</speaker>
<line> Here comes Romeo! here comes Romeo!</line>
</speech>
<speech>
<speaker>Mer.</speaker>
<line> Without his roe, like a dried herring. O flesh, flesh, how art </line>
<line>thou fishified! Now is he for the numbers that Petrarch flowed</line>
<line>in. Laura, to his lady, was but a kitchen wench (marry, she had
a</line>
<line>better love to berhyme her), Dido a dowdy, Cleopatra a gypsy,</line>
<line>Helen and Hero hildings and harlots, This be a gray eye or so,</line>
<line>but not to the purpose. Signior Romeo, bon jour! There&apos;s a
French</line>
<line>salutation to your French slop. You gave us the counterfeit</line>
<line>fairly last night.</line>
</speech>
<speech>
<speaker>Rom.</speaker>
<line> Good morrow to you both. What counterfeit did I give
you?</line>
</speech>
<speech>
<speaker>Mer.</speaker>
<line> The slip, sir, the slip. Can you not conceive?</line>
</speech>
<speech>
<speaker>Rom.</speaker>
<line> Pardon, good Mercutio. My business was great, and in such a</line>
<line>case as mine a man may strain courtesy.</line>
</speech>
<speech>
<speaker>Mer.</speaker>
<line> That&apos;s as much as to say, such a case as yours constrains
a</line>
<line>man to bow in the hams.</line>
</speech>
<speech>
<speaker>Rom.</speaker>
<line> Meaning, to cursy.</line>
</speech>
<speech>
<speaker>Mer.</speaker>
<line> Thou hast most kindly hit it.</line>
</speech>
<speech>
<speaker>Rom.</speaker>
<line> A most courteous exposition.</line>
</speech>
<speech>
<speaker>Mer.</speaker>
<line> Nay, I am the very pink of courtesy.</line>
</speech>
<speech>
<speaker>Rom.</speaker>
<line> Pink for flower.</line>
</speech>
<speech>
<speaker>Mer.</speaker>
<line> Right.</line>
</speech>
<speech>
<speaker>Rom.</speaker>
<line> Why, then is my pump well-flower&apos;d.</line>
</speech>
<speech>
<speaker>Mer.</speaker>
<line> Well said! Follow me this jest now till thou hast worn out thy</line>
<line>pump, that, when the single sole of it is worn, the jest may</line>
<line>remain, after the wearing, solely singular.</line>
</speech>
<speech>
<speaker>Rom.</speaker>
<line> O single-sold jest, solely singular for the singleness!</line>
</speech>
<speech>
<speaker>Mer.</speaker>
<line> Come between us, good Benvolio! My wits faint.</line>
</speech>
<speech>
<speaker>Rom.</speaker>
<line> Swits and spurs, swits and spurs! or I&apos;ll cry a
match.</line>
</speech>
<speech>
<speaker>Mer.</speaker>
<line> Nay, if our wits run the wild-goose chase, I am done; for thou</line>
<line>hast more of the wild goose in one of thy wits than, I am sure,
I</line>
<line>have in my whole five. Was I with you there for the
goose?</line>
</speech>
<speech>
<speaker>Rom.</speaker>
<line> Thou wast never with me for anything when thou wast not there</line>
<line>for the goose.</line>
</speech>
<speech>
<speaker>Mer.</speaker>
<line> I will bite thee by the ear for that jest.</line>
</speech>
<speech>
<speaker>Rom.</speaker>
<line> Nay, good goose, bite not!</line>
</speech>
<speech>
<speaker>Mer.</speaker>
<line> Thy wit is a very bitter sweeting; it is a most sharp
sauce.</line>
</speech>
<speech>
<speaker>Rom.</speaker>
<line> And is it not, then, well serv&apos;d in to a sweet
goose?</line>
</speech>
<speech>
<speaker>Mer.</speaker>
<line> O, here&apos;s a wit of cheveril, that stretches from an inch</line>
<line>narrow to an ell broad!</line>
</speech>
<speech>
<speaker>Rom.</speaker>
<line> I stretch it out for that word &apos;broad,&apos; which, added
to the</line>
<line>goose, proves thee far and wide a broad goose.</line>
</speech>
<speech>
<speaker>Mer.</speaker>
<line> Why, is not this better now than groaning for love? Now art </line>
<line>thou sociable, now art thou Romeo; now art thou what thou art,
by</line>
<line>art as well as by nature. For this drivelling love is like a</line>
<line>great natural that runs lolling up and down to hide his bauble
in</line>
<line>a hole.</line>
</speech>
<speech>
<speaker>Ben.</speaker>
<line> Stop there, stop there!</line>
</speech>
<speech>
<speaker>Mer.</speaker>
<line> Thou desirest me to stop in my tale against the hair.</line>
</speech>
<speech>
<speaker>Ben.</speaker>
<line> Thou wouldst else have made thy tale large.</line>
</speech>
<speech>
<speaker>Mer.</speaker>
<line> O, thou art deceiv&apos;d! I would have made it short; for I
was</line>
<line>come to the whole depth of my tale, and meant indeed to occupy</line>
<line>the argument no longer.</line>
</speech>
<speech>
<speaker>Rom.</speaker>
<line> Here&apos;s goodly gear!</line>
</speech>
<stagedir>Enter Nurse and her Man [Peter].</stagedir>
<speech>
<speaker>Mer.</speaker>
<line> A sail, a sail!</line>
</speech>
<speech>
<speaker>Ben.</speaker>
<line> Two, two! a shirt and a smock.</line>
</speech>
<speech>
<speaker>Nurse.</speaker>
<line> Peter! Peter. Anon.</line>
</speech>
<speech>
<speaker>Nurse.</speaker>
<line> My fan, Peter.</line>
</speech>
<speech>
<speaker>Mer.</speaker>
<line> Good Peter, to hide her face; for her fan&apos;s the fairer
face of </line>
<line>the two.</line>
</speech>
<speech>
<speaker>Nurse.</speaker>
<line> God ye good morrow, gentlemen.</line>
</speech>
<speech>
<speaker>Mer.</speaker>
<line> God ye good-den, fair gentlewoman.</line>
</speech>
<speech>
<speaker>Nurse.</speaker>
<line> Is it good-den?</line>
</speech>
<speech>
<speaker>Mer.</speaker>
<line> &apos;Tis no less, I tell ye; for the bawdy hand of the dial is
now</line>
<line>upon the prick of noon.</line>
</speech>
<speech>
<speaker>Nurse.</speaker>
<line> Out upon you! What a man are you!</line>
</speech>
<speech>
<speaker>Rom.</speaker>
<line> One, gentlewoman, that God hath made for himself to mar.</line>
</speech>
<speech>
<speaker>Nurse.</speaker>
<line> By my troth, it is well said. &apos;For himself to mar,&apos;
quoth</line>
<line>&apos;a? Gentlemen, can any of you tell me where I may find the
young</line>
<line>Romeo?</line>
</speech>
<speech>
<speaker>Rom.</speaker>
<line> I can tell you; but young Romeo will be older when you have</line>
<line>found him than he was when you sought him. I am the youngest of</line>
<line>that name, for fault of a worse.</line>
</speech>
<speech>
<speaker>Nurse.</speaker>
<line> You say well.</line>
</speech>
<speech>
<speaker>Mer.</speaker>
<line> Yea, is the worst well? Very well took, i&apos; faith! wisely,</line>
<line>wisely.</line>
</speech>
<speech>
<speaker>Nurse.</speaker>
<line> If you be he, sir, I desire some confidence with you.</line>
</speech>
<speech>
<speaker>Ben.</speaker>
<line> She will endite him to some supper.</line>
</speech>
<speech>
<speaker>Mer.</speaker>
<line> A bawd, a bawd, a bawd! So ho!</line>
</speech>
<speech>
<speaker>Rom.</speaker>
<line> What hast thou found?</line>
</speech>
<speech>
<speaker>Mer.</speaker>
<line> No hare, sir; unless a hare, sir, in a lenten pie, that is</line>
<line>something stale and hoar ere it be spent</line>
<line> He walks by them and sings.</line>
<line> An old hare hoar,</line>
<line> And an old hare hoar,</line>
<line> Is very good meat in Lent;</line>
<line> But a hare that is hoar</line>
<line> Is too much for a score</line>
<line> When it hoars ere it be spent.</line>
<line>Romeo, will you come to your father&apos;s? We&apos;ll to dinner
thither.</line>
</speech>
<speech>
<speaker>Rom.</speaker>
<line> I will follow you.</line>
</speech>
<speech>
<speaker>Mer.</speaker>
<line> Farewell, ancient lady. Farewell,<stagedir>[sings]</stagedir>
lady, lady, lady.</line>
</speech>
<stagedir>Exeunt Mercutio, Benvolio.</stagedir>
<speech>
<speaker>Nurse.</speaker>
<line> Marry, farewell! I Pray you, Sir, what saucy merchant was</line>
<line>this that was so full of his ropery?</line>
</speech>
<speech>
<speaker>Rom.</speaker>
<line> A gentleman, nurse, that loves to hear himself talk and will </line>
<line>speak more in a minute than he will stand to in a month.</line>
</speech>
<speech>
<speaker>Nurse.</speaker>
<line> An &apos;a speak anything against me, I&apos;ll take him down,
an &apos;a</line>
<line>were lustier than he is, and twenty such jacks; and if I cannot,</line>
<line>I&apos;ll find those that shall. Scurvy knave! I am none of his</line>
<line>flirt-gills; I am none of his skains-mates. And thou must stand</line>
<line>by too, and suffer every knave to use me at his pleasure! Peter.
I saw no man use you at his pleasure. If I had, my weapon</line>
<line>should quickly have been out, I warrant you. I dare draw as soon</line>
<line>as another man, if I see occasion in a good quarrel, and the law</line>
<line>on my side.</line>
</speech>
<speech>
<speaker>Nurse.</speaker>
<line> Now, afore God, I am so vexed that every part about me</line>
<line>quivers. Scurvy knave! Pray you, sir, a word; and, as I told
you,</line>
<line>my young lady bid me enquire you out. What she bid me say, I
will</line>
<line>keep to myself; but first let me tell ye, if ye should lead her</line>
<line>into a fool&apos;s paradise, as they say, it were a very gross
kind of</line>
<line>behaviour, as they say; for the gentlewoman is young; and</line>
<line>therefore, if you should deal double with her, truly it were an</line>
<line>ill thing to be off&apos;red to any gentlewoman, and very weak
dealing.</line>
</speech>
<speech>
<speaker>Rom.</speaker>
<line> Nurse, commend me to thy lady and mistress. I protest unto</line>
<line>thee- </line>
</speech>
<speech>
<speaker>Nurse.</speaker>
<line> Good heart, and I faith I will tell her as much. Lord,</line>
<line>Lord! she will be a joyful woman.</line>
</speech>
<speech>
<speaker>Rom.</speaker>
<line> What wilt thou tell her, nurse? Thou dost not mark me.</line>
</speech>
<speech>
<speaker>Nurse.</speaker>
<line> I will tell her, sir, that you do protest, which, as I take</line>
<line>it, is a gentlemanlike offer.</line>
</speech>
<speech>
<speaker>Rom.</speaker>
<line> Bid her devise</line>
<line>Some means to come to shrift this afternoon;</line>
<line>And there she shall at Friar Laurence&apos; cell</line>
<line>Be shriv&apos;d and married. Here is for thy pains.</line>
</speech>
<speech>
<speaker>Nurse.</speaker>
<line> No, truly, sir; not a penny.</line>
</speech>
<speech>
<speaker>Rom.</speaker>
<line> Go to! I say you shall.</line>
</speech>
<speech>
<speaker>Nurse.</speaker>
<line> This afternoon, sir? Well, she shall be there.</line>
</speech>
<speech>
<speaker>Rom.</speaker>
<line> And stay, good nurse, behind the abbey wall.</line>
<line>Within this hour my man shall be with thee</line>
<line>And bring thee cords made like a tackled stair,</line>
<line>Which to the high topgallant of my joy</line>
<line>Must be my convoy in the secret night.</line>
<line>Farewell. Be trusty, and I&apos;ll quit thy pains.</line>
<line>Farewell. Commend me to thy mistress.</line>
</speech>
<speech>
<speaker>Nurse.</speaker>
<line> Now God in heaven bless thee! Hark you, sir.</line>
</speech>
<speech>
<speaker>Rom.</speaker>
<line> What say&apos;st thou, my dear nurse?</line>
</speech>
<speech>
<speaker>Nurse.</speaker>
<line> Is your man secret? Did you ne&apos;er hear say,</line>
<line>Two may keep counsel, putting one away?</line>
</speech>
<speech>
<speaker>Rom.</speaker>
<line> I warrant thee my man&apos;s as true as steel.</line>
</speech>
<speech>
<speaker>Nurse.</speaker>
<line> Well, sir, my mistress is the sweetest lady. Lord, Lord!</line>
<line>when &apos;twas a little prating thing- O, there is a nobleman
in</line>
<line>town, one Paris, that would fain lay knife aboard; but she,good</line>
<line>soul, had as lieve see a toad, a very toad, as see him. I anger</line>
<line>her sometimes, and tell her that Paris is the properer man; but</line>
<line>I&apos;ll warrant you, when I say so, she looks as pale as any
clout</line>
<line>in the versal world. Doth not rosemary and Romeo begin both with</line>
<line>a letter?</line>
</speech>
<speech>
<speaker>Rom.</speaker>
<line> Ay, nurse; what of that? Both with an R.</line>
</speech>
<speech>
<speaker>Nurse.</speaker>
<line> Ah, mocker! that&apos;s the dog&apos;s name. R is for the- No;
I know</line>
<line>it begins with some other letter; and she hath the prettiest</line>
<line>sententious of it, of you and rosemary, that it would do you
good</line>
<line>to hear it.</line>
</speech>
<speech>
<speaker>Rom.</speaker>
<line> Commend me to thy lady.</line>
</speech>
<speech>
<speaker>Nurse.</speaker>
<line> Ay, a thousand times. <stagedir>[Exit Romeo.]</stagedir>
Peter!</line>
</speech>
<speech>
<speaker>Peter.</speaker>
<line> Anon.</line>
</speech>
<speech>
<speaker>Nurse.</speaker>
<line> Peter, take my fan, and go before, and apace.</line>
</speech>
<stagedir>Exeunt.</stagedir>
</scene>
<scene id="5">
<scndesc>Scene V. Capulet&apos;s orchard.</scndesc>
<stagedir>Enter Juliet.</stagedir>
<speech>
<speaker>Jul.</speaker>
<line> The clock struck nine when I did send the nurse;</line>
<line>In half an hour she &apos;promis&apos;d to return.</line>
<line>Perchance she cannot meet him. That&apos;s not so.</line>
<line>O, she is lame! Love&apos;s heralds should be thoughts,</line>
<line>Which ten times faster glide than the sun&apos;s beams</line>
<line>Driving back shadows over low&apos;ring hills.</line>
<line>Therefore do nimble-pinion&apos;d doves draw Love,</line>
<line>And therefore hath the wind-swift Cupid wings.</line>
<line>Now is the sun upon the highmost hill</line>
<line>Of this day&apos;s journey, and from nine till twelve</line>
<line>Is three long hours; yet she is not come.</line>
<line>Had she affections and warm youthful blood,</line>
<line>She would be as swift in motion as a ball;</line>
<line>My words would bandy her to my sweet love,</line>
<line>And his to me,</line>
<line>But old folks, many feign as they were dead-</line>
<line>Unwieldy, slow, heavy and pale as lead. </line>
<stagedir>Enter Nurse [and Peter].</stagedir>
<line>O God, she comes! O honey nurse, what news?</line>
<line>Hast thou met with him? Send thy man away.</line>
</speech>
<speech>
<speaker>Nurse.</speaker>
<line> Peter, stay at the gate.</line>
<stagedir>[Exit Peter.]</stagedir>
</speech>
<speech>
<speaker>Jul.</speaker>
<line> Now, good sweet nurse- O Lord, why look&apos;st thou sad?</line>
<line>Though news be sad, yet tell them merrily;</line>
<line>If good, thou shamest the music of sweet news</line>
<line>By playing it to me with so sour a face.</line>
</speech>
<speech>
<speaker>Nurse.</speaker>
<line> I am aweary, give me leave awhile.</line>
<line>Fie, how my bones ache! What a jaunce have I had!</line>
</speech>
<speech>
<speaker>Jul.</speaker>
<line> I would thou hadst my bones, and I thy news.</line>
<line>Nay, come, I pray thee speak. Good, good nurse, speak.</line>
</speech>
<speech>
<speaker>Nurse.</speaker>
<line> Jesu, what haste! Can you not stay awhile?</line>
<line>Do you not see that I am out of breath?</line>
</speech>
<speech>
<speaker>Jul.</speaker>
<line> How art thou out of breath when thou hast breath</line>
<line>To say to me that thou art out of breath?</line>
<line>The excuse that thou dost make in this delay </line>
<line>Is longer than the tale thou dost excuse.</line>
<line>Is thy news good or bad? Answer to that.</line>
<line>Say either, and I&apos;ll stay the circumstance.</line>
<line>Let me be satisfied, is&apos;t good or bad?</line>
</speech>
<speech>
<speaker>Nurse.</speaker>
<line> Well, you have made a simple choice; you know not how to</line>
<line>choose a man. Romeo? No, not he. Though his face be better than</line>
<line>any man&apos;s, yet his leg excels all men&apos;s; and for a
hand and a</line>
<line>foot, and a body, though they be not to be talk&apos;d on, yet
they</line>
<line>are past compare. He is not the flower of courtesy, but,
I&apos;ll</line>
<line>warrant him, as gentle as a lamb. Go thy ways, wench; serve God.</line>
<line>What, have you din&apos;d at home?</line>
</speech>
<speech>
<speaker>Jul.</speaker>
<line> No, no. But all this did I know before.</line>
<line>What says he of our marriage? What of that?</line>
</speech>
<speech>
<speaker>Nurse.</speaker>
<line> Lord, how my head aches! What a head have I!</line>
<line>It beats as it would fall in twenty pieces.</line>
<line>My back o&apos; t&apos; other side,- ah, my back, my back!</line>
<line>Beshrew your heart for sending me about</line>
<line>To catch my death with jauncing up and down!</line>
</speech>
<speech>
<speaker>Jul.</speaker>
<line> I&apos; faith, I am sorry that thou art not well.</line>
<line>Sweet, sweet, Sweet nurse, tell me, what says my love?</line>
</speech>
<speech>
<speaker>Nurse.</speaker>
<line> Your love says, like an honest gentleman, and a courteous,</line>
<line>and a kind, and a handsome; and, I warrant, a virtuous- Where is</line>
<line>your mother?</line>
</speech>
<speech>
<speaker>Jul.</speaker>
<line> Where is my mother? Why, she is within.</line>
<line>Where should she be? How oddly thou repliest!</line>
<line>&apos;Your love says, like an honest gentleman,</line>
<line>"Where is your mother?"</line>
</speech>
<speech>
<speaker>Nurse.</speaker>
<line> O God&apos;s Lady dear!</line>
<line>Are you so hot? Marry come up, I trow.</line>
<line>Is this the poultice for my aching bones?</line>
<line>Henceforward do your messages yourself.</line>
</speech>
<speech>
<speaker>Jul.</speaker>
<line> Here&apos;s such a coil! Come, what says Romeo?</line>
</speech>
<speech>
<speaker>Nurse.</speaker>
<line> Have you got leave to go to shrift to-day?</line>
</speech>
<speech>
<speaker>Jul.</speaker>
<line> I have.</line>
</speech>
<speech>
<speaker>Nurse.</speaker>
<line> Then hie you hence to Friar Laurence&apos; cell;</line>
<line>There stays a husband to make you a wife.</line>
<line>Now comes the wanton blood up in your cheeks:</line>
<line>They&apos;ll be in scarlet straight at any news.</line>
<line>Hie you to church; I must another way,</line>
<line>To fetch a ladder, by the which your love </line>
<line>Must climb a bird&apos;s nest soon when it is dark.</line>
<line>I am the drudge, and toil in your delight;</line>
<line>But you shall bear the burthen soon at night.</line>
<line>Go; I&apos;ll to dinner; hie you to the cell.</line>
</speech>
<speech>
<speaker>Jul.</speaker>
<line> Hie to high fortune! Honest nurse, farewell.</line>
</speech>
<stagedir>Exeunt.</stagedir>
</scene>
<scene id="6">
<scndesc>Scene VI. Friar Laurence&apos;s cell.</scndesc>
<stagedir>Enter Friar [Laurence] and Romeo.</stagedir>
<speech>
<speaker>Friar.</speaker>
<line> So smile the heavens upon this holy act</line>
<line>That after-hours with sorrow chide us not!</line>
</speech>
<speech>
<speaker>Rom.</speaker>
<line> Amen, amen! But come what sorrow can,</line>
<line>It cannot countervail the exchange of joy</line>
<line>That one short minute gives me in her sight.</line>
<line>Do thou but close our hands with holy words,</line>
<line>Then love-devouring death do what he dare-</line>
<line>It is enough I may but call her mine.</line>
</speech>
<speech>
<speaker>Friar.</speaker>
<line> These violent delights have violent ends</line>
<line>And in their triumph die, like fire and powder,</line>
<line>Which, as they kiss, consume. The sweetest honey</line>
<line>Is loathsome in his own deliciousness</line>
<line>And in the taste confounds the appetite.</line>
<line>Therefore love moderately: long love doth so;</line>
<line>Too swift arrives as tardy as too slow.</line>
<stagedir>Enter Juliet. </stagedir>
<line>Here comes the lady. O, so light a foot</line>
<line>Will ne&apos;er wear out the everlasting flint.</line>
<line>A lover may bestride the gossamer</line>
<line>That idles in the wanton summer air,</line>
<line>And yet not fall; so light is vanity.</line>
</speech>
<speech>
<speaker>Jul.</speaker>
<line> Good even to my ghostly confessor.</line>
</speech>
<speech>
<speaker>Friar.</speaker>
<line> Romeo shall thank thee, daughter, for us both.</line>
</speech>
<speech>
<speaker>Jul.</speaker>
<line> As much to him, else is his thanks too much.</line>
</speech>
<speech>
<speaker>Rom.</speaker>
<line> Ah, Juliet, if the measure of thy joy</line>
<line>Be heap&apos;d like mine, and that thy skill be more</line>
<line>To blazon it, then sweeten with thy breath</line>
<line>This neighbour air, and let rich music&apos;s tongue</line>
<line>Unfold the imagin&apos;d happiness that both</line>
<line>Receive in either by this dear encounter.</line>
</speech>
<speech>
<speaker>Jul.</speaker>
<line> Conceit, more rich in matter than in words,</line>
<line>Brags of his substance, not of ornament.</line>
<line>They are but beggars that can count their worth;</line>
<line>But my true love is grown to such excess</line>
<line>cannot sum up sum of half my wealth.</line>
</speech>
<speech>
<speaker>Friar.</speaker>
<line> Come, come with me, and we will make short work;</line>
<line>For, by your leaves, you shall not stay alone</line>
<line>Till Holy Church incorporate two in one.</line>
</speech>
<stagedir>[Exeunt.]</stagedir>
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</scene>
</act>
<act id="3">
<title>ACT III. </title>
<scene id="1">
<scndesc>Scene I. A public place.</scndesc>
<stagedir>Enter Mercutio, Benvolio, and Men.</stagedir>
<speech>
<speaker>Ben.</speaker>
<line> I pray thee, good Mercutio, let&apos;s retire.</line>
<line>The day is hot, the Capulets abroad.</line>
<line>And if we meet, we shall not scape a brawl,</line>
<line>For now, these hot days, is the mad blood stirring.</line>
</speech>
<speech>
<speaker>Mer.</speaker>
<line> Thou art like one of these fellows that, when he enters the</line>
<line>confines of a tavern, claps me his sword upon the table and says</line>
<line>&apos;God send me no need of thee!&apos; and by the operation of
the second</line>
<line>cup draws him on the drawer, when indeed there is no
need.</line>
</speech>
<speech>
<speaker>Ben.</speaker>
<line> Am I like such a fellow?</line>
</speech>
<speech>
<speaker>Mer.</speaker>
<line> Come, come, thou art as hot a jack in thy mood as any in</line>
<line>Italy; and as soon moved to be moody, and as soon moody to be</line>
<line>moved.</line>
</speech>
<speech>
<speaker>Ben.</speaker>
<line> And what to?</line>
</speech>
<speech>
<speaker>Mer.</speaker>
<line> Nay, an there were two such, we should have none shortly, for</line>
<line>one would kill the other. Thou! why, thou wilt quarrel with a
man</line>
<line>that hath a hair more or a hair less in his beard than thou
hast.</line>
<line>Thou wilt quarrel with a man for cracking nuts, having no other </line>
<line>reason but because thou hast hazel eyes. What eye but such an
eye</line>
<line>would spy out such a quarrel? Thy head is as full of quarrels as</line>
<line>an egg is full of meat; and yet thy head hath been beaten as</line>
<line>addle as an egg for quarrelling. Thou hast quarrell&apos;d with
a man</line>
<line>for coughing in the street, because he hath wakened thy dog that</line>
<line>hath lain asleep in the sun. Didst thou not fall out with a</line>
<line>tailor for wearing his new doublet before Easter, with another</line>
<line>for tying his new shoes with an old riband? And yet thou wilt</line>
<line>tutor me from quarrelling!</line>
</speech>
<speech>
<speaker>Ben.</speaker>
<line> An I were so apt to quarrel as thou art, any man should buy</line>
<line>the fee simple of my life for an hour and a quarter.</line>
</speech>
<speech>
<speaker>Mer.</speaker>
<line> The fee simple? O simple!</line>
</speech>
<stagedir>Enter Tybalt and others.</stagedir>
<speech>
<speaker>Ben.</speaker>
<line> By my head, here come the Capulets.</line>
</speech>
<speech>
<speaker>Mer.</speaker>
<line> By my heel, I care not.</line>
</speech>
<speech>
<speaker>Tyb.</speaker>
<line> Follow me close, for I will speak to them.</line>
<line>Gentlemen, good den. A word with one of you.</line>
</speech>
<speech>
<speaker>Mer.</speaker>
<line> And but one word with one of us? </line>
<line>Couple it with something; make it a word and a blow.</line>
</speech>
<speech>
<speaker>Tyb.</speaker>
<line> You shall find me apt enough to that, sir, an you will give me</line>
<line>occasion.</line>
</speech>
<speech>
<speaker>Mer.</speaker>
<line> Could you not take some occasion without giving</line>
</speech>
<speech>
<speaker>Tyb.</speaker>
<line> Mercutio, thou consortest with Romeo.</line>
</speech>
<speech>
<speaker>Mer.</speaker>
<line> Consort? What, dost thou make us minstrels? An thou make</line>
<line>minstrels of us, look to hear nothing but discords. Here&apos;s
my</line>
<line>fiddlestick; here&apos;s that shall make you dance. Zounds,
consort!</line>
</speech>
<speech>
<speaker>Ben.</speaker>
<line> We talk here in the public haunt of men.</line>
<line>Either withdraw unto some private place</line>
<line>And reason coldly of your grievances,</line>
<line>Or else depart. Here all eyes gaze on us.</line>
</speech>
<speech>
<speaker>Mer.</speaker>
<line> Men&apos;s eyes were made to look, and let them gaze.</line>
<line>I will not budge for no man&apos;s pleasure,</line>
</speech>
<stagedir>Enter Romeo.</stagedir>
<speech>
<speaker>Tyb.</speaker>
<line> Well, peace be with you, sir. Here comes my man.</line>
</speech>
<speech>
<speaker>Mer.</speaker>
<line> But I&apos;ll be hang&apos;d, sir, if he wear your livery.</line>
<line>Marry, go before to field, he&apos;ll be your follower! </line>
<line>Your worship in that sense may call him man.</line>
</speech>
<speech>
<speaker>Tyb.</speaker>
<line> Romeo, the love I bear thee can afford</line>
<line>No better term than this: thou art a villain.</line>
</speech>
<speech>
<speaker>Rom.</speaker>
<line> Tybalt, the reason that I have to love thee</line>
<line>Doth much excuse the appertaining rage</line>
<line>To such a greeting. Villain am I none.</line>
<line>Therefore farewell. I see thou knowest me not.</line>
</speech>
<speech>
<speaker>Tyb.</speaker>
<line> Boy, this shall not excuse the injuries</line>
<line>That thou hast done me; therefore turn and draw.</line>
</speech>
<speech>
<speaker>Rom.</speaker>
<line> I do protest I never injur&apos;d thee,</line>
<line>But love thee better than thou canst devise</line>
<line>Till thou shalt know the reason of my love;</line>
<line>And so good Capulet, which name I tender</line>
<line>As dearly as mine own, be satisfied.</line>
</speech>
<speech>
<speaker>Mer.</speaker>
<line> O calm, dishonourable, vile submission!</line>
<line>Alla stoccata carries it away. <stagedir>[Draws.]</stagedir></line>
<line>Tybalt, you ratcatcher, will you walk?</line>
</speech>
<speech>
<speaker>Tyb.</speaker>
<line> What wouldst thou have with me?</line>
</speech>
<speech>
<speaker>Mer.</speaker>
<line> Good King of Cats, nothing but one of your nine lives. That I</line>
<line>mean to make bold withal, and, as you shall use me hereafter,</line>
<line>dry-beat the rest of the eight. Will you pluck your sword out of</line>
<line>his pitcher by the ears? Make haste, lest mine be about your
ears</line>
<line>ere it be out.</line>
</speech>
<speech>
<speaker>Tyb.</speaker>
<line> I am for you.</line>
<stagedir>[Draws.]</stagedir>
</speech>
<speech>
<speaker>Rom.</speaker>
<line> Gentle Mercutio, put thy rapier up.</line>
</speech>
<speech>
<speaker>Mer.</speaker>
<line> Come, sir, your passado!</line>
<stagedir>[They fight.]</stagedir>
</speech>
<speech>
<speaker>Rom.</speaker>
<line> Draw, Benvolio; beat down their weapons.</line>
<line>Gentlemen, for shame! forbear this outrage!</line>
<line>Tybalt, Mercutio, the Prince expressly hath</line>
<line>Forbid this bandying in Verona streets.</line>
<line>Hold, Tybalt! Good Mercutio!</line>
<stagedir>Tybalt under Romeo&apos;s arm thrusts Mercutio in, and flies
[with his Followers].</stagedir>
</speech>
<speech>
<speaker>Mer.</speaker>
<line> I am hurt.</line>
<line>A plague o&apos; both your houses! I am sped.</line>
<line>Is he gone and hath nothing?</line>
</speech>
<speech>
<speaker>Ben.</speaker>
<line> What, art thou hurt?</line>
</speech>
<speech>
<speaker>Mer.</speaker>
<line> Ay, ay, a scratch, a scratch. Marry, &apos;tis enough.</line>
<line>Where is my page? Go, villain, fetch a surgeon.</line>
<stagedir>[Exit Page.]</stagedir>
</speech>
<speech>
<speaker>Rom.</speaker>
<line> Courage, man. The hurt cannot be much.</line>
</speech>
<speech>
<speaker>Mer.</speaker>
<line> No, &apos;tis not so deep as a well, nor so wide as a church
door;</line>
<line>but &apos;tis enough, &apos;twill serve. Ask for me to-morrow,
and you</line>
<line>shall find me a grave man. I am peppered, I warrant, for this</line>
<line>world. A plague o&apos; both your houses! Zounds, a dog, a rat,
a</line>
<line>mouse, a cat, to scratch a man to death! a braggart, a rogue, a</line>
<line>villain, that fights by the book of arithmetic! Why the devil</line>
<line>came you between us? I was hurt under your arm.</line>
</speech>
<speech>
<speaker>Rom.</speaker>
<line> I thought all for the best.</line>
</speech>
<speech>
<speaker>Mer.</speaker>
<line> Help me into some house, Benvolio,</line>
<line>Or I shall faint. A plague o&apos; both your houses!</line>
<line>They have made worms&apos; meat of me. I have it,</line>
<line>And soundly too. Your houses!</line>
</speech>
<stagedir>[Exit.[supported by Benvolio].</stagedir>
<speech>
<speaker>Rom.</speaker>
<line> This gentleman, the Prince&apos;s near ally,</line>
<line>My very friend, hath got this mortal hurt</line>
<line>In my behalf- my reputation stain&apos;d</line>
<line>With Tybalt&apos;s slander- Tybalt, that an hour</line>
<line>Hath been my kinsman. O sweet Juliet, </line>
<line>Thy beauty hath made me effeminate</line>
<line>And in my temper soft&apos;ned valour&apos;s steel</line>
</speech>
<stagedir>Enter Benvolio.</stagedir>
<speech>
<speaker>Ben.</speaker>
<line> O Romeo, Romeo, brave Mercutio&apos;s dead!</line>
<line>That gallant spirit hath aspir&apos;d the clouds,</line>
<line>Which too untimely here did scorn the earth.</line>
</speech>
<speech>
<speaker>Rom.</speaker>
<line> This day&apos;s black fate on moe days doth depend;</line>
<line>This but begins the woe others must end.</line>
</speech>
<stagedir>Enter Tybalt.</stagedir>
<speech>
<speaker>Ben.</speaker>
<line> Here comes the furious Tybalt back again.</line>
</speech>
<speech>
<speaker>Rom.</speaker>
<line> Alive in triumph, and Mercutio slain?</line>
<line>Away to heaven respective lenity,</line>
<line>And fire-ey&apos;d fury be my conduct now!</line>
<line>Now, Tybalt, take the &apos;villain&apos; back again</line>
<line>That late thou gavest me; for Mercutio&apos;s soul</line>
<line>Is but a little way above our heads, </line>
<line>Staying for thine to keep him company.</line>
<line>Either thou or I, or both, must go with him.</line>
</speech>
<speech>
<speaker>Tyb.</speaker>
<line> Thou, wretched boy, that didst consort him here,</line>
<line>Shalt with him hence.</line>
</speech>
<speech>
<speaker>Rom.</speaker>
<line> This shall determine that.</line>
<stagedir>They fight. Tybalt falls.</stagedir>
</speech>
<speech>
<speaker>Ben.</speaker>
<line> Romeo, away, be gone!</line>
<line>The citizens are up, and Tybalt slain.</line>
<line>Stand not amaz&apos;d. The Prince will doom thee death</line>
<line>If thou art taken. Hence, be gone, away!</line>
</speech>
<speech>
<speaker>Rom.</speaker>
<line> O, I am fortune&apos;s fool!</line>
</speech>
<speech>
<speaker>Ben.</speaker>
<line> Why dost thou stay?</line>
</speech>
<stagedir>Exit Romeo.</stagedir>
<stagedir>Enter Citizens.</stagedir>
<speech>
<speaker>Citizen.</speaker>
<line> Which way ran he that kill&apos;d Mercutio?</line>
<line>Tybalt, that murtherer, which way ran he?</line>
</speech>
<speech>
<speaker>Ben.</speaker>
<line> There lies that Tybalt.</line>
</speech>
<speech>
<speaker>Citizen.</speaker>
<line> Up, sir, go with me.</line>
<line>I charge thee in the Prince&apos;s name obey.</line>
</speech>
<stagedir>Enter Prince [attended], Old Montague, Capulet, their Wives, and
[others].</stagedir>
<speech>
<speaker>Prince.</speaker>
<line> Where are the vile beginners of this fray?</line>
</speech>
<speech>
<speaker>Ben.</speaker>
<line> O noble Prince. I can discover all</line>
<line>The unlucky manage of this fatal brawl.</line>
<line>There lies the man, slain by young Romeo,</line>
<line>That slew thy kinsman, brave Mercutio.</line>
</speech>
<speech>
<speaker>Cap.</speaker>
<line> Wife. Tybalt, my cousin! O my brother&apos;s child!</line>
<line>O Prince! O husband! O, the blood is spill&apos;d</line>
<line>Of my dear kinsman! Prince, as thou art true,</line>
<line>For blood of ours shed blood of Montague.</line>
<line>O cousin, cousin!</line>
</speech>
<speech>
<speaker>Prince.</speaker>
<line> Benvolio, who began this bloody fray?</line>
</speech>
<speech>
<speaker>Ben.</speaker>
<line> Tybalt, here slain, whom Romeo&apos;s hand did stay.</line>
<line>Romeo, that spoke him fair, bid him bethink</line>
<line>How nice the quarrel was, and urg&apos;d withal</line>
<line>Your high displeasure. All this- uttered</line>
<line>With gentle breath, calm look, knees humbly bow&apos;d- </line>
<line>Could not take truce with the unruly spleen</line>
<line>Of Tybalt deaf to peace, but that he tilts</line>
<line>With piercing steel at bold Mercutio&apos;s breast;</line>
<line>Who, all as hot, turns deadly point to point,</line>
<line>And, with a martial scorn, with one hand beats</line>
<line>Cold death aside and with the other sends</line>
<line>It back to Tybalt, whose dexterity</line>
<line>Retorts it. Romeo he cries aloud,</line>
<line>&apos;Hold, friends! friends, part!&apos; and swifter than his
tongue,</line>
<line>His agile arm beats down their fatal points,</line>
<line>And &apos;twixt them rushes; underneath whose arm</line>
<line>An envious thrust from Tybalt hit the life</line>
<line>Of stout Mercutio, and then Tybalt fled;</line>
<line>But by-and-by comes back to Romeo,</line>
<line>Who had but newly Entertain&apos;d revenge,</line>
<line>And to&apos;t they go like lightning; for, ere I</line>
<line>Could draw to part them, was stout Tybalt slain;</line>
<line>And, as he fell, did Romeo turn and fly.</line>
<line>This is the truth, or let Benvolio die.</line>
</speech>
<speech>
<speaker>Cap.</speaker>
<line> Wife. He is a kinsman to the Montague; </line>
<line>Affection makes him false, he speaks not true.</line>
<line>Some twenty of them fought in this black strife,</line>
<line>And all those twenty could but kill one life.</line>
<line>I beg for justice, which thou, Prince, must give.</line>
<line>Romeo slew Tybalt; Romeo must not live.</line>
</speech>
<speech>
<speaker>Prince.</speaker>
<line> Romeo slew him; he slew Mercutio.</line>
<line>Who now the price of his dear blood doth owe?</line>
</speech>
<speech>
<speaker>Mon.</speaker>
<line> Not Romeo, Prince; he was Mercutio&apos;s friend;</line>
<line>His fault concludes but what the law should end,</line>
<line>The life of Tybalt.</line>
</speech>
<speech>
<speaker>Prince.</speaker>
<line> And for that offence</line>
<line>Immediately we do exile him hence.</line>
<line>I have an interest in your hate&apos;s proceeding,</line>
<line>My blood for your rude brawls doth lie a-bleeding;</line>
<line>But I&apos;ll amerce you with so strong a fine</line>
<line>That you shall all repent the loss of mine.</line>
<line>I will be deaf to pleading and excuses;</line>
<line>Nor tears nor prayers shall purchase out abuses.</line>
<line>Therefore use none. Let Romeo hence in haste,</line>
<line>Else, when he is found, that hour is his last. </line>
<line>Bear hence this body, and attend our will.</line>
<line>Mercy but murders, pardoning those that kill.</line>
</speech>
<stagedir>Exeunt.</stagedir>
</scene>
<scene id="2">
<scndesc>Scene II. Capulet&apos;s orchard.</scndesc>
<stagedir>Enter Juliet alone.</stagedir>
<speech>
<speaker>Jul.</speaker>
<line> Gallop apace, you fiery-footed steeds,</line>
<line>Towards Phoebus&apos; lodging! Such a wagoner</line>
<line>As Phaeton would whip you to the West</line>
<line>And bring in cloudy night immediately.</line>
<line>Spread thy close curtain, love-performing night,</line>
<line>That runaway eyes may wink, and Romeo</line>
<line>Leap to these arms untalk&apos;d of and unseen.</line>
<line>Lovers can see to do their amorous rites</line>
<line>By their own beauties; or, if love be blind,</line>
<line>It best agrees with night. Come, civil night,</line>
<line>Thou sober-suited matron, all in black,</line>
<line>And learn me how to lose a winning match,</line>
<line>Play&apos;d for a pair of stainless maidenhoods.</line>
<line>Hood my unmann&apos;d blood, bating in my cheeks,</line>
<line>With thy black mantle till strange love, grown bold,</line>
<line>Think true love acted simple modesty.</line>
<line>Come, night; come, Romeo; come, thou day in night; </line>
<line>For thou wilt lie upon the wings of night</line>
<line>Whiter than new snow upon a raven&apos;s back.</line>
<line>Come, gentle night; come, loving, black-brow&apos;d night;</line>
<line>Give me my Romeo; and, when he shall die,</line>
<line>Take him and cut him out in little stars,</line>
<line>And he will make the face of heaven so fine</line>
<line>That all the world will be in love with night</line>
<line>And pay no worship to the garish sun.</line>
<line>O, I have bought the mansion of a love,</line>
<line>But not possess&apos;d it; and though I am sold,</line>
<line>Not yet enjoy&apos;d. So tedious is this day</line>
<line>As is the night before some festival</line>
<line>To an impatient child that hath new robes</line>
<line>And may not wear them. O, here comes my nurse,</line>
<stagedir>Enter Nurse, with cords.</stagedir>
<line>And she brings news; and every tongue that speaks</line>
<line>But Romeo&apos;s name speaks heavenly eloquence.</line>
<line>Now, nurse, what news? What hast thou there? the cords </line>
<line>That Romeo bid thee fetch?</line>
</speech>
<speech>
<speaker>Nurse.</speaker>
<line> Ay, ay, the cords.</line>
<stagedir>[Throws them down.]</stagedir>
</speech>
<speech>
<speaker>Jul.</speaker>
<line> Ay me! what news? Why dost thou wring thy hands</line>
</speech>
<speech>
<speaker>Nurse.</speaker>
<line> Ah, weraday! he&apos;s dead, he&apos;s dead, he&apos;s dead!</line>
<line>We are undone, lady, we are undone!</line>
<line>Alack the day! he&apos;s gone, he&apos;s kill&apos;d, he&apos;s
dead!</line>
</speech>
<speech>
<speaker>Jul.</speaker>
<line> Can heaven be so envious?</line>
</speech>
<speech>
<speaker>Nurse.</speaker>
<line> Romeo can,</line>
<line>Though heaven cannot. O Romeo, Romeo!</line>
<line>Who ever would have thought it? Romeo!</line>
</speech>
<speech>
<speaker>Jul.</speaker>
<line> What devil art thou that dost torment me thus?</line>
<line>This torture should be roar&apos;d in dismal hell.</line>
<line>Hath Romeo slain himself? Say thou but &apos;I,&apos;</line>
<line>And that bare vowel &apos;I&apos; shall poison more</line>
<line>Than the death-darting eye of cockatrice.</line>
<line>I am not I, if there be such an &apos;I&apos;;</line>
<line>Or those eyes shut that make thee answer &apos;I.&apos;</line>
<line>If be be slain, say &apos;I&apos;; or if not, &apos;no.&apos;</line>
<line>Brief sounds determine of my weal or woe.</line>
</speech>
<speech>
<speaker>Nurse.</speaker>
<line> I saw the wound, I saw it with mine eyes,</line>
<line>(God save the mark!) here on his manly breast.</line>
<line>A piteous corse, a bloody piteous corse;</line>
<line>Pale, pale as ashes, all bedaub&apos;d in blood,</line>
<line>All in gore-blood. I swounded at the sight.</line>
</speech>
<speech>
<speaker>Jul.</speaker>
<line> O, break, my heart! poor bankrout, break at once!</line>
<line>To prison, eyes; ne&apos;er look on liberty!</line>
<line>Vile earth, to earth resign; end motion here,</line>
<line>And thou and Romeo press one heavy bier!</line>
</speech>
<speech>
<speaker>Nurse.</speaker>
<line> O Tybalt, Tybalt, the best friend I had!</line>
<line>O courteous Tybalt! honest gentleman</line>
<line>That ever I should live to see thee dead!</line>
</speech>
<speech>
<speaker>Jul.</speaker>
<line> What storm is this that blows so contrary?</line>
<line>Is Romeo slaught&apos;red, and is Tybalt dead?</line>
<line>My dear-lov&apos;d cousin, and my dearer lord?</line>
<line>Then, dreadful trumpet, sound the general doom!</line>
<line>For who is living, if those two are gone?</line>
</speech>
<speech>
<speaker>Nurse.</speaker>
<line> Tybalt is gone, and Romeo banished;</line>
<line>Romeo that kill&apos;d him, he is banished.</line>
</speech>
<speech>
<speaker>Jul.</speaker>
<line> O God! Did Romeo&apos;s hand shed Tybalt&apos;s blood?</line>
</speech>
<speech>
<speaker>Nurse.</speaker>
<line> It did, it did! alas the day, it did!</line>
</speech>
<speech>
<speaker>Jul.</speaker>
<line> O serpent heart, hid with a flow&apos;ring face!</line>
<line>Did ever dragon keep so fair a cave?</line>
<line>Beautiful tyrant! fiend angelical!</line>
<line>Dove-feather&apos;d raven! wolvish-ravening lamb!</line>
<line>Despised substance of divinest show!</line>
<line>Just opposite to what thou justly seem&apos;st-</line>
<line>A damned saint, an honourable villain!</line>
<line>O nature, what hadst thou to do in hell</line>
<line>When thou didst bower the spirit of a fiend</line>
<line>In mortal paradise of such sweet flesh?</line>
<line>Was ever book containing such vile matter</line>
<line>So fairly bound? O, that deceit should dwell</line>
<line>In such a gorgeous palace!</line>
</speech>
<speech>
<speaker>Nurse.</speaker>
<line> There&apos;s no trust,</line>
<line>No faith, no honesty in men; all perjur&apos;d,</line>
<line>All forsworn, all naught, all dissemblers.</line>
<line>Ah, where&apos;s my man? Give me some aqua vitae.</line>
<line>These griefs, these woes, these sorrows make me old.</line>
<line>Shame come to Romeo!</line>
</speech>
<speech>
<speaker>Jul.</speaker>
<line> Blister&apos;d be thy tongue</line>
<line>For such a wish! He was not born to shame.</line>
<line>Upon his brow shame is asham&apos;d to sit;</line>
<line>For &apos;tis a throne where honour may be crown&apos;d</line>
<line>Sole monarch of the universal earth.</line>
<line>O, what a beast was I to chide at him!</line>
</speech>
<speech>
<speaker>Nurse.</speaker>
<line> Will you speak well of him that kill&apos;d your cousin?</line>
</speech>
<speech>
<speaker>Jul.</speaker>
<line> Shall I speak ill of him that is my husband?</line>
<line>Ah, poor my lord, what tongue shall smooth thy name</line>
<line>When I, thy three-hours wife, have mangled it?</line>
<line>But wherefore, villain, didst thou kill my cousin?</line>
<line>That villain cousin would have kill&apos;d my husband.</line>
<line>Back, foolish tears, back to your native spring!</line>
<line>Your tributary drops belong to woe,</line>
<line>Which you, mistaking, offer up to joy.</line>
<line>My husband lives, that Tybalt would have slain;</line>
<line>And Tybalt&apos;s dead, that would have slain my husband.</line>
<line>All this is comfort; wherefore weep I then?</line>
<line>Some word there was, worser than Tybalt&apos;s death,</line>
<line>That murd&apos;red me. I would forget it fain; </line>
<line>But O, it presses to my memory</line>
<line>Like damned guilty deeds to sinners&apos; minds!</line>
<line>&apos;Tybalt is dead, and Romeo- banished.&apos;</line>
<line>That &apos;banished,&apos; that one word &apos;banished,&apos;</line>
<line>Hath slain ten thousand Tybalts. Tybalt&apos;s death</line>
<line>Was woe enough, if it had ended there;</line>
<line>Or, if sour woe delights in fellowship</line>
<line>And needly will be rank&apos;d with other griefs,</line>
<line>Why followed not, when she said &apos;Tybalt&apos;s dead,&apos;</line>
<line>Thy father, or thy mother, nay, or both,</line>
<line>Which modern lamentation might have mov&apos;d?</line>
<line>But with a rearward following Tybalt&apos;s death,</line>
<line>&apos;Romeo is banished&apos;- to speak that word</line>
<line>Is father, mother, Tybalt, Romeo, Juliet,</line>
<line>All slain, all dead. &apos;Romeo is banished&apos;-</line>
<line>There is no end, no limit, measure, bound,</line>
<line>In that word&apos;s death; no words can that woe sound.</line>
<line>Where is my father and my mother, nurse?</line>
</speech>
<speech>
<speaker>Nurse.</speaker>
<line> Weeping and wailing over Tybalt&apos;s corse.</line>
<line>Will you go to them? I will bring you thither.</line>
</speech>
<speech>
<speaker>Jul.</speaker>
<line> Wash they his wounds with tears? Mine shall be spent,</line>
<line>When theirs are dry, for Romeo&apos;s banishment.</line>
<line>Take up those cords. Poor ropes, you are beguil&apos;d,</line>
<line>Both you and I, for Romeo is exil&apos;d.</line>
<line>He made you for a highway to my bed;</line>
<line>But I, a maid, die maiden-widowed.</line>
<line>Come, cords; come, nurse. I&apos;ll to my wedding bed;</line>
<line>And death, not Romeo, take my maidenhead!</line>
</speech>
<speech>
<speaker>Nurse.</speaker>
<line> Hie to your chamber. I&apos;ll find Romeo</line>
<line>To comfort you. I wot well where he is.</line>
<line>Hark ye, your Romeo will be here at night.</line>
<line>I&apos;ll to him; he is hid at Laurence&apos; cell.</line>
</speech>
<speech>
<speaker>Jul.</speaker>
<line> O, find him! give this ring to my true knight</line>
<line>And bid him come to take his last farewell.</line>
</speech>
<stagedir>Exeunt.</stagedir>
</scene>
<scene id="3">
<scndesc>Scene III. Friar Laurence&apos;s cell.</scndesc>
<stagedir>Enter Friar [Laurence].</stagedir>
<speech>
<speaker>Friar.</speaker>
<line> Romeo, come forth; come forth, thou fearful man.</line>
<line>Affliction is enanmour&apos;d of thy parts,</line>
<line>And thou art wedded to calamity.</line>
</speech>
<stagedir>Enter Romeo.</stagedir>
<speech>
<speaker>Rom.</speaker>
<line> Father, what news? What is the Prince&apos;s doom</line>
<line>What sorrow craves acquaintance at my hand</line>
<line>That I yet know not?</line>
</speech>
<speech>
<speaker>Friar.</speaker>
<line> Too familiar</line>
<line>Is my dear son with such sour company.</line>
<line>I bring thee tidings of the Prince&apos;s doom.</line>
</speech>
<speech>
<speaker>Rom.</speaker>
<line> What less than doomsday is the Prince&apos;s doom?</line>
</speech>
<speech>
<speaker>Friar.</speaker>
<line> A gentler judgment vanish&apos;d from his lips-</line>
<line>Not body&apos;s death, but body&apos;s banishment.</line>
</speech>
<speech>
<speaker>Rom.</speaker>
<line> Ha, banishment? Be merciful, say &apos;death&apos;;</line>
<line>For exile hath more terror in his look, </line>
<line>Much more than death. Do not say &apos;banishment.&apos;</line>
</speech>
<speech>
<speaker>Friar.</speaker>
<line> Hence from Verona art thou banished.</line>
<line>Be patient, for the world is broad and wide.</line>
</speech>
<speech>
<speaker>Rom.</speaker>
<line> There is no world without Verona walls,</line>
<line>But purgatory, torture, hell itself.</line>
<line>Hence banished is banish&apos;d from the world,</line>
<line>And world&apos;s exile is death. Then &apos;banishment&apos;</line>
<line>Is death misterm&apos;d. Calling death &apos;banishment,&apos;</line>
<line>Thou cut&apos;st my head off with a golden axe</line>
<line>And smilest upon the stroke that murders me.</line>
</speech>
<speech>
<speaker>Friar.</speaker>
<line> O deadly sin! O rude unthankfulness!</line>
<line>Thy fault our law calls death; but the kind Prince,</line>
<line>Taking thy part, hath rush&apos;d aside the law,</line>
<line>And turn&apos;d that black word death to banishment.</line>
<line>This is dear mercy, and thou seest it not.</line>
</speech>
<speech>
<speaker>Rom.</speaker>
<line> &apos;Tis torture, and not mercy. Heaven is here,</line>
<line>Where Juliet lives; and every cat and dog</line>
<line>And little mouse, every unworthy thing,</line>
<line>Live here in heaven and may look on her;</line>
<line>But Romeo may not. More validity, </line>
<line>More honourable state, more courtship lives</line>
<line>In carrion flies than Romeo. They may seize</line>
<line>On the white wonder of dear Juliet&apos;s hand</line>
<line>And steal immortal blessing from her lips,</line>
<line>Who, even in pure and vestal modesty,</line>
<line>Still blush, as thinking their own kisses sin;</line>
<line>But Romeo may not- he is banished.</line>
<line>This may flies do, when I from this must fly;</line>
<line>They are free men, but I am banished.</line>
<line>And sayest thou yet that exile is not death?</line>
<line>Hadst thou no poison mix&apos;d, no sharp-ground knife,</line>
<line>No sudden mean of death, though ne&apos;er so mean,</line>
<line>But &apos;banished&apos; to kill me- &apos;banished&apos;?</line>
<line>O friar, the damned use that word in hell;</line>
<line>Howling attends it! How hast thou the heart,</line>
<line>Being a divine, a ghostly confessor,</line>
<line>A sin-absolver, and my friend profess&apos;d,</line>
<line>To mangle me with that word &apos;banished&apos;?</line>
</speech>
<speech>
<speaker>Friar.</speaker>
<line> Thou fond mad man, hear me a little speak.</line>
</speech>
<speech>
<speaker>Rom.</speaker>
<line> O, thou wilt speak again of banishment.</line>
</speech>
<speech>
<speaker>Friar.</speaker>
<line> I&apos;ll give thee armour to keep off that word;</line>
<line>Adversity&apos;s sweet milk, philosophy,</line>
<line>To comfort thee, though thou art banished.</line>
</speech>
<speech>
<speaker>Rom.</speaker>
<line> Yet &apos;banished&apos;? Hang up philosophy!</line>
<line>Unless philosophy can make a Juliet,</line>
<line>Displant a town, reverse a prince&apos;s doom,</line>
<line>It helps not, it prevails not. Talk no more.</line>
</speech>
<speech>
<speaker>Friar.</speaker>
<line> O, then I see that madmen have no ears.</line>
</speech>
<speech>
<speaker>Rom.</speaker>
<line> How should they, when that wise men have no eyes?</line>
</speech>
<speech>
<speaker>Friar.</speaker>
<line> Let me dispute with thee of thy estate.</line>
</speech>
<speech>
<speaker>Rom.</speaker>
<line> Thou canst not speak of that thou dost not feel.</line>
<line>Wert thou as young as I, Juliet thy love,</line>
<line>An hour but married, Tybalt murdered,</line>
<line>Doting like me, and like me banished,</line>
<line>Then mightst thou speak, then mightst thou tear thy hair,</line>
<line>And fall upon the ground, as I do now,</line>
<line>Taking the measure of an unmade grave.</line>
</speech>
<stagedir>Knock [within].</stagedir>
<speech>
<speaker>Friar.</speaker>
<line> Arise; one knocks. Good Romeo, hide thyself.</line>
</speech>
<speech>
<speaker>Rom.</speaker>
<line> Not I; unless the breath of heartsick groans, </line>
<line>Mist-like infold me from the search of eyes.</line>
</speech>
<stagedir>Knock.</stagedir>
<speech>
<speaker>Friar.</speaker>
<line> Hark, how they knock! Who&apos;s there? Romeo, arise;</line>
<line>Thou wilt be taken.- Stay awhile!- Stand up;
<stagedir>Knock.</stagedir></line>
<line>Run to my study.- By-and-by!- God&apos;s will,</line>
<line>What simpleness is this.- I come, I come!
<stagedir>Knock.</stagedir></line>
<line>Who knocks so hard? Whence come you? What&apos;s your
will</line>
</speech>
<speech>
<speaker>Nurse.</speaker>
<line>
<stagedir>[within]</stagedir> Let me come in, and you shall know
my errand.</line>
<line>I come from Lady Juliet.</line>
</speech>
<speech>
<speaker>Friar.</speaker>
<line> Welcome then.</line>
</speech>
<stagedir>Enter Nurse.</stagedir>
<speech>
<speaker>Nurse.</speaker>
<line> O holy friar, O, tell me, holy friar</line>
<line>Where is my lady&apos;s lord, where&apos;s Romeo?</line>
</speech>
<speech>
<speaker>Friar.</speaker>
<line> There on the ground, with his own tears made drunk.</line>
</speech>
<speech>
<speaker>Nurse.</speaker>
<line> O, he is even in my mistress&apos; case,</line>
<line>Just in her case!</line>
</speech>
<speech>
<speaker>Friar.</speaker>
<line> O woeful sympathy!</line>
<line>Piteous predicament!</line>
</speech>
<speech>
<speaker>Nurse.</speaker>
<line> Even so lies she, </line>
<line>Blubb&apos;ring and weeping, weeping and blubbering.</line>
<line>Stand up, stand up! Stand, an you be a man.</line>
<line>For Juliet&apos;s sake, for her sake, rise and stand!</line>
<line>Why should you fall into so deep an O?</line>
</speech>
<speech>
<speaker>Rom.</speaker>
<line>
<stagedir>(rises)</stagedir> Nurse-</line>
</speech>
<speech>
<speaker>Nurse.</speaker>
<line> Ah sir! ah sir! Well, death&apos;s the end of all.</line>
</speech>
<speech>
<speaker>Rom.</speaker>
<line> Spakest thou of Juliet? How is it with her?</line>
<line>Doth not she think me an old murtherer,</line>
<line>Now I have stain&apos;d the childhood of our joy</line>
<line>With blood remov&apos;d but little from her own?</line>
<line>Where is she? and how doth she! and what says</line>
<line>My conceal&apos;d lady to our cancell&apos;d love?</line>
</speech>
<speech>
<speaker>Nurse.</speaker>
<line> O, she says nothing, sir, but weeps and weeps;</line>
<line>And now falls on her bed, and then starts up,</line>
<line>And Tybalt calls; and then on Romeo cries,</line>
<line>And then down falls again.</line>
</speech>
<speech>
<speaker>Rom.</speaker>
<line> As if that name,</line>
<line>Shot from the deadly level of a gun,</line>
<line>Did murther her; as that name&apos;s cursed hand</line>
<line>Murder&apos;d her kinsman. O, tell me, friar, tell me, </line>
<line>In what vile part of this anatomy</line>
<line>Doth my name lodge? Tell me, that I may sack</line>
<line>The hateful mansion.</line>
<stagedir>[Draws his dagger.]</stagedir>
</speech>
<speech>
<speaker>Friar.</speaker>
<line> Hold thy desperate hand.</line>
<line>Art thou a man? Thy form cries out thou art;</line>
<line>Thy tears are womanish, thy wild acts denote</line>
<line>The unreasonable fury of a beast.</line>
<line>Unseemly woman in a seeming man!</line>
<line>Or ill-beseeming beast in seeming both!</line>
<line>Thou hast amaz&apos;d me. By my holy order,</line>
<line>I thought thy disposition better temper&apos;d.</line>
<line>Hast thou slain Tybalt? Wilt thou slay thyself?</line>
<line>And slay thy lady that in thy life lives,</line>
<line>By doing damned hate upon thyself?</line>
<line>Why railest thou on thy birth, the heaven, and earth?</line>
<line>Since birth and heaven and earth, all three do meet</line>
<line>In thee at once; which thou at once wouldst lose.</line>
<line>Fie, fie, thou shamest thy shape, thy love, thy wit,</line>
<line>Which, like a usurer, abound&apos;st in all,</line>
<line>And usest none in that true use indeed </line>
<line>Which should bedeck thy shape, thy love, thy wit.</line>
<line>Thy noble shape is but a form of wax</line>
<line>Digressing from the valour of a man;</line>
<line>Thy dear love sworn but hollow perjury,</line>
<line>Killing that love which thou hast vow&apos;d to cherish;</line>
<line>Thy wit, that ornament to shape and love,</line>
<line>Misshapen in the conduct of them both,</line>
<line>Like powder in a skilless soldier&apos;s flask,</line>
<line>is get afire by thine own ignorance,</line>
<line>And thou dismemb&apos;red with thine own defence.</line>
<line>What, rouse thee, man! Thy Juliet is alive,</line>
<line>For whose dear sake thou wast but lately dead.</line>
<line>There art thou happy. Tybalt would kill thee,</line>
<line>But thou slewest Tybalt. There art thou happy too.</line>
<line>The law, that threat&apos;ned death, becomes thy friend</line>
<line>And turns it to exile. There art thou happy.</line>
<line>A pack of blessings light upon thy back;</line>
<line>Happiness courts thee in her best array;</line>
<line>But, like a misbhav&apos;d and sullen wench,</line>
<line>Thou pout&apos;st upon thy fortune and thy love. </line>
<line>Take heed, take heed, for such die miserable.</line>
<line>Go get thee to thy love, as was decreed,</line>
<line>Ascend her chamber, hence and comfort her.</line>
<line>But look thou stay not till the watch be set,</line>
<line>For then thou canst not pass to Mantua,</line>
<line>Where thou shalt live till we can find a time</line>
<line>To blaze your marriage, reconcile your friends,</line>
<line>Beg pardon of the Prince, and call thee back</line>
<line>With twenty hundred thousand times more joy</line>
<line>Than thou went&apos;st forth in lamentation.</line>
<line>Go before, nurse. Commend me to thy lady,</line>
<line>And bid her hasten all the house to bed,</line>
<line>Which heavy sorrow makes them apt unto.</line>
<line>Romeo is coming.</line>
</speech>
<speech>
<speaker>Nurse.</speaker>
<line> O Lord, I could have stay&apos;d here all the night</line>
<line>To hear good counsel. O, what learning is!</line>
<line>My lord, I&apos;ll tell my lady you will come.</line>
</speech>
<speech>
<speaker>Rom.</speaker>
<line> Do so, and bid my sweet prepare to chide.</line>
</speech>
<speech>
<speaker>Nurse.</speaker>
<line> Here is a ring she bid me give you, sir.</line>
<line>Hie you, make haste, for it grows very late.</line>
</speech>
<stagedir>Exit.</stagedir>
<speech>
<speaker>Rom.</speaker>
<line> How well my comfort is reviv&apos;d by this!</line>
</speech>
<speech>
<speaker>Friar.</speaker>
<line> Go hence; good night; and here stands all your state:</line>
<line>Either be gone before the watch be set,</line>
<line>Or by the break of day disguis&apos;d from hence.</line>
<line>Sojourn in Mantua. I&apos;ll find out your man,</line>
<line>And he shall signify from time to time</line>
<line>Every good hap to you that chances here.</line>
<line>Give me thy hand. &apos;Tis late. Farewell; good night.</line>
</speech>
<speech>
<speaker>Rom.</speaker>
<line> But that a joy past joy calls out on me,</line>
<line>It were a grief so brief to part with thee.</line>
<line>Farewell.</line>
</speech>
<stagedir>Exeunt.</stagedir>
</scene>
<scene id="4">
<scndesc>Scene IV. Capulet&apos;s house</scndesc>
<stagedir>Enter Old Capulet, his Wife, and Paris.</stagedir>
<speech>
<speaker>Cap.</speaker>
<line> Things have fall&apos;n out, sir, so unluckily</line>
<line>That we have had no time to move our daughter.</line>
<line>Look you, she lov&apos;d her kinsman Tybalt dearly,</line>
<line>And so did I. Well, we were born to die.</line>
<line>&apos;Tis very late; she&apos;ll not come down to-night.</line>
<line>I promise you, but for your company,</line>
<line>I would have been abed an hour ago.</line>
</speech>
<speech>
<speaker>Par.</speaker>
<line> These times of woe afford no tune to woo.</line>
<line>Madam, good night. Commend me to your daughter.</line>
</speech>
<speech>
<speaker>Lady.</speaker>
<line> I will, and know her mind early to-morrow;</line>
<line>To-night she&apos;s mew&apos;d up to her heaviness.</line>
</speech>
<speech>
<speaker>Cap.</speaker>
<line> Sir Paris, I will make a desperate tender</line>
<line>Of my child&apos;s love. I think she will be rul&apos;d</line>
<line>In all respects by me; nay more, I doubt it not.</line>
<line>Wife, go you to her ere you go to bed;</line>
<line>Acquaint her here of my son Paris&apos; love</line>
<line>And bid her (mark you me?) on Wednesday next- </line>
<line>But, soft! what day is this?</line>
</speech>
<speech>
<speaker>Par.</speaker>
<line> Monday, my lord.</line>
</speech>
<speech>
<speaker>Cap.</speaker>
<line> Monday! ha, ha! Well, Wednesday is too soon.</line>
<line>Thursday let it be- a Thursday, tell her</line>
<line>She shall be married to this noble earl.</line>
<line>Will you be ready? Do you like this haste?</line>
<line>We&apos;ll keep no great ado- a friend or two;</line>
<line>For hark you, Tybalt being slain so late,</line>
<line>It may be thought we held him carelessly,</line>
<line>Being our kinsman, if we revel much.</line>
<line>Therefore we&apos;ll have some half a dozen friends,</line>
<line>And there an end. But what say you to Thursday?</line>
</speech>
<speech>
<speaker>Par.</speaker>
<line> My lord, I would that Thursday were to-morrow.</line>
</speech>
<speech>
<speaker>Cap.</speaker>
<line> Well, get you gone. A Thursday be it then.</line>
<line>Go you to Juliet ere you go to bed;</line>
<line>Prepare her, wife, against this wedding day.</line>
<line>Farewell, My lord.- Light to my chamber, ho!</line>
<line>Afore me, It is so very very late</line>
<line>That we may call it early by-and-by.</line>
<line>Good night.</line>
</speech>
<stagedir>Exeunt</stagedir>
</scene>
<scene id="5">
<scndesc>Scene V. Capulet&apos;s orchard.</scndesc>
<stagedir>Enter Romeo and Juliet aloft, at the Window.</stagedir>
<speech>
<speaker>Jul.</speaker>
<line> Wilt thou be gone? It is not yet near day.</line>
<line>It was the nightingale, and not the lark,</line>
<line>That pierc&apos;d the fearful hollow of thine ear.</line>
<line>Nightly she sings on yond pomegranate tree.</line>
<line>Believe me, love, it was the nightingale.</line>
</speech>
<speech>
<speaker>Rom.</speaker>
<line> It was the lark, the herald of the morn;</line>
<line>No nightingale. Look, love, what envious streaks</line>
<line>Do lace the severing clouds in yonder East.</line>
<line>Night&apos;s candles are burnt out, and jocund day</line>
<line>Stands tiptoe on the misty mountain tops.</line>
<line>I must be gone and live, or stay and die.</line>
</speech>
<speech>
<speaker>Jul.</speaker>
<line> Yond light is not daylight; I know it, I.</line>
<line>It is some meteor that the sun exhales</line>
<line>To be to thee this night a torchbearer</line>
<line>And light thee on the way to Mantua.</line>
<line>Therefore stay yet; thou need&apos;st not to be gone.</line>
</speech>
<speech>
<speaker>Rom.</speaker>
<line> Let me be ta&apos;en, let me be put to death. </line>
<line>I am content, so thou wilt have it so.</line>
<line>I&apos;ll say yon grey is not the morning&apos;s eye,</line>
<line>&apos;Tis but the pale reflex of Cynthia&apos;s brow;</line>
<line>Nor that is not the lark whose notes do beat</line>
<line>The vaulty heaven so high above our heads.</line>
<line>I have more care to stay than will to go.</line>
<line>Come, death, and welcome! Juliet wills it so.</line>
<line>How is&apos;t, my soul? Let&apos;s talk; it is not day.</line>
</speech>
<speech>
<speaker>Jul.</speaker>
<line> It is, it is! Hie hence, be gone, away!</line>
<line>It is the lark that sings so out of tune,</line>
<line>Straining harsh discords and unpleasing sharps.</line>
<line>Some say the lark makes sweet division;</line>
<line>This doth not so, for she divideth us.</line>
<line>Some say the lark and loathed toad chang&apos;d eyes;</line>
<line>O, now I would they had chang&apos;d voices too,</line>
<line>Since arm from arm that voice doth us affray,</line>
<line>Hunting thee hence with hunt&apos;s-up to the day!</line>
<line>O, now be gone! More light and light it grows.</line>
</speech>
<speech>
<speaker>Rom.</speaker>
<line> More light and light- more dark and dark our woes!.</line>
</speech>
<stagedir>Enter Nurse.</stagedir>
<speech>
<speaker>Nurse.</speaker>
<line> Madam!</line>
</speech>
<speech>
<speaker>Jul.</speaker>
<line> Nurse?</line>
</speech>
<speech>
<speaker>Nurse.</speaker>
<line> Your lady mother is coming to your chamber.</line>
<line>The day is broke; be wary, look about.</line>
</speech>
<speech>
<speaker>Jul.</speaker>
<line> Then, window, let day in, and let life out.</line>
<stagedir>[Exit.]</stagedir>
</speech>
<speech>
<speaker>Rom.</speaker>
<line> Farewell, farewell! One kiss, and I&apos;ll descend.</line>
<stagedir>He goeth down.</stagedir>
</speech>
<speech>
<speaker>Jul.</speaker>
<line> Art thou gone so, my lord, my love, my friend?</line>
<line>I must hear from thee every day in the hour,</line>
<line>For in a minute there are many days.</line>
<line>O, by this count I shall be much in years</line>
<line>Ere I again behold my Romeo!</line>
</speech>
<speech>
<speaker>Rom.</speaker>
<line> Farewell!</line>
<line>I will omit no opportunity</line>
<line>That may convey my greetings, love, to thee.</line>
</speech>
<speech>
<speaker>Jul.</speaker>
<line> O, think&apos;st thou we shall ever meet again?</line>
</speech>
<speech>
<speaker>Rom.</speaker>
<line> I doubt it not; and all these woes shall serve </line>
<line>For sweet discourses in our time to come.</line>
</speech>
<speech>
<speaker>Jul.</speaker>
<line> O God, I have an ill-divining soul!</line>
<line>Methinks I see thee, now thou art below,</line>
<line>As one dead in the bottom of a tomb.</line>
<line>Either my eyesight fails, or thou look&apos;st pale.</line>
</speech>
<speech>
<speaker>Rom.</speaker>
<line> And trust me, love, in my eye so do you.</line>
<line>Dry sorrow drinks our blood. Adieu, adieu!</line>
<stagedir>Exit.</stagedir>
</speech>
<speech>
<speaker>Jul.</speaker>
<line> O Fortune, Fortune! all men call thee fickle.</line>
<line>If thou art fickle, what dost thou with him</line>
<line>That is renown&apos;d for faith? Be fickle, Fortune,</line>
<line>For then I hope thou wilt not keep him long</line>
<line>But send him back.</line>
</speech>
<speech>
<speaker>Lady.</speaker>
<line>
<stagedir>[within]</stagedir> Ho, daughter! are you up?</line>
</speech>
<speech>
<speaker>Jul.</speaker>
<line> Who is&apos;t that calls? It is my lady mother.</line>
<line>Is she not down so late, or up so early?</line>
<line>What unaccustom&apos;d cause procures her hither?</line>
</speech>
<stagedir>Enter Mother.</stagedir>
<speech>
<speaker>Lady.</speaker>
<line> Why, how now, Juliet?</line>
</speech>
<speech>
<speaker>Jul.</speaker>
<line> Madam, I am not well.</line>
</speech>
<speech>
<speaker>Lady.</speaker>
<line> Evermore weeping for your cousin&apos;s death?</line>
<line>What, wilt thou wash him from his grave with tears?</line>
<line>An if thou couldst, thou couldst not make him live.</line>
<line>Therefore have done. Some grief shows much of love;</line>
<line>But much of grief shows still some want of wit.</line>
</speech>
<speech>
<speaker>Jul.</speaker>
<line> Yet let me weep for such a feeling loss.</line>
</speech>
<speech>
<speaker>Lady.</speaker>
<line> So shall you feel the loss, but not the friend</line>
<line>Which you weep for.</line>
</speech>
<speech>
<speaker>Jul.</speaker>
<line> Feeling so the loss,</line>
<line>I cannot choose but ever weep the friend.</line>
</speech>
<speech>
<speaker>Lady.</speaker>
<line> Well, girl, thou weep&apos;st not so much for his death</line>
<line>As that the villain lives which slaughter&apos;d him.</line>
</speech>
<speech>
<speaker>Jul.</speaker>
<line> What villain, madam?</line>
</speech>
<speech>
<speaker>Lady.</speaker>
<line> That same villain Romeo.</line>
</speech>
<speech>
<speaker>Jul.</speaker>
<line>
<stagedir>[aside]</stagedir> Villain and he be many miles
asunder.-</line>
<line>God pardon him! I do, with all my heart;</line>
<line>And yet no man like he doth grieve my heart.</line>
</speech>
<speech>
<speaker>Lady.</speaker>
<line> That is because the traitor murderer lives.</line>
</speech>
<speech>
<speaker>Jul.</speaker>
<line> Ay, madam, from the reach of these my hands.</line>
<line>Would none but I might venge my cousin&apos;s death!</line>
</speech>
<speech>
<speaker>Lady.</speaker>
<line> We will have vengeance for it, fear thou not.</line>
<line>Then weep no more. I&apos;ll send to one in Mantua,</line>
<line>Where that same banish&apos;d runagate doth live,</line>
<line>Shall give him such an unaccustom&apos;d dram</line>
<line>That he shall soon keep Tybalt company;</line>
<line>And then I hope thou wilt be satisfied.</line>
</speech>
<speech>
<speaker>Jul.</speaker>
<line> Indeed I never shall be satisfied</line>
<line>With Romeo till I behold him- dead-</line>
<line>Is my poor heart so for a kinsman vex&apos;d.</line>
<line>Madam, if you could find out but a man</line>
<line>To bear a poison, I would temper it;</line>
<line>That Romeo should, upon receipt thereof,</line>
<line>Soon sleep in quiet. O, how my heart abhors</line>
<line>To hear him nam&apos;d and cannot come to him,</line>
<line>To wreak the love I bore my cousin Tybalt</line>
<line>Upon his body that hath slaughter&apos;d him!</line>
</speech>
<speech>
<speaker>Lady.</speaker>
<line> Find thou the means, and I&apos;ll find such a man.</line>
<line>But now I&apos;ll tell thee joyful tidings, girl.</line>
</speech>
<speech>
<speaker>Jul.</speaker>
<line> And joy comes well in such a needy time.</line>
<line>What are they, I beseech your ladyship?</line>
</speech>
<speech>
<speaker>Lady.</speaker>
<line> Well, well, thou hast a careful father, child;</line>
<line>One who, to put thee from thy heaviness,</line>
<line>Hath sorted out a sudden day of joy</line>
<line>That thou expects not nor I look&apos;d not for.</line>
</speech>
<speech>
<speaker>Jul.</speaker>
<line> Madam, in happy time! What day is that?</line>
</speech>
<speech>
<speaker>Lady.</speaker>
<line> Marry, my child, early next Thursday morn</line>
<line>The gallant, young, and noble gentleman,</line>
<line>The County Paris, at Saint Peter&apos;s Church,</line>
<line>Shall happily make thee there a joyful bride.</line>
</speech>
<speech>
<speaker>Jul.</speaker>
<line> Now by Saint Peter&apos;s Church, and Peter too,</line>
<line>He shall not make me there a joyful bride!</line>
<line>I wonder at this haste, that I must wed</line>
<line>Ere he that should be husband comes to woo.</line>
<line>I pray you tell my lord and father, madam,</line>
<line>I will not marry yet; and when I do, I swear</line>
<line>It shall be Romeo, whom you know I hate,</line>
<line>Rather than Paris. These are news indeed!</line>
</speech>
<speech>
<speaker>Lady.</speaker>
<line> Here comes your father. Tell him so yourself, </line>
<line>And see how be will take it at your hands.</line>
</speech>
<stagedir>Enter Capulet and Nurse.</stagedir>
<speech>
<speaker>Cap.</speaker>
<line> When the sun sets the air doth drizzle dew,</line>
<line>But for the sunset of my brother&apos;s son</line>
<line>It rains downright.</line>
<line>How now? a conduit, girl? What, still in tears?</line>
<line>Evermore show&apos;ring? In one little body</line>
<line>Thou counterfeit&apos;st a bark, a sea, a wind:</line>
<line>For still thy eyes, which I may call the sea,</line>
<line>Do ebb and flow with tears; the bark thy body is</line>
<line>Sailing in this salt flood; the winds, thy sighs,</line>
<line>Who, raging with thy tears and they with them,</line>
<line>Without a sudden calm will overset</line>
<line>Thy tempest-tossed body. How now, wife?</line>
<line>Have you delivered to her our decree?</line>
</speech>
<speech>
<speaker>Lady.</speaker>
<line> Ay, sir; but she will none, she gives you thanks.</line>
<line>I would the fool were married to her grave!</line>
</speech>
<speech>
<speaker>Cap.</speaker>
<line> Soft! take me with you, take me with you, wife. </line>
<line>How? Will she none? Doth she not give us thanks?</line>
<line>Is she not proud? Doth she not count her blest,</line>
<line>Unworthy as she is, that we have wrought</line>
<line>So worthy a gentleman to be her bridegroom?</line>
</speech>
<speech>
<speaker>Jul.</speaker>
<line> Not proud you have, but thankful that you have.</line>
<line>Proud can I never be of what I hate,</line>
<line>But thankful even for hate that is meant love.</line>
</speech>
<speech>
<speaker>Cap.</speaker>
<line> How, how, how, how, choplogic? What is this?</line>
<line>&apos;Proud&apos;- and &apos;I thank you&apos;- and &apos;I
thank you not&apos;-</line>
<line>And yet &apos;not proud&apos;? Mistress minion you,</line>
<line>Thank me no thankings, nor proud me no prouds,</line>
<line>But fettle your fine joints &apos;gainst Thursday next</line>
<line>To go with Paris to Saint Peter&apos;s Church,</line>
<line>Or I will drag thee on a hurdle thither.</line>
<line>Out, you green-sickness carrion I out, you baggage!</line>
<line>You tallow-face!</line>
</speech>
<speech>
<speaker>Lady.</speaker>
<line> Fie, fie! what, are you mad?</line>
</speech>
<speech>
<speaker>Jul.</speaker>
<line> Good father, I beseech you on my knees,</line>
<line>Hear me with patience but to speak a word.</line>
</speech>
<speech>
<speaker>Cap.</speaker>
<line> Hang thee, young baggage! disobedient wretch! </line>
<line>I tell thee what- get thee to church a Thursday</line>
<line>Or never after look me in the face.</line>
<line>Speak not, reply not, do not answer me!</line>
<line>My fingers itch. Wife, we scarce thought us blest</line>
<line>That God had lent us but this only child;</line>
<line>But now I see this one is one too much,</line>
<line>And that we have a curse in having her.</line>
<line>Out on her, hilding!</line>
</speech>
<speech>
<speaker>Nurse.</speaker>
<line> God in heaven bless her!</line>
<line>You are to blame, my lord, to rate her so.</line>
</speech>
<speech>
<speaker>Cap.</speaker>
<line> And why, my Lady Wisdom? Hold your tongue,</line>
<line>Good Prudence. Smatter with your gossips, go!</line>
</speech>
<speech>
<speaker>Nurse.</speaker>
<line> I speak no treason.</line>
</speech>
<speech>
<speaker>Cap.</speaker>
<line> O, God-i-god-en!</line>
</speech>
<speech>
<speaker>Nurse.</speaker>
<line> May not one speak?</line>
</speech>
<speech>
<speaker>Cap.</speaker>
<line> Peace, you mumbling fool!</line>
<line>Utter your gravity o&apos;er a gossip&apos;s bowl,</line>
<line>For here we need it not.</line>
</speech>
<speech>
<speaker>Lady.</speaker>
<line> You are too hot.</line>
</speech>
<speech>
<speaker>Cap.</speaker>
<line> God&apos;s bread I it makes me mad. Day, night, late, early, </line>
<line>At home, abroad, alone, in company,</line>
<line>Waking or sleeping, still my care hath been</line>
<line>To have her match&apos;d; and having now provided</line>
<line>A gentleman of princely parentage,</line>
<line>Of fair demesnes, youthful, and nobly train&apos;d,</line>
<line>Stuff&apos;d, as they say, with honourable parts,</line>
<line>Proportion&apos;d as one&apos;s thought would wish a man-</line>
<line>And then to have a wretched puling fool,</line>
<line>A whining mammet, in her fortune&apos;s tender,</line>
<line>To answer &apos;I&apos;ll not wed, I cannot love;</line>
<line>I am too young, I pray you pardon me&apos;!</line>
<line>But, an you will not wed, I&apos;ll pardon you.</line>
<line>Graze where you will, you shall not house with me.</line>
<line>Look to&apos;t, think on&apos;t; I do not use to jest.</line>
<line>Thursday is near; lay hand on heart, advise:</line>
<line>An you be mine, I&apos;ll give you to my friend;</line>
<line>An you be not, hang, beg, starve, die in the streets,</line>
<line>For, by my soul, I&apos;ll ne&apos;er acknowledge thee,</line>
<line>Nor what is mine shall never do thee good.</line>
<line>Trust to&apos;t. Bethink you. I&apos;ll not be forsworn.</line>
<stagedir>Exit.</stagedir>
</speech>
<speech>
<speaker>Jul.</speaker>
<line> Is there no pity sitting in the clouds</line>
<line>That sees into the bottom of my grief?</line>
<line>O sweet my mother, cast me not away!</line>
<line>Delay this marriage for a month, a week;</line>
<line>Or if you do not, make the bridal bed</line>
<line>In that dim monument where Tybalt lies.</line>
</speech>
<speech>
<speaker>Lady.</speaker>
<line> Talk not to me, for I&apos;ll not speak a word.</line>
<line>Do as thou wilt, for I have done with thee.</line>
<stagedir>Exit.</stagedir>
</speech>
<speech>
<speaker>Jul.</speaker>
<line> O God!- O nurse, how shall this be prevented?</line>
<line>My husband is on earth, my faith in heaven.</line>
<line>How shall that faith return again to earth</line>
<line>Unless that husband send it me from heaven</line>
<line>By leaving earth? Comfort me, counsel me.</line>
<line>Alack, alack, that heaven should practise stratagems</line>
<line>Upon so soft a subject as myself!</line>
<line>What say&apos;st thou? Hast thou not a word of joy?</line>
<line>Some comfort, nurse.</line>
</speech>
<speech>
<speaker>Nurse.</speaker>
<line> Faith, here it is.</line>
<line>Romeo is banish&apos;d; and all the world to nothing</line>
<line>That he dares ne&apos;er come back to challenge you; </line>
<line>Or if he do, it needs must be by stealth.</line>
<line>Then, since the case so stands as now it doth,</line>
<line>I think it best you married with the County.</line>
<line>O, he&apos;s a lovely gentleman!</line>
<line>Romeo&apos;s a dishclout to him. An eagle, madam,</line>
<line>Hath not so green, so quick, so fair an eye</line>
<line>As Paris hath. Beshrew my very heart,</line>
<line>I think you are happy in this second match,</line>
<line>For it excels your first; or if it did not,</line>
<line>Your first is dead- or &apos;twere as good he were</line>
<line>As living here and you no use of him.</line>
</speech>
<speech>
<speaker>Jul.</speaker>
<line> Speak&apos;st thou this from thy heart?</line>
</speech>
<speech>
<speaker>Nurse.</speaker>
<line> And from my soul too; else beshrew them both.</line>
</speech>
<speech>
<speaker>Jul.</speaker>
<line> Amen!</line>
</speech>
<speech>
<speaker>Nurse.</speaker>
<line> What?</line>
</speech>
<speech>
<speaker>Jul.</speaker>
<line> Well, thou hast comforted me marvellous much.</line>
<line>Go in; and tell my lady I am gone,</line>
<line>Having displeas&apos;d my father, to Laurence&apos; cell,</line>
<line>To make confession and to be absolv&apos;d.</line>
</speech>
<speech>
<speaker>Nurse.</speaker>
<line> Marry, I will; and this is wisely done.</line>
<stagedir>Exit.</stagedir>
</speech>
<speech>
<speaker>Jul.</speaker>
<line> Ancient damnation! O most wicked fiend!</line>
<line>Is it more sin to wish me thus forsworn,</line>
<line>Or to dispraise my lord with that same tongue</line>
<line>Which she hath prais&apos;d him with above compare</line>
<line>So many thousand times? Go, counsellor!</line>
<line>Thou and my bosom henceforth shall be twain.</line>
<line>I&apos;ll to the friar to know his remedy.</line>
<line>If all else fail, myself have power to die.</line>
</speech>
<stagedir>Exit.</stagedir>
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</scene>
</act>
<act id="4">
<title>ACT IV.</title>
<scene id="1">
<scndesc>Scene I. Friar Laurence&apos;s cell.</scndesc>
<stagedir>Enter Friar, [Laurence] and County Paris.</stagedir>
<speech>
<speaker>Friar.</speaker>
<line> On Thursday, sir? The time is very short.</line>
</speech>
<speech>
<speaker>Par.</speaker>
<line> My father Capulet will have it so,</line>
<line>And I am nothing slow to slack his haste.</line>
</speech>
<speech>
<speaker>Friar.</speaker>
<line> You say you do not know the lady&apos;s mind.</line>
<line>Uneven is the course; I like it not.</line>
</speech>
<speech>
<speaker>Par.</speaker>
<line> Immoderately she weeps for Tybalt&apos;s death,</line>
<line>And therefore have I little talk&apos;d of love;</line>
<line>For Venus smiles not in a house of tears.</line>
<line>Now, sir, her father counts it dangerous</line>
<line>That she do give her sorrow so much sway,</line>
<line>And in his wisdom hastes our marriage</line>
<line>To stop the inundation of her tears,</line>
<line>Which, too much minded by herself alone,</line>
<line>May be put from her by society.</line>
<line>Now do you know the reason of this haste.</line>
</speech>
<speech>
<speaker>Friar.</speaker>
<line>
<stagedir>[aside]</stagedir> I would I knew not why it should be
slow&apos;d.-</line>
<line>Look, sir, here comes the lady toward my cell.</line>
</speech>
<stagedir>Enter Juliet.</stagedir>
<speech>
<speaker>Par.</speaker>
<line> Happily met, my lady and my wife!</line>
</speech>
<speech>
<speaker>Jul.</speaker>
<line> That may be, sir, when I may be a wife.</line>
</speech>
<speech>
<speaker>Par.</speaker>
<line> That may be must be, love, on Thursday next.</line>
</speech>
<speech>
<speaker>Jul.</speaker>
<line> What must be shall be.</line>
</speech>
<speech>
<speaker>Friar.</speaker>
<line> That&apos;s a certain text.</line>
</speech>
<speech>
<speaker>Par.</speaker>
<line> Come you to make confession to this father?</line>
</speech>
<speech>
<speaker>Jul.</speaker>
<line> To answer that, I should confess to you.</line>
</speech>
<speech>
<speaker>Par.</speaker>
<line> Do not deny to him that you love me.</line>
</speech>
<speech>
<speaker>Jul.</speaker>
<line> I will confess to you that I love him.</line>
</speech>
<speech>
<speaker>Par.</speaker>
<line> So will ye, I am sure, that you love me.</line>
</speech>
<speech>
<speaker>Jul.</speaker>
<line> If I do so, it will be of more price,</line>
<line>Being spoke behind your back, than to your face.</line>
</speech>
<speech>
<speaker>Par.</speaker>
<line> Poor soul, thy face is much abus&apos;d with tears.</line>
</speech>
<speech>
<speaker>Jul.</speaker>
<line> The tears have got small victory by that,</line>
<line>For it was bad enough before their spite.</line>
</speech>
<speech>
<speaker>Par.</speaker>
<line> Thou wrong&apos;st it more than tears with that report.</line>
</speech>
<speech>
<speaker>Jul.</speaker>
<line> That is no slander, sir, which is a truth; </line>
<line>And what I spake, I spake it to my face.</line>
</speech>
<speech>
<speaker>Par.</speaker>
<line> Thy face is mine, and thou hast sland&apos;red it.</line>
</speech>
<speech>
<speaker>Jul.</speaker>
<line> It may be so, for it is not mine own.</line>
<line>Are you at leisure, holy father, now,</line>
<line>Or shall I come to you at evening mass</line>
</speech>
<speech>
<speaker>Friar.</speaker>
<line> My leisure serves me, pensive daughter, now.</line>
<line>My lord, we must entreat the time alone.</line>
</speech>
<speech>
<speaker>Par.</speaker>
<line> God shield I should disturb devotion!</line>
<line>Juliet, on Thursday early will I rouse ye.</line>
<line>Till then, adieu, and keep this holy kiss.</line>
<stagedir>Exit.</stagedir>
</speech>
<speech>
<speaker>Jul.</speaker>
<line> O, shut the door! and when thou hast done so,</line>
<line>Come weep with me- past hope, past cure, past help!</line>
</speech>
<speech>
<speaker>Friar.</speaker>
<line> Ah, Juliet, I already know thy grief;</line>
<line>It strains me past the compass of my wits.</line>
<line>I hear thou must, and nothing may prorogue it,</line>
<line>On Thursday next be married to this County.</line>
</speech>
<speech>
<speaker>Jul.</speaker>
<line> Tell me not, friar, that thou hear&apos;st of this,</line>
<line>Unless thou tell me how I may prevent it.</line>
<line>If in thy wisdom thou canst give no help,</line>
<line>Do thou but call my resolution wise </line>
<line>And with this knife I&apos;ll help it presently.</line>
<line>God join&apos;d my heart and Romeo&apos;s, thou our hands;</line>
<line>And ere this hand, by thee to Romeo&apos;s seal&apos;d,</line>
<line>Shall be the label to another deed,</line>
<line>Or my true heart with treacherous revolt</line>
<line>Turn to another, this shall slay them both.</line>
<line>Therefore, out of thy long-experienc&apos;d time,</line>
<line>Give me some present counsel; or, behold,</line>
<line>&apos;Twixt my extremes and me this bloody knife</line>
<line>Shall play the empire, arbitrating that</line>
<line>Which the commission of thy years and art</line>
<line>Could to no issue of true honour bring.</line>
<line>Be not so long to speak. I long to die</line>
<line>If what thou speak&apos;st speak not of remedy.</line>
</speech>
<speech>
<speaker>Friar.</speaker>
<line> Hold, daughter. I do spy a kind of hope,</line>
<line>Which craves as desperate an execution</line>
<line>As that is desperate which we would prevent.</line>
<line>If, rather than to marry County Paris</line>
<line>Thou hast the strength of will to slay thyself,</line>
<line>Then is it likely thou wilt undertake </line>
<line>A thing like death to chide away this shame,</line>
<line>That cop&apos;st with death himself to scape from it;</line>
<line>And, if thou dar&apos;st, I&apos;ll give thee remedy.</line>
</speech>
<speech>
<speaker>Jul.</speaker>
<line> O, bid me leap, rather than marry Paris,</line>
<line>From off the battlements of yonder tower,</line>
<line>Or walk in thievish ways, or bid me lurk</line>
<line>Where serpents are; chain me with roaring bears,</line>
<line>Or shut me nightly in a charnel house,</line>
<line>O&apos;ercover&apos;d quite with dead men&apos;s rattling bones,</line>
<line>With reeky shanks and yellow chapless skulls;</line>
<line>Or bid me go into a new-made grave</line>
<line>And hide me with a dead man in his shroud-</line>
<line>Things that, to hear them told, have made me tremble-</line>
<line>And I will do it without fear or doubt,</line>
<line>To live an unstain&apos;d wife to my sweet love.</line>
</speech>
<speech>
<speaker>Friar.</speaker>
<line> Hold, then. Go home, be merry, give consent</line>
<line>To marry Paris. Wednesday is to-morrow.</line>
<line>To-morrow night look that thou lie alone;</line>
<line>Let not the nurse lie with thee in thy chamber.</line>
<line>Take thou this vial, being then in bed, </line>
<line>And this distilled liquor drink thou off;</line>
<line>When presently through all thy veins shall run</line>
<line>A cold and drowsy humour; for no pulse</line>
<line>Shall keep his native progress, but surcease;</line>
<line>No warmth, no breath, shall testify thou livest;</line>
<line>The roses in thy lips and cheeks shall fade</line>
<line>To paly ashes, thy eyes&apos; windows fall</line>
<line>Like death when he shuts up the day of life;</line>
<line>Each part, depriv&apos;d of supple government,</line>
<line>Shall, stiff and stark and cold, appear like death;</line>
<line>And in this borrowed likeness of shrunk death</line>
<line>Thou shalt continue two-and-forty hours,</line>
<line>And then awake as from a pleasant sleep.</line>
<line>Now, when the bridegroom in the morning comes</line>
<line>To rouse thee from thy bed, there art thou dead.</line>
<line>Then, as the manner of our country is,</line>
<line>In thy best robes uncovered on the bier</line>
<line>Thou shalt be borne to that same ancient vault</line>
<line>Where all the kindred of the Capulets lie.</line>
<line>In the mean time, against thou shalt awake, </line>
<line>Shall Romeo by my letters know our drift;</line>
<line>And hither shall he come; and he and I</line>
<line>Will watch thy waking, and that very night</line>
<line>Shall Romeo bear thee hence to Mantua.</line>
<line>And this shall free thee from this present shame,</line>
<line>If no inconstant toy nor womanish fear</line>
<line>Abate thy valour in the acting it.</line>
</speech>
<speech>
<speaker>Jul.</speaker>
<line> Give me, give me! O, tell not me of fear!</line>
</speech>
<speech>
<speaker>Friar.</speaker>
<line> Hold! Get you gone, be strong and prosperous</line>
<line>In this resolve. I&apos;ll send a friar with speed</line>
<line>To Mantua, with my letters to thy lord.</line>
</speech>
<speech>
<speaker>Jul.</speaker>
<line> Love give me strength! and strength shall help afford.</line>
<line>Farewell, dear father.</line>
</speech>
<stagedir>Exeunt.</stagedir>
</scene>
<scene id="2">
<scndesc>Scene II. Capulet&apos;s house.</scndesc>
<stagedir>Enter Father Capulet, Mother, Nurse, and Servingmen two or three.</stagedir>
<speech>
<speaker>Cap.</speaker>
<line> So many guests invite as here are writ.</line>
<stagedir>[Exit a Servingman.]</stagedir>
<line>Sirrah, go hire me twenty cunning cooks.</line>
</speech>
<speech>
<speaker>Serv.</speaker>
<line> You shall have none ill, sir; for I&apos;ll try if they can
lick</line>
<line>their fingers.</line>
</speech>
<speech>
<speaker>Cap.</speaker>
<line> How canst thou try them so?</line>
</speech>
<speech>
<speaker>Serv.</speaker>
<line> Marry, sir, &apos;tis an ill cook that cannot lick his own</line>
<line>fingers. Therefore he that cannot lick his fingers goes not with</line>
<line>me.</line>
</speech>
<speech>
<speaker>Cap.</speaker>
<line> Go, begone.</line>
<stagedir>Exit Servingman.</stagedir>
<line>We shall be much unfurnish&apos;d for this time.</line>
<line>What, is my daughter gone to Friar Laurence?</line>
</speech>
<speech>
<speaker>Nurse.</speaker>
<line> Ay, forsooth.</line>
</speech>
<speech>
<speaker>Cap.</speaker>
<line> Well, be may chance to do some good on her.</line>
<line>A peevish self-will&apos;d harlotry it is.</line>
</speech>
<stagedir>Enter Juliet.</stagedir>
<speech>
<speaker>Nurse.</speaker>
<line> See where she comes from shrift with merry look.</line>
</speech>
<speech>
<speaker>Cap.</speaker>
<line> How now, my headstrong? Where have you been gadding?</line>
</speech>
<speech>
<speaker>Jul.</speaker>
<line> Where I have learnt me to repent the sin</line>
<line>Of disobedient opposition</line>
<line>To you and your behests, and am enjoin&apos;d</line>
<line>By holy Laurence to fall prostrate here</line>
<line>To beg your pardon. Pardon, I beseech you!</line>
<line>Henceforward I am ever rul&apos;d by you.</line>
</speech>
<speech>
<speaker>Cap.</speaker>
<line> Send for the County. Go tell him of this.</line>
<line>I&apos;ll have this knot knit up to-morrow morning.</line>
</speech>
<speech>
<speaker>Jul.</speaker>
<line> I met the youthful lord at Laurence&apos; cell</line>
<line>And gave him what becomed love I might,</line>
<line>Not stepping o&apos;er the bounds of modesty.</line>
</speech>
<speech>
<speaker>Cap.</speaker>
<line> Why, I am glad on&apos;t. This is well. Stand up.</line>
<line>This is as&apos;t should be. Let me see the County.</line>
<line>Ay, marry, go, I say, and fetch him hither.</line>
<line>Now, afore God, this reverend holy friar, </line>
<line>All our whole city is much bound to him.</line>
</speech>
<speech>
<speaker>Jul.</speaker>
<line> Nurse, will you go with me into my closet</line>
<line>To help me sort such needful ornaments</line>
<line>As you think fit to furnish me to-morrow?</line>
</speech>
<speech>
<speaker>Mother.</speaker>
<line>No, not till Thursday. There is time enough.</line>
</speech>
<speech>
<speaker>Cap.</speaker>
<line> Go, nurse, go with her. We&apos;ll to church to-morrow.</line>
</speech>
<stagedir>Exeunt Juliet and Nurse.</stagedir>
<speech>
<speaker>Mother.</speaker>
<line>We shall be short in our provision.</line>
<line>&apos;Tis now near night.</line>
</speech>
<speech>
<speaker>Cap.</speaker>
<line> Tush, I will stir about,</line>
<line>And all things shall be well, I warrant thee, wife.</line>
<line>Go thou to Juliet, help to deck up her.</line>
<line>I&apos;ll not to bed to-night; let me alone.</line>
<line>I&apos;ll play the housewife for this once. What, ho!</line>
<line>They are all forth; well, I will walk myself</line>
<line>To County Paris, to prepare him up</line>
<line>Against to-morrow. My heart is wondrous light,</line>
<line>Since this same wayward girl is so reclaim&apos;d.</line>
</speech>
<stagedir>Exeunt.</stagedir>
</scene>
<scene id="3">
<scndesc>Scene III. Juliet&apos;s chamber.</scndesc>
<stagedir>Enter Juliet and Nurse.</stagedir>
<speech>
<speaker>Jul.</speaker>
<line> Ay, those attires are best; but, gentle nurse,</line>
<line>I pray thee leave me to myself to-night;</line>
<line>For I have need of many orisons</line>
<line>To move the heavens to smile upon my state,</line>
<line>Which, well thou knowest, is cross and full of sin.</line>
</speech>
<stagedir>Enter Mother.</stagedir>
<speech>
<speaker>Mother.</speaker>
<line>What, are you busy, ho? Need you my help?</line>
</speech>
<speech>
<speaker>Jul.</speaker>
<line> No, madam; we have cull&apos;d such necessaries</line>
<line>As are behooffull for our state to-morrow.</line>
<line>So please you, let me now be left alone,</line>
<line>And let the nurse this night sit up with you;</line>
<line>For I am sure you have your hands full all</line>
<line>In this so sudden business.</line>
</speech>
<speech>
<speaker>Mother.</speaker>
<line>Good night.</line>
<line>Get thee to bed, and rest; for thou hast need.</line>
</speech>
<stagedir>Exeunt [Mother and Nurse.]</stagedir>
<speech>
<speaker>Jul.</speaker>
<line> Farewell! God knows when we shall meet again.</line>
<line>I have a faint cold fear thrills through my veins</line>
<line>That almost freezes up the heat of life.</line>
<line>I&apos;ll call them back again to comfort me.</line>
<line>Nurse!- What should she do here?</line>
<line>My dismal scene I needs must act alone.</line>
<line>Come, vial.</line>
<line>What if this mixture do not work at all?</line>
<line>Shall I be married then to-morrow morning?</line>
<line>No, No! This shall forbid it. Lie thou there.</line>
<stagedir>Lays down a dagger. </stagedir>
<line>What if it be a poison which the friar</line>
<line>Subtilly hath minist&apos;red to have me dead,</line>
<line>Lest in this marriage he should be dishonour&apos;d</line>
<line>Because he married me before to Romeo?</line>
<line>I fear it is; and yet methinks it should not,</line>
<line>For he hath still been tried a holy man.</line>
<line>I will not Entertain so bad a thought.</line>
<line>How if, when I am laid into the tomb, </line>
<line>I wake before the time that Romeo</line>
<line>Come to redeem me? There&apos;s a fearful point!</line>
<line>Shall I not then be stifled in the vault,</line>
<line>To whose foul mouth no healthsome air breathes in,</line>
<line>And there die strangled ere my Romeo comes?</line>
<line>Or, if I live, is it not very like</line>
<line>The horrible conceit of death and night,</line>
<line>Together with the terror of the place-</line>
<line>As in a vault, an ancient receptacle</line>
<line>Where for this many hundred years the bones</line>
<line>Of all my buried ancestors are pack&apos;d;</line>
<line>Where bloody Tybalt, yet but green in earth,</line>
<line>Lies fest&apos;ring in his shroud; where, as they say,</line>
<line>At some hours in the night spirits resort-</line>
<line>Alack, alack, is it not like that I,</line>
<line>So early waking- what with loathsome smells,</line>
<line>And shrieks like mandrakes torn out of the earth,</line>
<line>That living mortals, hearing them, run mad-</line>
<line>O, if I wake, shall I not be distraught,</line>
<line>Environed with all these hideous fears, </line>
<line>And madly play with my forefathers&apos; joints,</line>
<line>And pluck the mangled Tybalt from his shroud.,</line>
<line>And, in this rage, with some great kinsman&apos;s bone</line>
<line>As with a club dash out my desp&apos;rate brains?</line>
<line>O, look! methinks I see my cousin&apos;s ghost</line>
<line>Seeking out Romeo, that did spit his body</line>
<line>Upon a rapier&apos;s point. Stay, Tybalt, stay!</line>
<line>Romeo, I come! this do I drink to thee.</line>
</speech>
<stagedir> She [drinks and] falls upon her bed within the
curtains.</stagedir>
</scene>
<scene id="4">
<scndesc>Scene IV. Capulet&apos;s house.</scndesc>
<stagedir>Enter Lady of the House and Nurse.</stagedir>
<speech>
<speaker>Lady.</speaker>
<line> Hold, take these keys and fetch more spices, nurse.</line>
</speech>
<speech>
<speaker>Nurse.</speaker>
<line> They call for dates and quinces in the pastry.</line>
</speech>
<stagedir>Enter Old Capulet.</stagedir>
<speech>
<speaker>Cap.</speaker>
<line> Come, stir, stir, stir! The second cock hath crow&apos;d,</line>
<line>The curfew bell hath rung, &apos;tis three o&apos;clock.</line>
<line>Look to the bak&apos;d meats, good Angelica;</line>
<line>Spare not for cost.</line>
</speech>
<speech>
<speaker>Nurse.</speaker>
<line> Go, you cot-quean, go,</line>
<line>Get you to bed! Faith, you&apos;ll be sick to-morrow</line>
<line>For this night&apos;s watching.</line>
</speech>
<speech>
<speaker>Cap.</speaker>
<line> No, not a whit. What, I have watch&apos;d ere now</line>
<line>All night for lesser cause, and ne&apos;er been sick.</line>
</speech>
<speech>
<speaker>Lady.</speaker>
<line> Ay, you have been a mouse-hunt in your time;</line>
<line>But I will watch you from such watching now.</line>
<stagedir>Exeunt Lady and Nurse.</stagedir>
</speech>
<speech>
<speaker>Cap.</speaker>
<line>A jealous hood, a jealous hood!</line>
<stagedir>Enter three or four [Fellows, with spits and logs and
baskets].</stagedir>
<line>What is there? Now, fellow,</line>
</speech>
<speech>
<speaker>Fellow.</speaker>
<line> Things for the cook, sir; but I know not what.</line>
</speech>
<speech><speaker>Cap.</speaker>
<line> Make haste, make haste</line>. <stagedir>[Exit Fellow.]</stagedir>
<line>Sirrah, fetch drier logs.</line>
<line>Call Peter; he will show thee where they are.</line></speech>
<speech>
<speaker>Fellow.</speaker>
<line> I have a head, sir, that will find out logs</line>
<line>And never trouble Peter for the matter.</line>
</speech>
<speech>
<speaker>Cap.</speaker>
<line> Mass, and well said; a merry whoreson, ha!</line>
<line>Thou shalt be loggerhead. <stagedir>[Exit Fellow.]</stagedir>
Good faith, &apos;tis day.</line>
<line>The County will be here with music straight,</line>
<line>For so he said he would.</line>
<stagedir>Play music.</stagedir>
<line>I hear him near.</line>
<line>Nurse! Wife! What, ho! What, nurse, I say!</line>
<stagedir>Enter Nurse. </stagedir>
<line>Go waken Juliet; go and trim her up.</line>
<line>I&apos;ll go and chat with Paris. Hie, make haste,</line>
<line>Make haste! The bridegroom he is come already:</line>
<line>Make haste, I say.</line>
</speech>
<stagedir>[Exeunt.]</stagedir>
</scene>
<scene id="5">
<scndesc>Scene V. Juliet&apos;s chamber.</scndesc>
<stagedir>[Enter Nurse.]</stagedir>
<speech>
<speaker>Nurse.</speaker>
<line> Mistress! what, mistress! Juliet! Fast, I warrant her,she.</line>
<line>Why, lamb! why, lady! Fie, you slug-abed!</line>
<line>Why, love, I say! madam! sweetheart! Why, bride!</line>
<line>What, not a word? You take your pennyworths now!</line>
<line>Sleep for a week; for the next night, I warrant,</line>
<line>The County Paris hath set up his rest</line>
<line>That you shall rest but little. God forgive me!</line>
<line>Marry, and amen. How sound is she asleep!</line>
<line>I needs must wake her. Madam, madam, madam!</line>
<line>Ay, let the County take you in your bed!</line>
<line>He&apos;ll fright you up, i&apos; faith. Will it not be?</line>
<stagedir>[Draws aside the curtains.]</stagedir>
<line>What, dress&apos;d, and in your clothes, and down again?</line>
<line>I must needs wake you. Lady! lady! lady!</line>
<line>Alas, alas! Help, help! My lady&apos;s dead!</line>
<line>O weraday that ever I was born!</line>
<line>Some aqua-vitae, ho! My lord! my lady!</line>
<stagedir>Enter Mother.</stagedir>
</speech>
<speech>
<speaker>Mother.</speaker>
<line>What noise is here?</line>
</speech>
<speech>
<speaker>Nurse.</speaker>
<line> O lamentable day!</line>
</speech>
<speech>
<speaker>Mother.</speaker>
<line>What is the matter?</line>
</speech>
<speech>
<speaker>Nurse.</speaker>
<line> Look, look! O heavy day!</line>
</speech>
<speech>
<speaker>Mother.</speaker>
<line>O me, O me! My child, my only life!</line>
<line>Revive, look up, or I will die with thee!</line>
<line>Help, help! Call help.</line>
</speech>
<stagedir>Enter Father.</stagedir>
<speech>
<speaker>Father.</speaker>
<line> For shame, bring Juliet forth; her lord is come.</line>
</speech>
<speech>
<speaker>Nurse.</speaker>
<line> She&apos;s dead, deceas&apos;d; she&apos;s dead! Alack the
day!</line>
</speech>
<speech>
<speaker>Mother.</speaker>
<line>Alack the day, she&apos;s dead, she&apos;s dead, she&apos;s
dead!</line>
</speech>
<speech>
<speaker>Cap.</speaker>
<line> Ha! let me see her. Out alas! she&apos;s cold,</line>
<line>Her blood is settled, and her joints are stiff;</line>
<line>Life and these lips have long been separated.</line>
<line>Death lies on her like an untimely frost </line>
<line>Upon the sweetest flower of all the field.</line>
</speech>
<speech>
<speaker>Nurse.</speaker>
<line> O lamentable day!</line>
</speech>
<speech>
<speaker>Mother.</speaker>
<line>O woful time!</line>
</speech>
<speech>
<speaker>Cap.</speaker>
<line> Death, that hath ta&apos;en her hence to make me wail,</line>
<line>Ties up my tongue and will not let me speak.</line>
</speech>
<stagedir>Enter Friar [Laurence] and the County [Paris], with Musicians.</stagedir>
<speech>
<speaker>Friar.</speaker>
<line> Come, is the bride ready to go to church?</line>
</speech>
<speech>
<speaker>Cap.</speaker>
<line> Ready to go, but never to return.</line>
<line>O son, the night before thy wedding day</line>
<line>Hath Death lain with thy wife. See, there she lies,</line>
<line>Flower as she was, deflowered by him.</line>
<line>Death is my son-in-law, Death is my heir;</line>
<line>My daughter he hath wedded. I will die</line>
<line>And leave him all. Life, living, all is Death&apos;s.</line>
</speech>
<speech>
<speaker>Par.</speaker>
<line> Have I thought long to see this morning&apos;s face,</line>
<line>And doth it give me such a sight as this?</line>
</speech>
<speech>
<speaker>Mother.</speaker>
<line>Accurs&apos;d, unhappy, wretched, hateful day!</line>
<line>Most miserable hour that e&apos;er time saw </line>
<line>In lasting labour of his pilgrimage!</line>
<line>But one, poor one, one poor and loving child,</line>
<line>But one thing to rejoice and solace in,</line>
<line>And cruel Death hath catch&apos;d it from my sight!</line>
</speech>
<speech>
<speaker>Nurse.</speaker>
<line> O woe? O woful, woful, woful day!</line>
<line>Most lamentable day, most woful day</line>
<line>That ever ever I did yet behold!</line>
<line>O day! O day! O day! O hateful day!</line>
<line>Never was seen so black a day as this.</line>
<line>O woful day! O woful day!</line>
</speech>
<speech>
<speaker>Par.</speaker>
<line> Beguil&apos;d, divorced, wronged, spited, slain!</line>
<line>Most detestable Death, by thee beguil&apos;d,</line>
<line>By cruel cruel thee quite overthrown!</line>
<line>O love! O life! not life, but love in death</line>
</speech>
<speech>
<speaker>Cap.</speaker>
<line> Despis&apos;d, distressed, hated, martyr&apos;d, kill&apos;d!</line>
<line>Uncomfortable time, why cam&apos;st thou now</line>
<line>To murther, murther our solemnity?</line>
<line>O child! O child! my soul, and not my child!</line>
<line>Dead art thou, dead! alack, my child is dead,</line>
<line>And with my child my joys are buried!</line>
</speech>
<speech>
<speaker>Friar.</speaker>
<line> Peace, ho, for shame! Confusion&apos;s cure lives not</line>
<line>In these confusions. Heaven and yourself</line>
<line>Had part in this fair maid! now heaven hath all,</line>
<line>And all the better is it for the maid.</line>
<line>Your part in her you could not keep from death,</line>
<line>But heaven keeps his part in eternal life.</line>
<line>The most you sought was her promotion,</line>
<line>For &apos;twas your heaven she should be advanc&apos;d;</line>
<line>And weep ye now, seeing she is advanc&apos;d</line>
<line>Above the clouds, as high as heaven itself?</line>
<line>O, in this love, you love your child so ill</line>
<line>That you run mad, seeing that she is well.</line>
<line>She&apos;s not well married that lives married long,</line>
<line>But she&apos;s best married that dies married young.</line>
<line>Dry up your tears and stick your rosemary</line>
<line>On this fair corse, and, as the custom is,</line>
<line>In all her best array bear her to church;</line>
<line>For though fond nature bids us all lament,</line>
<line>Yet nature&apos;s tears are reason&apos;s merriment.</line>
</speech>
<speech>
<speaker>Cap.</speaker>
<line> All things that we ordained festival </line>
<line>Turn from their office to black funeral-</line>
<line>Our instruments to melancholy bells,</line>
<line>Our wedding cheer to a sad burial feast;</line>
<line>Our solemn hymns to sullen dirges change;</line>
<line>Our bridal flowers serve for a buried corse;</line>
<line>And all things change them to the contrary.</line>
</speech>
<speech>
<speaker>Friar.</speaker>
<line> Sir, go you in; and, madam, go with him;</line>
<line>And go, Sir Paris. Every one prepare</line>
<line>To follow this fair corse unto her grave.</line>
<line>The heavens do low&apos;r upon you for some ill;</line>
<line>Move them no more by crossing their high will.</line>
</speech>
<stagedir>Exeunt. Manent Musicians [and Nurse].</stagedir>
<speech>
<speaker>1. Mus.</speaker>
<line> Faith, we may put up our pipes and be gone.</line>
</speech>
<speech>
<speaker>Nurse.</speaker>
<line> Honest good fellows, ah, put up, put up!</line>
<line>For well you know this is a pitiful case.</line>
</speech>
<stagedir>[Exit.]</stagedir>
<speech>
<speaker>1. Mus.</speaker>
<line> Ay, by my troth, the case may be amended.</line>
</speech>
<stagedir>Enter Peter.</stagedir>
<speech>
<speaker>Pet.</speaker>
<line> Musicians, O, musicians, &apos;Heart&apos;s ease,&apos;
&apos;Heart&apos;s ease&apos;! </line>
<line>O, an you will have me live, play &apos;Heart&apos;s
ease.&apos;</line>
</speech>
<speech>
<speaker>1. Mus.</speaker>
<line> Why &apos;Heart&apos;s ease&apos;&apos;,</line>
</speech>
<speech>
<speaker>Pet.</speaker>
<line> O, musicians, because my heart itself plays &apos;My heart is
full</line>
<line>of woe.&apos; O, play me some merry dump to comfort me.</line>
</speech>
<speech>
<speaker>1. Mus.</speaker>
<line> Not a dump we! &apos;Tis no time to play now.</line>
</speech>
<speech>
<speaker>Pet.</speaker>
<line> You will not then?</line>
</speech>
<speech>
<speaker>1. Mus.</speaker>
<line> No.</line>
</speech>
<speech>
<speaker>Pet.</speaker>
<line> I will then give it you soundly.</line>
</speech>
<speech>
<speaker>1. Mus.</speaker>
<line> What will you give us?</line>
</speech>
<speech>
<speaker>Pet.</speaker>
<line> No money, on my faith, but the gleek. I will give you the</line>
<line> minstrel.</line>
</speech>
<speech>
<speaker>1. Mus.</speaker>
<line> Then will I give you the serving-creature.</line>
</speech>
<speech>
<speaker>Pet.</speaker>
<line> Then will I lay the serving-creature&apos;s dagger on your
pate.</line>
<line>I will carry no crotchets. I&apos;ll re you, I&apos;ll fa you.
Do you note me?</line>
</speech>
<speech>
<speaker>1. Mus.</speaker>
<line> An you re us and fa us, you note us.</line>
</speech>
<speech>
<speaker>2. Mus.</speaker>
<line> Pray you put up your dagger, and put out your wit.</line>
</speech>
<speech>
<speaker>Pet.</speaker>
<line> Then have at you with my wit! I will dry-beat you with an iron</line>
<line>wit, and put up my iron dagger. Answer me like men.</line>
<line> &apos;When griping grief the heart doth wound,</line>
<line> And doleful dumps the mind oppress,</line>
<line> Then music with her silver sound&apos;-</line>
<line>Why &apos;silver sound&apos;? Why &apos;music with her silver
sound&apos;?</line>
<line>What say you, Simon Catling?</line>
</speech>
<speech>
<speaker>1. Mus.</speaker>
<line> Marry, sir, because silver hath a sweet sound.</line>
</speech>
<speech>
<speaker>Pet.</speaker>
<line> Pretty! What say You, Hugh Rebeck?</line>
</speech>
<speech>
<speaker>2. Mus.</speaker>
<line> I say &apos;silver sound&apos; because musicians sound for
silver.</line>
</speech>
<speech>
<speaker>Pet.</speaker>
<line> Pretty too! What say you, James Soundpost?</line>
</speech>
<speech>
<speaker>3. Mus.</speaker>
<line> Faith, I know not what to say.</line>
</speech>
<speech>
<speaker>Pet.</speaker>
<line> O, I cry you mercy! you are the singer. I will say for you. It</line>
<line>is &apos;music with her silver sound&apos; because musicians
have no gold</line>
<line>for sounding.</line>
<line>&apos;Then music with her silver sound</line>
<line>With speedy help doth lend redress.&apos;</line>
<stagedir>[Exit].</stagedir>
</speech>
<speech>
<speaker>1. Mus.</speaker>
<line> What a pestilent knave is this same?</line>
</speech>
<speech>
<speaker>2. Mus.</speaker>
<line> Hang him, Jack! Come, we&apos;ll in here, tarry for the </line>
<line>mourners, and stay dinner.</line>
</speech>
<stagedir>Exeunt.</stagedir>
</scene>
</act>
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<act id="5">
<title>ACT V. </title>
<scene id="1">
<scndesc>Scene I. Mantua. A street.</scndesc>
<stagedir>Enter Romeo.</stagedir>
<speech>
<speaker>Rom.</speaker>
<line> If I may trust the flattering truth of sleep</line>
<line>My dreams presage some joyful news at hand.</line>
<line>My bosom&apos;s lord sits lightly in his throne,</line>
<line>And all this day an unaccustom&apos;d spirit</line>
<line>Lifts me above the ground with cheerful thoughts.</line>
<line>I dreamt my lady came and found me dead</line>
<line>(Strange dream that gives a dead man leave to think!)</line>
<line>And breath&apos;d such life with kisses in my lips</line>
<line>That I reviv&apos;d and was an emperor.</line>
<line>Ah me! how sweet is love itself possess&apos;d,</line>
<line>When but love&apos;s shadows are so rich in joy!</line>
<stagedir>Enter Romeo&apos;s Man Balthasar, booted.</stagedir>
<line>News from Verona! How now, Balthasar?</line>
<line>Dost thou not bring me letters from the friar?</line>
<line>How doth my lady? Is my father well? </line>
<line>How fares my Juliet? That I ask again,</line>
<line>For nothing can be ill if she be well.</line>
</speech>
<speech>
<speaker>Man.</speaker>
<line>Then she is well, and nothing can be ill.</line>
<line>Her body sleeps in Capel&apos;s monument,</line>
<line>And her immortal part with angels lives.</line>
<line>I saw her laid low in her kindred&apos;s vault</line>
<line>And presently took post to tell it you.</line>
<line>O, pardon me for bringing these ill news,</line>
<line>Since you did leave it for my office, sir.</line>
</speech>
<speech>
<speaker>Rom.</speaker>
<line> Is it e&apos;en so? Then I defy you, stars!</line>
<line>Thou knowest my lodging. Get me ink and paper</line>
<line>And hire posthorses. I will hence to-night.</line>
</speech>
<speech>
<speaker>Man.</speaker>
<line>I do beseech you, sir, have patience.</line>
<line>Your looks are pale and wild and do import</line>
<line>Some misadventure.</line>
</speech>
<speech>
<speaker>Rom.</speaker>
<line> Tush, thou art deceiv&apos;d.</line>
<line>Leave me and do the thing I bid thee do.</line>
<line>Hast thou no letters to me from the friar?</line>
</speech>
<speech>
<speaker>Man.</speaker>
<line>No, my good lord.</line>
</speech>
<speech>
<speaker>Rom.</speaker>
<line> No matter. Get thee gone </line>
<line>And hire those horses. I&apos;ll be with thee straight.</line>
<stagedir>Exit [Balthasar].</stagedir>
<line>Well, Juliet, I will lie with thee to-night.</line>
<line>Let&apos;s see for means. O mischief, thou art swift</line>
<line>To Enter in the thoughts of desperate men!</line>
<line>I do remember an apothecary,</line>
<line>And hereabouts &apos;a dwells, which late I noted</line>
<line>In tatt&apos;red weeds, with overwhelming brows,</line>
<line>Culling of simples. Meagre were his looks,</line>
<line>Sharp misery had worn him to the bones;</line>
<line>And in his needy shop a tortoise hung,</line>
<line>An alligator stuff&apos;d, and other skins</line>
<line>Of ill-shaped fishes; and about his shelves</line>
<line>A beggarly account of empty boxes,</line>
<line>Green earthen pots, bladders, and musty seeds,</line>
<line>Remnants of packthread, and old cakes of roses</line>
<line>Were thinly scattered, to make up a show.</line>
<line>Noting this penury, to myself I said,</line>
<line>&apos;An if a man did need a poison now</line>
<line>Whose sale is present death in Mantua, </line>
<line>Here lives a caitiff wretch would sell it him.&apos;</line>
<line>O, this same thought did but forerun my need,</line>
<line>And this same needy man must sell it me.</line>
<line>As I remember, this should be the house.</line>
<line>Being holiday, the beggar&apos;s shop is shut. What,
ho!apothecary!</line>
</speech>
<stagedir>Enter Apothecary.</stagedir>
<speech>
<speaker>Apoth.</speaker>
<line> Who calls so loud?</line>
</speech>
<speech>
<speaker>Rom.</speaker>
<line> Come hither, man. I see that thou art poor.</line>
<line>Hold, there is forty ducats. Let me have</line>
<line>A dram of poison, such soon-speeding gear</line>
<line>As will disperse itself through all the veins</line>
<line>That the life-weary taker mall fall dead,</line>
<line>And that the trunk may be discharg&apos;d of breath</line>
<line>As violently as hasty powder fir&apos;d</line>
<line>Doth hurry from the fatal cannon&apos;s womb.</line>
</speech>
<speech>
<speaker>Apoth.</speaker>
<line> Such mortal drugs I have; but Mantua&apos;s law</line>
<line>Is death to any he that utters them.</line>
</speech>
<speech>
<speaker>Rom.</speaker>
<line> Art thou so bare and full of wretchedness </line>
<line>And fearest to die? Famine is in thy cheeks,</line>
<line>Need and oppression starveth in thine eyes,</line>
<line>Contempt and beggary hangs upon thy back:</line>
<line>The world is not thy friend, nor the world&apos;s law;</line>
<line>The world affords no law to make thee rich;</line>
<line>Then be not poor, but break it and take this.</line>
</speech>
<speech>
<speaker>Apoth.</speaker>
<line> My poverty but not my will consents.</line>
</speech>
<speech>
<speaker>Rom.</speaker>
<line> I pay thy poverty and not thy will.</line>
</speech>
<speech>
<speaker>Apoth.</speaker>
<line> Put this in any liquid thing you will</line>
<line>And drink it off, and if you had the strength</line>
<line>Of twenty men, it would dispatch you straight.</line>
</speech>
<speech>
<speaker>Rom.</speaker>
<line> There is thy gold- worse poison to men&apos;s souls,</line>
<line>Doing more murther in this loathsome world,</line>
<line>Than these poor compounds that thou mayst not sell.</line>
<line>I sell thee poison; thou hast sold me none.</line>
<line>Farewell. Buy food and get thyself in flesh.</line>
<line>Come, cordial and not poison, go with me</line>
<line>To Juliet&apos;s grave; for there must I use thee.</line>
</speech>
<stagedir>Exeunt.</stagedir>
</scene>
<scene id="2">
<scndesc>Scene II. Verona. Friar Laurence&apos;s cell.</scndesc>
<stagedir>Enter Friar John to Friar Laurence.</stagedir>
<speech>
<speaker>John.</speaker>
<line> Holy Franciscan friar, brother, ho!</line>
</speech>
<stagedir>Enter Friar Laurence.</stagedir>
<speech>
<speaker>Laur.</speaker>
<line> This same should be the voice of Friar John.</line>
<line>Welcome from Mantua. What says Romeo?</line>
<line>Or, if his mind be writ, give me his letter.</line>
</speech>
<speech>
<speaker>John.</speaker>
<line> Going to find a barefoot brother out,</line>
<line>One of our order, to associate me</line>
<line>Here in this city visiting the sick,</line>
<line>And finding him, the searchers of the town,</line>
<line>Suspecting that we both were in a house</line>
<line>Where the infectious pestilence did reign,</line>
<line>Seal&apos;d up the doors, and would not let us forth,</line>
<line>So that my speed to Mantua there was stay&apos;d.</line>
</speech>
<speech>
<speaker>Laur.</speaker>
<line> Who bare my letter, then, to Romeo?</line>
</speech>
<speech>
<speaker>John.</speaker>
<line> I could not send it- here it is again- </line>
<line>Nor get a messenger to bring it thee,</line>
<line>So fearful were they of infection.</line>
</speech>
<speech>
<speaker>Laur.</speaker>
<line> Unhappy fortune! By my brotherhood,</line>
<line>The letter was not nice, but full of charge,</line>
<line>Of dear import; and the neglecting it</line>
<line>May do much danger. Friar John, go hence,</line>
<line>Get me an iron crow and bring it straight</line>
<line>Unto my cell.</line>
</speech>
<speech>
<speaker>John.</speaker>
<line> Brother, I&apos;ll go and bring it thee.</line>
</speech>
<stagedir>Exit.</stagedir>
<speech>
<speaker>Laur.</speaker>
<line> Now, must I to the monument alone.</line>
<line>Within this three hours will fair Juliet wake.</line>
<line>She will beshrew me much that Romeo</line>
<line>Hath had no notice of these accidents;</line>
<line>But I will write again to Mantua,</line>
<line>And keep her at my cell till Romeo come-</line>
<line>Poor living corse, clos&apos;d in a dead man&apos;s tomb!</line>
</speech>
<stagedir>Exit.</stagedir>
</scene>
<scene id="3">
<scndesc>Scene III. Verona. A churchyard; in it the monument of the
Capulets.</scndesc>
<stagedir>Enter Paris and his Page with flowers and [a torch].</stagedir>
<speech>
<speaker>Par.</speaker>
<line> Give me thy torch, boy. Hence, and stand aloof.</line>
<line>Yet put it out, for I would not be seen.</line>
<line>Under yond yew tree lay thee all along,</line>
<line>Holding thine ear close to the hollow ground.</line>
<line>So shall no foot upon the churchyard tread</line>
<line>(Being loose, unfirm, with digging up of graves)</line>
<line>But thou shalt hear it. Whistle then to me,</line>
<line>As signal that thou hear&apos;st something approach.</line>
<line>Give me those flowers. Do as I bid thee, go.</line>
</speech>
<speech>
<speaker>Page.</speaker>
<line>
<stagedir>[aside]</stagedir> I am almost afraid to stand alone</line>
<line>Here in the churchyard; yet I will adventure.</line>
<stagedir>[Retires.]</stagedir>
</speech>
<speech>
<speaker>Par.</speaker>
<line> Sweet flower, with flowers thy bridal bed I strew</line>
<line>(O woe! thy canopy is dust and stones)</line>
<line>Which with sweet water nightly I will dew;</line>
<line>Or, wanting that, with tears distill&apos;d by moans.</line>
<line>The obsequies that I for thee will keep</line>
<line>Nightly shall be to strew, thy grave and weep. </line>
<stagedir>Whistle Boy.</stagedir>
<line>The boy gives warning something doth approach.</line>
<line>What cursed foot wanders this way to-night</line>
<line>To cross my obsequies and true love&apos;s rite?</line>
<line>What, with a torch? Muffle me, night, awhile.</line>
<stagedir>[Retires.]</stagedir>
<stagedir>Enter Romeo, and Balthasar with a torch, a mattock, and a
crow of iron.</stagedir>
</speech>
<speech>
<speaker>Rom.</speaker>
<line> Give me that mattock and the wrenching iron.</line>
<line>Hold, take this letter. Early in the morning</line>
<line>See thou deliver it to my lord and father.</line>
<line>Give me the light. Upon thy life I charge thee,</line>
<line>Whate&apos;er thou hearest or seest, stand all aloof</line>
<line>And do not interrupt me in my course.</line>
<line>Why I descend into this bed of death</line>
<line>Is partly to behold my lady&apos;s face,</line>
<line>But chiefly to take thence from her dead finger</line>
<line>A precious ring- a ring that I must use</line>
<line>In dear employment. Therefore hence, be gone. </line>
<line>But if thou, jealous, dost return to pry</line>
<line>In what I farther shall intend to do,</line>
<line>By heaven, I will tear thee joint by joint</line>
<line>And strew this hungry churchyard with thy limbs.</line>
<line>The time and my intents are savage-wild,</line>
<line>More fierce and more inexorable far</line>
<line>Than empty tigers or the roaring sea.</line>
</speech>
<speech>
<speaker>Bal.</speaker>
<line> I will be gone, sir, and not trouble you.</line>
</speech>
<speech>
<speaker>Rom.</speaker>
<line> So shalt thou show me friendship. Take thou that.</line>
<line>Live, and be prosperous; and farewell, good fellow.</line>
</speech>
<speech>
<speaker>Bal.</speaker>
<line>
<stagedir>[aside]</stagedir> For all this same, I&apos;ll hide me
hereabout.</line>
<line>His looks I fear, and his intents I doubt.</line>
<stagedir>[Retires.]</stagedir>
</speech>
<speech>
<speaker>Rom.</speaker>
<line> Thou detestable maw, thou womb of death,</line>
<line>Gorg&apos;d with the dearest morsel of the earth,</line>
<line>Thus I enforce thy rotten jaws to open,</line>
<line>And in despite I&apos;ll cram thee with more food.</line>
</speech>
<stagedir>Romeo opens the tomb.</stagedir>
<speech>
<speaker>Par.</speaker>
<line> This is that banish&apos;d haughty Montague</line>
<line>That murd&apos;red my love&apos;s cousin- with which grief</line>
<line>It is supposed the fair creature died- </line>
<line>And here is come to do some villanous shame</line>
<line>To the dead bodies. I will apprehend him.</line>
<line>Stop thy unhallowed toil, vile Montague!</line>
<line>Can vengeance be pursu&apos;d further than death?</line>
<line>Condemned villain, I do apprehend thee.</line>
<line>Obey, and go with me; for thou must die.</line>
</speech>
<speech>
<speaker>Rom.</speaker>
<line> I must indeed; and therefore came I hither.</line>
<line>Good gentle youth, tempt not a desp&apos;rate man.</line>
<line>Fly hence and leave me. Think upon these gone;</line>
<line>Let them affright thee. I beseech thee, youth,</line>
<line>But not another sin upon my head</line>
<line>By urging me to fury. O, be gone!</line>
<line>By heaven, I love thee better than myself,</line>
<line>For I come hither arm&apos;d against myself.</line>
<line>Stay not, be gone. Live, and hereafter say</line>
<line>A madman&apos;s mercy bid thee run away.</line>
</speech>
<speech>
<speaker>Par.</speaker>
<line> I do defy thy, conjuration</line>
<line>And apprehend thee for a felon here.</line>
</speech>
<speech>
<speaker>Rom.</speaker>
<line> Wilt thou provoke me? Then have at thee, boy!</line>
<stagedir>They fight.</stagedir>
</speech>
<speech>
<speaker>Page.</speaker>
<line> O Lord, they fight! I will go call the watch.</line>
<stagedir>[Exit. Paris falls.]</stagedir>
</speech>
<speech><speaker>Par.</speaker>
<line> O, I am slain! If thou be merciful,</line>
<line>Open the tomb, lay me with Juliet</line>.
<stagedir>[Dies.]</stagedir></speech>
<speech>
<speaker>Rom.</speaker>
<line> In faith, I will. Let me peruse this face.</line>
<line>Mercutio&apos;s kinsman, noble County Paris!</line>
<line>What said my man when my betossed soul</line>
<line>Did not attend him as we rode? I think</line>
<line>He told me Paris should have married Juliet.</line>
<line>Said he not so? or did I dream it so?</line>
<line>Or am I mad, hearing him talk of Juliet</line>
<line>To think it was so? O, give me thy hand,</line>
<line>One writ with me in sour misfortune&apos;s book!</line>
<line>I&apos;ll bury thee in a triumphant grave.</line>
<line>A grave? O, no, a lanthorn, slaught&apos;red youth,</line>
<line>For here lies Juliet, and her beauty makes</line>
<line>This vault a feasting presence full of light.</line>
<line>Death, lie thou there, by a dead man interr&apos;d.</line>
<stagedir>[Lays him in the tomb.]</stagedir>
<line>How oft when men are at the point of death </line>
<line>Have they been merry! which their keepers call</line>
<line>A lightning before death. O, how may I</line>
<line>Call this a lightning? O my love! my wife!</line>
<line>Death, that hath suck&apos;d the honey of thy breath,</line>
<line>Hath had no power yet upon thy beauty.</line>
<line>Thou art not conquer&apos;d. Beauty&apos;s ensign yet</line>
<line>Is crimson in thy lips and in thy cheeks,</line>
<line>And death&apos;s pale flag is not advanced there.</line>
<line>Tybalt, liest thou there in thy bloody sheet?</line>
<line>O, what more favour can I do to thee</line>
<line>Than with that hand that cut thy youth in twain</line>
<line>To sunder his that was thine enemy?</line>
<line>Forgive me, cousin.&apos; Ah, dear Juliet,</line>
<line>Why art thou yet so fair? Shall I believe</line>
<line>That unsubstantial Death is amorous,</line>
<line>And that the lean abhorred monster keeps</line>
<line>Thee here in dark to be his paramour?</line>
<line>For fear of that I still will stay with thee</line>
<line>And never from this palace of dim night</line>
<line>Depart again. Here, here will I remain </line>
<line>With worms that are thy chambermaids. O, here</line>
<line>Will I set up my everlasting rest</line>
<line>And shake the yoke of inauspicious stars</line>
<line>From this world-wearied flesh. Eyes, look your last!</line>
<line>Arms, take your last embrace! and, lips, O you</line>
<line>The doors of breath, seal with a righteous kiss</line>
<line>A dateless bargain to engrossing death!</line>
<line>Come, bitter conduct; come, unsavoury guide!</line>
<line>Thou desperate pilot, now at once run on</line>
<line>The dashing rocks thy seasick weary bark!</line>
<line>Here&apos;s to my love! <stagedir>[Drinks.]</stagedir> O true
apothecary!</line>
<line>Thy drugs are quick. Thus with a kiss I die.</line>
<stagedir>Falls.</stagedir>
<stagedir>Enter Friar [Laurence], with lanthorn, crow, and
spade.</stagedir>
</speech>
<speech>
<speaker>Friar.</speaker>
<line> Saint Francis be my speed! how oft to-night</line>
<line>Have my old feet stumbled at graves! Who&apos;s there?</line>
</speech>
<speech>
<speaker>Bal.</speaker>
<line> Here&apos;s one, a friend, and one that knows you well.</line>
</speech>
<speech>
<speaker>Friar.</speaker>
<line> Bliss be upon you! Tell me, good my friend,</line>
<line>What torch is yond that vainly lends his light </line>
<line>To grubs and eyeless skulls? As I discern,</line>
<line>It burneth in the Capels&apos; monument.</line>
</speech>
<speech>
<speaker>Bal.</speaker>
<line> It doth so, holy sir; and there&apos;s my master,</line>
<line>One that you love.</line>
</speech>
<speech>
<speaker>Friar.</speaker>
<line> Who is it?</line>
</speech>
<speech>
<speaker>Bal.</speaker>
<line> Romeo.</line>
</speech>
<speech>
<speaker>Friar.</speaker>
<line> How long hath he been there?</line>
</speech>
<speech>
<speaker>Bal.</speaker>
<line> Full half an hour.</line>
</speech>
<speech>
<speaker>Friar.</speaker>
<line> Go with me to the vault.</line>
</speech>
<speech>
<speaker>Bal.</speaker>
<line> I dare not, sir.</line>
<line>My master knows not but I am gone hence,</line>
<line>And fearfully did menace me with death</line>
<line>If I did stay to look on his intents.</line>
</speech>
<speech>
<speaker>Friar.</speaker>
<line> Stay then; I&apos;ll go alone. Fear comes upon me.</line>
<line>O, much I fear some ill unthrifty thing.</line>
</speech>
<speech>
<speaker>Bal.</speaker>
<line> As I did sleep under this yew tree here,</line>
<line>I dreamt my master and another fought,</line>
<line>And that my master slew him.</line>
</speech>
<speech>
<speaker>Friar.</speaker>
<line> Romeo!</line>
<line>Alack, alack, what blood is this which stains </line>
<line>The stony entrance of this sepulchre?</line>
<line>What mean these masterless and gory swords</line>
<line>To lie discolour&apos;d by this place of peace?
<stagedir>[Enters the tomb.]</stagedir></line>
<line>Romeo! O, pale! Who else? What, Paris too?</line>
<line>And steep&apos;d in blood? Ah, what an unkind hour</line>
<line>Is guilty of this lamentable chance! The lady stirs.</line>
<stagedir>Juliet rises.</stagedir>
</speech>
<speech>
<speaker>Jul.</speaker>
<line> O comfortable friar! where is my lord?</line>
<line>I do remember well where I should be,</line>
<line>And there I am. Where is my Romeo?</line>
</speech>
<speech>
<speaker>Friar.</speaker>
<line> I hear some noise. Lady, come from that nest</line>
<line>Of death, contagion, and unnatural sleep.</line>
<line>A greater power than we can contradict</line>
<line>Hath thwarted our intents. Come, come away.</line>
<line>Thy husband in thy bosom there lies dead;</line>
<line>And Paris too. Come, I&apos;ll dispose of thee</line>
<line>Among a sisterhood of holy nuns.</line>
<line>Stay not to question, for the watch is coming.</line>
<line>Come, go, good Juliet. I dare no longer stay.</line>
</speech>
<speech>
<speaker>Jul.</speaker>
<line> Go, get thee hence, for I will not away. <stagedir>Exit
[Friar].</stagedir></line>
<line>What&apos;s here? A cup, clos&apos;d in my true love&apos;s
hand?</line>
<line>Poison, I see, hath been his timeless end.</line>
<line>O churl! drunk all, and left no friendly drop</line>
<line>To help me after? I will kiss thy lips.</line>
<line>Haply some poison yet doth hang on them</line>
<line>To make me die with a restorative. <stagedir>[Kisses
him.]</stagedir></line>
<line>Thy lips are warm!</line>
</speech>
<speech>
<speaker>Chief Watch.</speaker>
<line>
<stagedir>[within]</stagedir> Lead, boy. Which way?</line>
<line>Yea, noise? Then I&apos;ll be brief. O happy dagger!
<stagedir>[Snatches Romeo&apos;s dagger.]</stagedir></line>
<line>This is thy sheath; there rest, and let me die.</line>
<stagedir>She stabs herself and falls [on Romeo&apos;s body].</stagedir>
<stagedir>Enter [Paris&apos;s] Boy and Watch.</stagedir>
</speech>
<speech>
<speaker>Boy.</speaker>
<line> This is the place. There, where the torch doth burn.</line>
</speech>
<speech>
<speaker>Chief Watch.</speaker>
<line> &apos;the ground is bloody. Search about the churchyard.</line>
<line>Go, some of you; whoe&apos;er you find attach.</line>
<stagedir>[Exeunt some of the Watch.]</stagedir>
<line>Pitiful sight! here lies the County slain;</line>
<line>And Juliet bleeding, warm, and newly dead,</line>
<line>Who here hath lain this two days buried.</line>
<line>Go, tell the Prince; run to the Capulets;</line>
<line>Raise up the Montagues; some others search.</line>
<stagedir>[Exeunt others of the Watch.]</stagedir>
<line>We see the ground whereon these woes do lie,</line>
<line>But the true ground of all these piteous woes</line>
<line>We cannot without circumstance descry.</line>
<stagedir>Enter [some of the Watch,]w ith Romeo&apos;s Man
[Balthasar].</stagedir>
</speech>
<speech>
<speaker>2. Watch.</speaker>
<line> Here&apos;s Romeo&apos;s man. We found him in the
churchyard.</line>
</speech>
<speech>
<speaker>Chief Watch.</speaker>
<line> Hold him in safety till the Prince come hither.</line>
<stagedir>Enter Friar [Laurence] and another Watchman.</stagedir>
</speech>
<speech>
<speaker>3. Watch.</speaker>
<line> Here is a friar that trembles, sighs, and weeps.</line>
<line>We took this mattock and this spade from him</line>
<line>As he was coming from this churchyard side.</line>
</speech>
<speech>
<speaker>Chief Watch.</speaker>
<line> A great suspicion! Stay the friar too.</line>
<stagedir>Enter the Prince [and Attendants].</stagedir>
</speech>
<speech>
<speaker>Prince.</speaker>
<line> What misadventure is so early up,</line>
<line>That calls our person from our morning rest?</line>
<stagedir>Enter Capulet and his Wife [with others].</stagedir>
</speech>
<speech>
<speaker>Cap.</speaker>
<line> What should it be, that they so shriek abroad?</line>
</speech>
<speech>
<speaker>Wife.</speaker>
<line> The people in the street cry &apos;Romeo,&apos;</line>
<line>Some &apos;Juliet,&apos; and some &apos;Paris&apos;; and all
run,</line>
<line>With open outcry, toward our monument.</line>
</speech>
<speech>
<speaker>Prince.</speaker>
<line> What fear is this which startles in our ears?</line>
</speech>
<speech>
<speaker>Chief Watch.</speaker>
<line> Sovereign, here lies the County Paris slain;</line>
<line>And Romeo dead; and Juliet, dead before,</line>
<line>Warm and new kill&apos;d.</line>
</speech>
<speech>
<speaker>Prince.</speaker>
<line> Search, seek, and know how this foul murder comes.</line>
</speech>
<speech>
<speaker>Chief Watch.</speaker>
<line> Here is a friar, and slaughter&apos;d Romeo&apos;s man,</line>
<line>With instruments upon them fit to open </line>
<line>These dead men&apos;s tombs.</line>
</speech>
<speech>
<speaker>Cap.</speaker>
<line> O heavens! O wife, look how our daughter bleeds!</line>
<line>This dagger hath mista&apos;en, for, lo, his house</line>
<line>Is empty on the back of Montague,</line>
<line>And it missheathed in my daughter&apos;s bosom!</line>
</speech>
<speech>
<speaker>Wife.</speaker>
<line> O me! this sight of death is as a bell</line>
<line>That warns my old age to a sepulchre.</line>
<stagedir>Enter Montague [and others].</stagedir>
</speech>
<speech>
<speaker>Prince.</speaker>
<line> Come, Montague; for thou art early up</line>
<line>To see thy son and heir more early down.</line>
</speech>
<speech>
<speaker>Mon.</speaker>
<line> Alas, my liege, my wife is dead to-night!</line>
<line>Grief of my son&apos;s exile hath stopp&apos;d her breath.</line>
<line>What further woe conspires against mine age?</line>
</speech>
<speech>
<speaker>Prince.</speaker>
<line> Look, and thou shalt see.</line>
</speech>
<speech>
<speaker>Mon.</speaker>
<line> O thou untaught! what manners is in this,</line>
<line>To press before thy father to a grave?</line>
</speech>
<speech>
<speaker>Prince.</speaker>
<line> Seal up the mouth of outrage for a while,</line>
<line>Till we can clear these ambiguities </line>
<line>And know their spring, their head, their true descent;</line>
<line>And then will I be general of your woes</line>
<line>And lead you even to death. Meantime forbear,</line>
<line>And let mischance be slave to patience.</line>
<line>Bring forth the parties of suspicion.</line>
</speech>
<speech>
<speaker>Friar.</speaker>
<line> I am the greatest, able to do least,</line>
<line>Yet most suspected, as the time and place</line>
<line>Doth make against me, of this direful murther;</line>
<line>And here I stand, both to impeach and purge</line>
<line>Myself condemned and myself excus&apos;d.</line>
</speech>
<speech>
<speaker>Prince.</speaker>
<line> Then say it once what thou dost know in this.</line>
</speech>
<speech>
<speaker>Friar.</speaker>
<line> I will be brief, for my short date of breath</line>
<line>Is not so long as is a tedious tale.</line>
<line>Romeo, there dead, was husband to that Juliet;</line>
<line>And she, there dead, that Romeo&apos;s faithful wife.</line>
<line>I married them; and their stol&apos;n marriage day</line>
<line>Was Tybalt&apos;s doomsday, whose untimely death</line>
<line>Banish&apos;d the new-made bridegroom from this city;</line>
<line>For whom, and not for Tybalt, Juliet pin&apos;d.</line>
<line>You, to remove that siege of grief from her, </line>
<line>Betroth&apos;d and would have married her perforce</line>
<line>To County Paris. Then comes she to me</line>
<line>And with wild looks bid me devise some mean</line>
<line>To rid her from this second marriage,</line>
<line>Or in my cell there would she kill herself.</line>
<line>Then gave I her (so tutored by my art)</line>
<line>A sleeping potion; which so took effect</line>
<line>As I intended, for it wrought on her</line>
<line>The form of death. Meantime I writ to Romeo</line>
<line>That he should hither come as this dire night</line>
<line>To help to take her from her borrowed grave,</line>
<line>Being the time the potion&apos;s force should cease.</line>
<line>But he which bore my letter, Friar John,</line>
<line>Was stay&apos;d by accident, and yesternight</line>
<line>Return&apos;d my letter back. Then all alone</line>
<line>At the prefixed hour of her waking</line>
<line>Came I to take her from her kindred&apos;s vault;</line>
<line>Meaning to keep her closely at my cell</line>
<line>Till I conveniently could send to Romeo.</line>
<line>But when I came, some minute ere the time </line>
<line>Of her awaking, here untimely lay</line>
<line>The noble Paris and true Romeo dead.</line>
<line>She wakes; and I entreated her come forth</line>
<line>And bear this work of heaven with patience;</line>
<line>But then a noise did scare me from the tomb,</line>
<line>And she, too desperate, would not go with me,</line>
<line>But, as it seems, did violence on herself.</line>
<line>All this I know, and to the marriage</line>
<line>Her nurse is privy; and if aught in this</line>
<line>Miscarried by my fault, let my old life</line>
<line>Be sacrific&apos;d, some hour before his time,</line>
<line>Unto the rigour of severest law.</line>
</speech>
<speech>
<speaker>Prince.</speaker>
<line> We still have known thee for a holy man.</line>
<line>Where&apos;s Romeo&apos;s man? What can he say in this?</line>
</speech>
<speech>
<speaker>Bal.</speaker>
<line> I brought my master news of Juliet&apos;s death;</line>
<line>And then in post he came from Mantua</line>
<line>To this same place, to this same monument.</line>
<line>This letter he early bid me give his father,</line>
<line>And threat&apos;ned me with death, going in the vault,</line>
<line>If I departed not and left him there.</line>
</speech>
<speech>
<speaker>Prince.</speaker>
<line> Give me the letter. I will look on it.</line>
<line>Where is the County&apos;s page that rais&apos;d the watch?</line>
<line>Sirrah, what made your master in this place?</line>
</speech>
<speech>
<speaker>Boy.</speaker>
<line> He came with flowers to strew his lady&apos;s grave;</line>
<line>And bid me stand aloof, and so I did.</line>
<line>Anon comes one with light to ope the tomb;</line>
<line>And by-and-by my master drew on him;</line>
<line>And then I ran away to call the watch.</line>
</speech>
<speech>
<speaker>Prince.</speaker>
<line> This letter doth make good the friar&apos;s words,</line>
<line>Their course of love, the tidings of her death;</line>
<line>And here he writes that he did buy a poison</line>
<line>Of a poor pothecary, and therewithal</line>
<line>Came to this vault to die, and lie with Juliet.</line>
<line>Where be these enemies? Capulet, Montage,</line>
<line>See what a scourge is laid upon your hate,</line>
<line>That heaven finds means to kill your joys with love!</line>
<line>And I, for winking at you, discords too,</line>
<line>Have lost a brace of kinsmen. All are punish&apos;d.</line>
</speech>
<speech>
<speaker>Cap.</speaker>
<line> O brother Montague, give me thy hand.</line>
<line>This is my daughter&apos;s jointure, for no more </line>
<line>Can I demand.</line>
</speech>
<speech>
<speaker>Mon.</speaker>
<line> But I can give thee more;</line>
<line>For I will raise her Statue in pure gold,</line>
<line>That whiles Verona by that name is known,</line>
<line>There shall no figure at such rate be set</line>
<line>As that of true and faithful Juliet.</line>
</speech>
<speech>
<speaker>Cap.</speaker>
<line> As rich shall Romeo&apos;s by his lady&apos;s lie-</line>
<line>Poor sacrifices of our enmity!</line>
</speech>
<speech>
<speaker>Prince.</speaker>
<line> A glooming peace this morning with it brings.</line>
<line>The sun for sorrow will not show his head.</line>
<line>Go hence, to have more talk of these sad things;</line>
<line>Some shall be pardon&apos;d, and some punished;</line>
<line>For never was a story of more woe</line>
<line>Than this of Juliet and her Romeo.</line>
</speech>
<stagedir>Exeunt omnes.</stagedir>
<note>THE END</note>
</scene>
</act>
</playbody>
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</play>
<endgutmeta> End of this Etext of The Complete Works of William Shakespeare The Tragedy of
Romeo and Juliet</endgutmeta>
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